The filmmaker behind Wojnarowicz: F*ck You F*ggot F*cker discusses why the late artist’s politically confrontational work is more relevant than ever.

Saturated with objects but also different colors and emotions, the installations by American artist Portia Munson reflect her interest in systems and structured formations. For several decades already, she has been combining sculpture, installation, painting, and digital photography, to explore consumerism from the feminist and environmentalist lens.

NEW YORK, NY.- P·P·O·W is presenting Made to Be Broken, a site-specific exhibition curated by artist Corey Durbin. Installed underneath P·P·O·W, Made to Be Broken features new works by Daniel Barragán, Caroline Boreri, Corey Durbin, Yves B Golden, Carly Mandel, Hayley Cranberry Small, and Cameron Spratley.

Our ‘At home with’ interview series explores what creatives are making, what’s making them tick, and the moments that made them. This time, we step over the threshold with Guyanese-British artist Hew Locke 

The Carnegie Museum of Art in Pittsburgh has announced the full list of participating artists for the 58th Carnegie International exhibition, which opens in Pittsburgh on 24 September.

P.P.O.W. is opening up their unfinished basement this weekend for a group show curated by Corey Durbin … 

The Carnegie International in Pittsburgh, the oldest biennial-style show in the U.S., has revealed the artist list for its 2022 edition, which is due to kick off at the Carnegie Museum of Art on September 24.

Organizers of the Carnegie International today released the names of the artists who will be participating in the event’s fifty-eighth edition, to take place from September 24, 2022 to April 2, 2023, across various venues in Pittsburgh. Curated by Sohrab Mohebbi, the exhibition is titled “Is It Morning for You Yet?” 

The 58th edition will feature 150 artists, creative collectives, and institutional collections.

Noting the ‘documentary form’ as of relevance to the historicisation of the LGBTQ+ movement, these artists bring the image towards the evidentiary.

Each week, we search for the most exciting and thought-provoking shows, screenings, and events, both digitally and in-person in the New York area. See our picks from around the world below.

Inside the Benenson Center’s Newmark Gallery, a 15-foot-wide blue backyard swimming pool is filled, not with water, but with thousands of found plastic artifacts, organized by graduated shades of blue. The centerpiece of “Flood,” a new exhibit by artist Portia Munson, “Reflecting Pool” (2013) displays the detritus of the plastic era.

The artist realized what he previously called an “impossible proposal,” building a ship around a public statue of Queen Victoria, where she’s joined by five smaller replicas of herself.

We asked our friend Simon de Pury to give us a lay of the land and to offer a peek into what's on offer.

As the new exhibition WORLDBUILDING: Gaming and Art in the Digital Age opens, curator Hans Ulrich Obrist discusses the growing role of video games in our everyday lives

He has been exploring ships, slavery and statues for decades – and now the world has finally caught up. As Locke unveils the boat he has built in Birmingham, he talks us through his ‘bloody exhausting’ workload

Hunter Reynolds, an artist and activist whose expansive work influenced generations and poignantly reflected on the immense loss wrought by the AIDS crisis and took on that era’s homophobia, died on June 12 at his home in New York’s East Village. He was 62.

The Dow dropped 800 points, the S&P 500 fell into bear market territory, Bitcoin hit an 18-month low, and inflation concerns continued to stoke fears about an oncoming recession, but you wouldn’t have known that financial chaos was raging at Tuesday’s VIP opening of Art Basel in Basel.

Artist couple Clementine Keith-Roach and Christopher Page bring their vision of human interaction to PPOW gallery.

The organizers of the forthcoming ART SG in Singapore announced the more than 150 galleries that will participate in its inaugural edition, scheduled to run January 11–15 at the Marina Bay Sands Expo and Convention Centre.

NEW YORK, NY.- P·P·O·W and the Hunter Reynolds Estate are deeply saddened to announce that Hunter Reynolds, influential artist, activist, and dear friend, passed away peacefully on June 12, 2022 at his home in the East Village surrounded by loyal friends. He was 62 years old.

