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The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere, will open to the public from Saturday, April 20 to Sunday, November 24, 2024, at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa and organised by La Biennale di Venezia.

The Exhibition will take place in the Central Pavilion (Giardini) and in the Arsenale, and it will present two sections: the Nucleo Contemporaneo and the Nucleo Storico.

«The Nucleo Contemporaneo will feature a special section in the Corderie devoted to the Disobedience Archive, a project by Marco Scotini, which since 2005 has been developing a video archive focusing on the relationships between artistic practices and activism. In the Exhibition, the presentation of the Disobedience Archive is designed by Juliana Ziebell, who also worked in the exhibition architecture of the entire International Exhibition. This section is divided into two main parts especially conceived for our framework: Diaspora activism and Gender Disobedience. The Disobedience Archive will include works by 39 artists and collectives made between 1975 and 2023.»

As a guiding principle, the Biennale Arte 2024 has favored artists who have never participated in the International Exhibition—though a number of them may have been featured in a National Pavilion, a Collateral Event, or in a past edition of the International Exhibition. 

Stranieri Ovunque - Foreigners Everywhere, the title of the 60th International Art Exhibition of La Biennale di Venezia, is drawn from a series of works started in 2004 by the Paris-born and Palermo-based Claire Fontaine collective. The works consist of neon sculptures in different colours that render in a growing number of languages the words “Foreigners Everywhere”. The phrase comes, in turn, from the name of a Turin collective who fought racism and xenophobia in Italy in the early 2000s.

«The expression Stranieri Ovunque - explains Adriano Pedrosa - has several meanings. First of all, that wherever you go and wherever you are you will always encounter foreigners— they/we are everywhere. Secondly, that no matter where you find yourself, you are always truly, and deep down inside, a foreigner.»

Installation Views

Installation Views Thumbnails
Corpo Fechado: The Devil's Work, 2018, Carlos Motta, The 2024 Venice Biennale, Installation View, Photo by Ding Musa

Corpo Fechado: The Devil's Work, 2018, Carlos Motta, The 2024 Venice Biennale, Installation View, Photo by Ding Musa

Corpo Fechado: The Devil's Work, 2018, Carlos Motta, The 2024 Venice Biennale, Installation View, Photo by Ding Musa

Corpo Fechado: The Devil's Work, 2018, Carlos Motta, The 2024 Venice Biennale, Installation View, Photo by Ding Musa

The 2024 Venice Biennale, Installation View, Photo by Ding Musa

The 2024 Venice Biennale, Installation View, Photo by Ding Musa

Corpo Fechado: The Devil's Work, 2018, Carlos Motta, The 2024 Venice Biennale, Installation View, Photo by Ding Musa

Corpo Fechado: The Devil's Work, 2018, Carlos Motta, The 2024 Venice Biennale, Installation View, Photo by Ding Musa

Corpo Fechado: The Devil's Work, 2018, Carlos Motta, The 2024 Venice Biennale, Installation View, Photo by Ding Musa

Corpo Fechado: The Devil's Work, 2018, Carlos Motta, The 2024 Venice Biennale, Installation View, Photo by Ding Musa

The 2024 Venice Biennale, Installation View, Photo by Ding Musa

The 2024 Venice Biennale, Installation View, Photo by Ding Musa