Robin F. Williams
Language Model, 2026
oil on canvas
60 x 54 ins.
152.4 x 137.2 cm
P·P·O·W is pleased to present Act Natural, Robin F. Williams’s first solo exhibition in the United Kingdom and the gallery’s first international pop-up presentation at Frieze’s No.9 Cork Street. Expanding upon their previous investigations into horror films and the feminization of AI assistants, Williams fuses art historical, literary, and pop culture references to create their multivalent narrative compositions. Featuring a new body of paintings and works on paper, Act Natural serves as both the title of the exhibition and a prompt leading viewers into a place where science, technology, and mysticism collide.
Since 2018, Williams has developed a body of work that examines the growing reliance on virtual assistants, most notably Amazon’s Alexa and Apple’s Siri. This longstanding interest serves as the foundation for Williams’s latest paintings that explore a revival of the gothic sublime shaped by the fears and fervor surrounding society’s rapidly changing technological landscape and the accelerating rise of AI. Returning to an aesthetic blending of awe and terror in the face of vast uncontrollable forces that defy human reason, works such as Language Model, 2026, embody a hybrid state of being. Engulfed in a swirling torrent, the female figure teeters on the edge of romance and horror, birth and death, real and artificial. She is at once of nature and removed from it.
Robin F. Williams
I Am Not a Robot, 2026
acrylic and oil on canvas
48 x 48 ins.
121.9 x 121.9 cm
Building upon this cyclical tension between innovation and collapse, works such as Infinite Scroll and I Am Not a Robot, both 2026, explore our increasing dependence on digital technologies and social media. Referencing the composition of Will Barnet’s Woman Reading, 1970, Infinite Scroll portrays a bifurcated reality, contrasting a physical world of sallow, acidic tones and gritty textures against a digital realm of vibrant hues and matte smoothness encased within an unending loop. Framed by medusa-like tendrils of hair, the figure is tethered to and detached from the world around her as her iris morphs to mirror the brick shape of the phone. Similarly, I Am Not a Robot layers visual allusions to Sandro Botticelli’s Madonna della Melagrana, c. 1487; Hilma af Klint’s Untitled #1, 1915; and Paul Klee’s Senecio, 1922, to create a contemporary Madonna, fingers glowing orange from the increased blood flow required for scrolling.
Drawing its title from Albert Einstein’s famous description of quantum entanglement, a physical phenomenon in which pairs or groups of particles become linked across time and space, Spooky Action at a Distance, 2026, depicts an intermingled pair of bodies amidst a verdant swimming hole. Describing painting and its history as “a kind of entanglement” itself, Williams evokes the landscapes of Agnes Pelton and the Transcendental Painting Group, whose stated purpose was “to carry painting beyond the appearance of the physical world, through new concepts of space, color, light and design, to imaginative realms that are idealistic and spiritual.” Channeling this suggestive rather than specific approach to spirituality and landscape, Williams’s Spooky Action at a Distance acts as a portal, revealing the invisible connections we form and carry with us as we move through the world.
Act Natural will be accompanied by a zine offering visitors insight into Williams’s source imagery.
In conjunction with the exhibition, Williams will be joined by UK-based artist Suzanne Treister in a conversation moderated by Associate Curator of Whitechapel Gallery, Hannah Woods on Friday, October 16, 4 – 6pm.
Robin F. Williams, 2026. Photo by Alejandro Jassan Studio.
Robin F. Williams (b. 1984) received their BFA from the Rhode Island School of Design, Providence, RI. They have presented solo exhibitions at P·P·O·W, New York, NY; Morán Morán, Mexico City, Mexico; Perrotin, Tokyo, Japan; and Various Small Fires, Los Angeles, CA; among others. Robin F. Williams: We’ve Been Expecting You, Williams’s first solo institutional exhibition, was on view at the Columbus Museum of Art, Columbus, OH in 2024. Their work is in the permanent collections of the Brooklyn Museum, Brooklyn, NY; CC Foundation, Shanghai, China; Montreal Museum of Fine Arts, Montreal, Canada; Columbus Museum of Art, Columbus, OH; Institute of Contemporary Art, Miami, FL; and X Museum, Beijing, China; among others. In spring 2026, The FLAG Art Foundation presented Williams’s work as part of their Spotlight series, pairing a never-before-exhibited artwork with newly commissioned text by novelist Ottessa Moshfegh.