Art Basel returns to Switzerland in full swing, held at Messe Basel from June 16—19 with support from UBS. Exhibited across platforms like Galleries, Features, Statements, and Editions, the fair’s 289 presenting galleries are bringing a range of works by contemporary creators and rare and historical marvels. The fair also encompasses a series of large-scale works in the Unlimited sector, site-specific projects in Parcours, and a program encompassing talks, films, and other special happenings.

Our picks of the must-see seasonal outdoor and indoor exhibitions, from Wangechi Mutu and Brandon Ndife at the Storm King Art Center to Frank Stella at The Ranch

Today, Martin Wong (1946–1999) is undoubtedly best known as an unwavering chronicler of a bygone era in New York’s Loisaida neighborhood, his meticulous renderings of the material world’s seemingly inconsequential details, like brick walls or chain-wire fencing, and, of course, his adaptation of the fingerspelling gestures used in American Sign Language.

Sprüth Magers to open in New York; Art Basel galleries put spotlight on refugees; offer for MCH spin-off; Miami museum buys Nam June Paik work

Upon seeing Dinh Q. Lê’s work, one’s instinctive reaction is often to move closer. Lê’s meticulous photo-weaving process, inspired by Vietnamese grass mat weaving, creates intricate collages of found images that tie identities, histories, and memories engrossed in conflict and displacement. 

It’s not new for an artwork to state its queer allusions so clearly. But as collectors of LGBTQIA+ art are becoming more numerous, and (in the West in particular) queer artists are becoming more visible in museum shows, galleries are an important part of the puzzle in supporting these artists. How are dealers working to represent the varied practices of LGBTQ artists today?

“52 Artists: A Feminist Milestone” revisits the practices and artists of the Ridgefield, Connecticut museum's seminal 1971 feminist art show, Twenty Six Contemporary Women Artists," and brings new voices into the conversation.

Female deities, demons, and religious figures have been a source of artistic inspiration for centuries. Yet all too often, their image and stories have fallen victim to a prurient male gaze and patriarchal ideas of womanhood.

Guadalupe Maravilla’s Tierra Blanca Joven at the Brooklyn Museum consists of “Disease Throwers”—large sculptures that function as healing sound baths, a curation of Mayan artifacts from the museum’s collection, video performance, and a community healing room.

Four legs in a garden—Glaessner’s first exhibition in a French institutional context—is hung luxuriously under Le Consortium’s vast 12-meter ceiling in their monumental White Box gallery. The show’s general similarity benefits from this grandeur and includes three new works of paths and party scenes that were created specifically for the exhibition site. Though some of the canvases are small, they all uses the electric hues of a Fauvist palette. 

Depictions of the British sovereign, one of the most painted women in history, reflect the changing status of the monarchy over more than half a century

Few artists have had as much of an impact on representational painting as Judith Linhares. For the years between MarciaTucker’s “Bad” Painting (1978) at the New Museum and Linhares’s inclusion in Frieze by Anglim Gilbert Gallery in 2018, she was a painter well-known by other figurative painters and the generations of students she taught at the School of Visual Arts, but her gallery representation didn’t properly reflect her influence.

These university museum leaders are bridging cultural chasms through elaborate and generative work with their students.

52 Artists: A Feminist Milestone celebrates the fifty-first anniversary of the historic exhibition Twenty Six Contemporary Women Artists, curated by Lucy R. Lippard and presented at The Aldrich Contemporary Art Museum in Ridgefield, Conn., in 1971. Opening on June 6, 2022, 52 Artists will showcase work by the artists included in the original 1971 exhibition, alongside a new roster of twenty-six female identifying or nonbinary emerging artists, tracking the evolution of feminist art practices over the past five decades. 

Want to see new art in New York this weekend? Start on the Upper East Side with Evelyn Statsinger’s enthralling paintings at Gray New York. Then head to Chelsea for a rare chance to see Michaël Borremans’s work at David Zwirner.- And don’t miss Tommy Malekoff’s indelible video images shot in the Everglades.

“Basquiat is not just an artist; for a lot of the people out there, he’s a religion,” one dealer said. But Wednesday there were plenty of newcomers to watch.

In the past few years, Tribeca has seen a resurgence as New York galleries depart districts like Chelsea and the Lower East Side for new digs, making this neighborhood one of the go-to spots for art in the city. A heady brew of art enterprises has formed as a result: relatively young art spaces now exist side-by-side with Tribeca veterans like Postmasters Gallery and apexart, and edgy shows by artists on the rise can be found just blocks from ones by more established talent.

One couple is helping Atlanta’s High Museum of Art to fill gaps and correct biases in its collection.

From Genesis P-Orridge at Pioneer Works to Louise Bourgeois at the Met, our pick of the best exhibitions in the city this week

Women inhabit their bodies on their own terms in Judith Linhares’s paintings, rendered in the color-loaded, wet-into-wet strokes of the artist’s signature wide brush.

Last year, the Ford Foundation and Mellon Foundation, two of the country’s largest philanthropic funders in the arts, joined forces to establish the Latinx Artist Fellowship, which will support the work of 75 Latinx artists at various stages in their careers over a five-year period.

What makes an image queer? What constitutes a queer history? Ryan Patrick Krueger’s debut solo exhibition, “On Longing,” invoked these questions and explored what’s at stake in their answers through five works (all 2022) that contain and reframe vernacular photographs of coupled men between whom some form of affection can be discerned.

Alive with personified creatures and borrowed symbols, Astrid Terrazas’s canvases function like tarot cards, hazy assemblages of meanings that orbit an iconic core. 

The artist, who fled the violence of the civil war in El Salvador as a child, incorporates ritual gongs into his sculptures, on view in the show “Tierra Blanca Joven,” at the Brooklyn Museum.

Guadalupe Maravilla's practice and resulting artworks centre mostly on healing as an individual and societal tool to overcome trauma, drawing from his background as a child of war and experiences as a cancer survivor to build spaces focused on communal care and healing across generations.

Fixing a set of emerald-green and darkly mesmerizing eyes on the camera for a 2022 video in this exhibition, Tiamat Legion Medusa, the titular subject of the piece, asserts, “I don’t want to die looking like a human.”

It was terrifying, but there was so much beauty and magic.

That's how the artist Guadalupe Maravilla describes much of his life. And it could also be said for his work — looming sculptures and haunting sound art — exhibitions of which are currently being shown at the Museum of Modern Art and the Brooklyn Museum in New York.

Hew Locke discusses his grand commission for Tate Britain, a poetic work of sculpture examining colonial legacy, global finance and the human bodies at the end of the paper trail

The Salvadoran artist talks to Aruna D’Souza about retracing his childhood migration through Central America and Mexico, collectively healing trauma and performing in the dark

The annual Gallery Weekend Berlin is opening this week at some 50 galleries.

New York Art Week, which runs May 5th through 12th, is the latest evolution in the city’s always mercurial art fair scene. In the past, major fairs have spawned numerous satellite events, and organizations across the city have tried to capitalize on the monied collectors who flock here for the marquee events. New York Art Week is a unique endeavor in that it’s the first attempt to bring together many of these actors under one banner with a focused mission.

In memory of Stephanie, and in honor of Alejandro.

The book Gay Propaganda, edited by Masha Gessen, was published in January of 2014, on the eve of the Winter Olympics in Sochi, and right before the invasion of Crimea. It collects personal accounts of LGBTQ+ life in Russia in response to the laws criminalizing public discussions of homosexuality and banning LGBTQ+ couples from adopting children. Every speech that Putin currently makes justifying the new invasion of Ukraine has railed against "so called gender freedoms," equating basic human dignity to a decadent luxury such as oysters or foie gras.

A new exhibition at the Brooklyn Museum showcases the work of multidisciplinary artist Guadalupe Maravilla, the first contemporary Central American artist to have a solo show at the Museum. 

The Shelley and Donald Rubin Foundation embarks on its first book with artists like Claudia Rankine, Mel Chin, Mierle Laderman Ukeles supplying words and curator Anjuli Nanda leading the charge.

Carolee Schneemann created some of the most famous works of performance art of the twentieth century – including the genuinely iconic 'Interior Scroll' - and is long overdue a proper celebration.

In October 1981, the artist David Wojnarowicz, then 27, went to the countryside with his new friend and eventual lover, the photographer Peter Hujar. While there, he caught a snake. This fact is perfectly mundane, but it is rendered breathtaking at PPOW Gallery where you can read about the trip in Wojnarowicz’s handwritten postcard to his then-lover Jean-Pierre Delage and then look up from the glass case where the postcard lies to see a Hujar photo of the event: Wojnarowicz, shirtless in black and white, staring straight into the lens, exposing his two big front teeth in a smile while the snake hangs from his hand like an upside-down “J.”

El artista salvadoreño Guadalupe Maravilla ha convertido dos salas del museo Henie Onstad de Oslo en un manifiesto a favor de los poderes curativos del arte. Sound Botánica, su primera gran exposición individual en Europa, explora cómo la pintura o la instalación pueden enfrentarse a la enfermedad y el trauma, al tiempo que revisten el centro expositivo de un aura espiritual.

I tend to treat painting as a personal folktale journal, and that helps keep me interested. I like to story tell what’s happening in my life in a non-direct way–casting a light haze on the actual happenings of my life and community within invented or fantastical worlds. The intent is to create different stages of consciousness, a dreamlike fluidity that connects past and present. Similar to a dream, the meaning is understood only if looked at peripherally. 

In his work, Danh Vo proposes that you don’t necessarily have to have made an object in order to call it your own. The very typewriter that the Unabomber used to pen his manifestos was included in his 2018 Guggenheim Museum retrospective, as was a chair used by a member of the Kennedy administration. Neither of these objects would have been out of place in a history museum. In Vo’s hands, however, they become art.

Over 40 donors supported the climate action led by Galleries Commit and Art to Acres, which will see nearly 200,000 acres preserved

The fair’s ninth chapter comes after a two-year hiatus and boasts an ambitious programming throughout the city

The artist's new Tate Britain Commission is a blazingly ambitious cavalcade of humanity, melding past and present, joy and pain

Guyanese-British artist will create four sculptures that draw on the New York museum's collection

If there was one phrase uttered more than any other at Thursday’s opening of EXPO Chicago, it was “great energy.” The art, the booths, and most of all the fair itself were suffused with it, according to both gallerists and visitors. That attitude might not be surprising considering this is the first time the event has returned to the city’s Navy Pier since fall 2019—both 2020 and 2021 in-person events were canceled due to the COVID-19 pandemic.

One of the artists, Tiamat Legion Medusa, is transforming into a dragon.

The Guyanese-British artist will create four sculptures shaped into whole and fragmented trophies that reference historical works in the museum’s collection.

Guadalupe Maravilla’s sculptures at the Brooklyn Museum and MoMA explore the trauma caused by war, migration and family separation.

Plus, a new show at PPOW explores David Wojnarowicz’s first love, and Philadelphia Museum of Art workers stage a rally.

In the new issue of Elephant, writer Precious Adesina meets the British artist Hew Locke, whose work has long challenged viewers to look and think again about the world that surrounds them.

A show at PPOW gallery explores the artist and author’s first significant relationship, with Jean Pierre Delage, which liberated him emotionally and changed him artistically.

Hew Locke’s new installation at Tate Britain shows 150 full-sized figures on a journey through history

A new exhibition at New York’s PPOW Gallery displays David Wojnarowicz’s letters to his former lover Jean Pierre – here, his biographer Cynthia Carr talks about his tender, furious artistic legacy

A new large-scale installation by Hew Locke, "The Procession" features nearly 150 life-sized figures outfitted in hand-made garments and masks. 

In a major new commission for the Tate museum group in London, the British-Guyanese artist returns to the themes of empire and postcolonial reckoning that have fascinated him throughout his career.

David Wojnarowicz’s final home was on the corner of Second Avenue and Twelfth Street on the Lower East Side. He moved in after the prior tenant, his mentor and former lover Peter Hujar, died of AIDS. A few months later, in 1988, David was diagnosed with AIDS himself; he’d die in the Second Avenue apartment four years later at the age of thirty-seven.

The Procession, installed in the Duveen Galleries, references the museum's historic links to the sugar industry and slavery

Plus, solo shows for Stan Squirewell, Rebecca Ward, Madjeen Isaac, and more.

Ambitious, accomplished and fascinating, this incredible piece features 150 figures in masks and hand-sewn costumes journeying through Tate Britain

New work evokes ideas of pilgrimage, migration, trade, carnival, protest and social celebrations

There’s a post-colonial, anti-capitalist carnival happening at Tate Britain. And if that doesn’t sound like much fun, that’s because it isn’t. It’s serious.

Locke’s new work The Procession is a coming together of ideas he’s been exploring for nearly 30 years - and now people are talking about them

Tate Britain today unveiled The Procession, a major new installation by artist Hew Locke, the latest in the gallery’s ongoing series of annual commissions. Locke has taken over Tate Britain’s monumental Duveen Galleries with almost 150 life-sized figures – staging a powerful, unsettling and fantastical procession. Intricately hand-made, and bold in its use of colour, this extraordinary installation assembles a myriad of images and materials. It is Locke’s most ambitious project to date, bringing together themes he has explored throughout his career.

Brooklyn-based tapestry artist Erin M. Riley has been weaving pieces that speak on issues faced by women for over ten years. Her work addresses dark themes, raising awareness and promoting recovery for those who have faced issues including violence, self-harm, objectification, or are struggling with their sexuality. Many of her tapestries are based on personal experience, imagery that she has plucked directly from her camera roll, or photos she has come across online.

Curator Michael Rooks advocates for love not war in new exhibition.

The notion of stories, bodies, and selves that change incrementally and radically as they repeat pervades the mesmerizing world of Glaessner’s Phantom Tail.

‘Collectors’ journeys into the homes of fledgling and seasoned art buyers from across the globe. The ongoing series offers an intimate spotlight on a range of personal collections from hobbyist ephemera to blue-chip artworks — all the while dissecting an individual’s specific taste, at-home curation and purchase trajectory.

NB: Can you share the origin of your name, Daze?
Daze: The origin story is funny and typical. It's very important to choose a name that will define you as you continue on; a name that no one else has at the same time. 

The air is thick, you’re drifting through a hazy, uncertain world, and visibility is not on your side. Obscure humanlike figures move intentionally slow through abstract pools of color and light. You make out a hand, a fingernail, a toe, but the rest is unclear. Impossibly long limbs wrap you in a warm embrace, and you feel, perhaps for the first time, safe. There are no power structures, no capitalism, no gender, just primitive reflections of emotional states. As you saunter through psychological landscapes, these spirits guide you, divorce you from your mortality, and regenerate you in their making—one free of humanity, of guilt, and most of all, free of pain.

“The feelings that I want to convey … I don’t always have the words to describe,” explains painter Elizabeth Glaessner amidst the large, beautifully painted and somewhat mysterious canvases that make up her solo show at the P·P·O·W gallery in Lower Manhattan.

Plus, check out the latest edition of our Artnet Talks and see works by Brazilian artist Amelia Toledo.

A biographical detail about this Brooklyn-based artist sheds light on both the mythological anatomies and the amniotic quality of her bewitching new paintings: Glaessner was born with a protruding tailbone. In her current show, “Phantom Tail,” supernatural creatures—a deliquescent sphinx, a spidery humanoid in a turquoise pool—occupy worlds that are alternately smoldering and coolly luminescent. 

UK-based sculptor Clementine Keith-Roach revisits the world of mythology to give shape to her sculptures as a means to reconstruct the narratives of past, present and future.

As debate over controversial monuments rages on, new project will be part of the Birmingham 2022 Festival culture programme linked to the Commonwealth Games

From a series of mesmerizing paintings by up-and-coming star Elizabeth Glaessner to Peter Moore's fascinating documentation of New York's performance art, these exhibitions are not to be missed

Your list of must-see, fun, insightful, and very New York art events this month, including Kia LaBeija, Tenet, Hassan Sharif, and more.

Martha Wilson – Journals collects the most representative pages of performance artist Martha Wilson’s diaries between 1965 and 1983. In 2018 art dealer and publisher Michèle Didier asked Wilson if she could find in her diaries when she decided to become an artist and begin Franklin Furnace (the artist-run space and archive dedicated to artists’ publishing and performance initiated in New York in 1976).

As the rise of abstraction swept through the Western art world in the early 20th century, so, too, did a turn towards spirituality. Within the context of prevailing art movements, such as Realism and Impressionism, as well as materialistic philosophies and values, artists like Wassily Kandinsky, Piet Mondrian, Kasimir Malevich, and František Kupka yearned for meaning beyond reality, and ushered in the rise of abstraction. These pioneers of abstract art sought inspiration from spiritualism and theosophy, a synthesis of world religions, sciences, philosophy, and color theory. And while these male artists are renowned as the pioneers of abstract art, their female counterparts have, until recently, gone overlooked and underrecognized in the art-historical canon. 

Art Basel has announced the 289 galleries that will take part in its upcoming edition in the Swiss city, which is scheduled to run June 16 to June 19, with preview days on June 14 and June 15.

P·P·O·W is pleased to present Elizabeth Glaessner’s third exhibition with the gallery, Phantom Tail. Siphoning inspiration from an evolving pool of art historical, mythological, and cultural references, and inspired by symbolist painters such as Edvard Munch, Glaessner conjures a surreal universe of hypnotic landscapes populated by androgynous doppelgangers, sphinxes, fiends, mirages, and more. Throughout the exhibition, Glaessner’s paintings act as portals, shepherding us into a world unmoored by virtue or vice where all manner of myths coexist without predetermined moral resolution.

Bodies surged toward the front doors of LAGO, whose opening bash had just reached capacity. The crowd pleaded desperately to security guards for entry. Someone began pushing and faces flattened against glass. Everyone was on the list, but no one could get in. The more intrepid guests circled around the back of the pavilion, toward the dark, brackish lake. Security guards rushed to pull us off planters. Through the windows, a golden pendulum by Artur Lescher and a James Turrell window, radiating neon pink, seemed unperturbed by the invading horde—or, for that matter, the steady throb of Tulum house on the dance floor.

These makers are finding beauty and strangeness in the everyday, producing winking renderings of prawns, ashtrays and more.

As their joint show opens in London, American artist Laurie Simmons tells us about the New York studio she shared with the late artist Jimmy DeSana, and why his work “becomes more extraordinary” with time

Guadalupe Maravilla’s “Planeta Abuelx” at Socrates Sculpture Park provided a welcome respite for pandemic times. Offering a space for meditation, healing, and recovery, the project reflected Maravilla’s engagement with mutual aid and therapy, focusing on the ways that art can sustain, restore, and provide solace. A cancer survivor and immigrant who escaped El Salvador’s bloody civil war, Maravilla understands the nature of trauma. These experiences, along with childhood memories, rituals, and traditional medicine, form the basis of his practice and its recuperative and communal purpose.

Participating institutions include the Brooklyn Museum, the Gropius Bau in Berlin, and the Museum of Art and Photography in Bengaluru, India.

Arguably Latin America’s most important art fair, Zona Maco has been on hiatus as the country, and the world, weathered the pandemic, staging its last edition in February 2020. And since the pandemic is still not over, the fair made the necessary adjustments to ensure visitor safety. Aisles between booths were significantly widened, and masks were required—attendees for the most part were good about wearing them. A general sense of weariness toward international travel seemed to dampen attendance at the fair, which felt somewhat lower than years past, despite Zona Maco scheduling its date a week before Frieze Los Angeles. (Their overlap had kept exhibitors and visitors from visiting in the past.)

Plus, a bodily autonomy workshop at the Queens Museum and the latest show from up-and-coming painter Lucia Love.

His paintings at the contemporary gallery PPOW are a bridge to his train-tagging days and a paean to Bronx street life.

In the summer of 2019, Hew Locke and Indra Khanna, his wife, were my personal guides through the streets of Brixton. As we meandered the labyrinth of market stalls, we discussed a range of topics: migration, diaspora and community, gentrification, navigating the global art market, and the Caribbean. This outing came on the heels of Hew’s exhibition in Birmingham, England, in which such works as The Tourists (2015) and The Nameless (2010) were exhibited. The Tourists—presented as a haunting video installation—was an intervention that took place aboard the battlecruiser HMS Belfast, and that was commissioned by the Imperial War Museum, London.

Perrotin’s current New York group exhibition “Late Night Enterprise” sheds light on the dimmed corners of nighttime social dynamics, from clubs, bedrooms, and shops to computer screens, where the moon’s mauve-colored veil reveals more than it hides. In the featured artists’ works, we see temples of the night that are backdrops for vagabonds to retreat, shelter, and thrive: homes for chosen families to bond; hubs for minds to converse; and nooks for pleasure seekers to play. In addition to portraying club culture as a platform of performativity and reverie, the exhibition steps into moments of nightlife, when time and reason operate on alternative rhythms. The waning of sunlight, as the curatorial premise suggests, exposes possibilities of self-fashioning, introspection, commerce, and pleasure.

Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Ulysses Jenkins, EJ Hill, Carlos Almaraz, and more.

P·P·O·W has big plans for Astrid Terrazas, whose multimedia paintings and illustrated ceramics, will be presented at a solo show and Zsonamaco fair in 2022

She is the director of PPOW, a venerable art gallery in TriBeCa co-founded by her mother in 1983.

Visual art that nobody sees is like a tree falling in a forest that nobody hears. That makes for a great Zen koan. But it doesn’t make an impact. Art’s an experience, not an idea. Sarasota Art Museum’s curators know that – and strive to put art in front of human eyeballs. 

On view this month in New York, P·P·O·W has compiled a body of new works by Christopher “Daze” Ellis, the longtime graffiti writer and painter who came up among a new generation of taggers who began their work during the late 1970’s, and who would be among those who earned early recognition by the New York gallery scene during the 1980’s. Combining a selection of significant works from the 1980s and early 1990s with a series of new paintings and sculptures, Give It All You Got chronicles a lifelong dedication to portraying the lifeforce of New York City and commemorating those who were a part of what it once was.

The Independent art fair has announced 66 galleries that will participate in its forthcoming edition in New York, scheduled to take over Lower Manhattan’s Spring Studios May 5–8.

Chris DAZE Ellis' paintings seem to be born out a dream. His trainyards, subways and graffiti history are seeped into each work, but the way he executes it reminds us of how we deal with our own memories. Some works are crystal clear landscapes of a NYC of the past, while some are blurred with very little figurative representation coming from beneath the spray. It's as if DAZE is remembering some parts of his past with an utter clarity, and some of his past life is fading away. The result is a stunning new show, Give It All You Got, on view now at PPOW in NYC. 

Four artists featured in a major London exhibition about Britain and the Caribbean reflect on identity, the art world and living through changing times.

Our pick of the latest gifts and purchases to enter institutional collections worldwide

Guyanese-British sculptor Hew Locke is the latest artist to take on Tate Britain's Duveen Galleries, the huge central aisle of the museum. It's a daunting space, but he's sure to fill it with his signature gold-drenched, super colourful, critical plays on colonial aesthetics. 

From live music to glass sculpture, game-changing performances to fitness podcasts… our writers on cultural treats to light up the months ahead

Domenick Ammirati on the New Museum’s 2021 Triennial, Greater New York 2021 at MoMA PS1, and Rosemary Mayer at Swiss Institute

These acquisitions may be a good barometer to track the success that Latinx art (used here to describe artists based in the United States, primarily but not limited to those born here or having arrived as children, with a heritage to Latin America and the Caribbean) is currently having within the art world. The fight for recognition has been ongoing since it was initiated in the late 1960s by artists, activists, and curators, and right now presents what some might call a moment for Latinx art. 

As 2021 comes to a close, we’re taking the time to look back on the shows in the U.S. and around the world that we feel had the greatest impact. Like the year before, this year was again marked by the ongoing COVID-19 pandemic. But it had many more bright spots. Thanks to the vaccine, we saw the return of in-person shows, fairs, biennales, and events. Artists took the tumultuous times head-on, continuing to make work, sometimes addressing it directly, sometimes not. Curators took on subjects that ranged from themes like grief, connection, and even clay. There was joy, sadness, a celebration of humanity. Whether looking to the past, present, or future, we found ourselves once again communing with art, artists, and the thing that moves us most of all, beauty.

As the city reopened, the art world saw legacy-changing donations for the Met and the Brooklyn Museum, and a seismic shift in Tribeca’s gallery scene.

From accounts of loss and grief to stories of hope and humour, these are our favourite entries in our regular series of personal encounters with art from 2021

It’s not every day you find yourself standing between two paintings of trolls waving at one another, but that’s exactly what you would have found in Robin F. Williams’s recent show, “Out Lookers,” at P·P·O·W Gallery in New York. Challenging how women are often depicted as scapegoats or untrustworthy figures in popular culture, the artist’s larger-than-life ghosts, witches and supernatural beings bear important messages about social justice, sustainability and issues facing women throughout history. A climate activist and founding member of the environmentalist group Artists Commit, Williams speaks about sustainability in the art industry and the importance of embracing time off.

Documentary filmmaker Chris McKim was looking for something that would make him feel good six months into the Trump Administration and he wanted to make a difference. While he was aware of downtown New York City queer artist and activist David Wojnarowicz, it wasn’t until he started diving into the artist’s work that McKim realized there was an urgent story to be told.

Jessica Stoller redefines feminism in her work, playing on both the grotesque and the surreal within her practice. She uses her ceramic sculpture to explore and subvert idealist forms of beauty. Her work encourages the viewer to question cultural notions surrounding body image, gender, and femininity. Stoller was born in Detroit, Michigan in 1981. She received her BFA at the College for Creative Studies (2004) and her MFA at the Cranbrook Academy of Art, Michigan, (2006). Stoller’s work has been featured in publications such as The New York Times and The Guardian, among others. Solo shows have been mounted at P·P·O·W, (New York) and The Clay Studio (Philadelphia). Group exhibitions have been shown at the Foundation Bernardaud (France) and the Zuckerman Museum of Art, Kennesaw (Georgia). 

Patrick Sun has made it his personal and professional mission to support LGBTQIA+ artists. As the founder of Sunpride Foundation, he’s led the nonprofit’s efforts to create awareness for the LGBTQIA+ community in Asia through art. One of its biggest projects to date was organizing a pair of institutional exhibitions dedicated to queer themes, titled “Spectrosynthesis,” which took place in Taipei and Bangkok in 2017 and 2019, respectively. And since the 1980s, Sun has been building an impressive collection of works by influential LGBTQIA+ artists such as David Wojnarowicz, Shu Lea Cheang, Sunil Gupta, Wu Tsang, Danh Vō, and Samson Young, among many others. Now a member of the M+ Council for New Art, Sun has carved a place for himself as a major patron of LGBTQIA+ art. Here, he shares insights on his approach to collecting.

My paintings are fluid in both material and content. Shifting between water-based pigments and oils, I pour paint onto the surface and work wet-into-wet to create a psychological space where amorphous forms and figures merge with each other and their environment. 

A diverse range of highlights from this year's fair 

Trends and Sightings at The Big Fair Miami Beach

Chris Sharp Gallery is pleased to present a solo exhibition of the Los Angeles and New York-based artist Aaron Gilbert.

After a tumultuous 2020 that involved the beginnings of a pandemic and worldwide upheaval, the art world began to slowly go back to a form of normal in 2021. Along with that shift came a number of developments that brought art-making in new and unexpected developments. There was the rise of a new medium, and there was the return of performance art. There were artworks that spoke to a continued reckoning with systemic racism, and there were powerful pieces that offered forms of healing in a time when illness was prevalent. There was no shortage of creativity on display. The list below, featuring 15 works that defined this year, attests to that.

A day on the beach at Untitled, American Express X Artsy popup show and a benefit auction for Planned Parenthood

Art lovers tell us what they’ve bought and why

This year’s releases, augmented by movies postponed from last year, offer exceptional artistry amid the industry’s commercial difficulties.

Sex, spirituality, love, and loss – for artist, writer, and activist David Wojnarowicz these were the main subjects of the art he created from the 1970s to the early 1990s when he died of AIDS.

The Brooklyn-based Cuban-American painter talks to us about the spirituality ever-present in his work.