
Jessica Stoller
Seeing Red, 2024
porcelain, glaze, china paint, lustre
9 x 92 1/4 x 92 1/4 ins.
22.9 x 234.3 x 234.3 cm
P·P·O·W is pleased to present Split, Jessica Stoller’s third solo exhibition with the gallery. Known for her meticulous and highly detailed porcelain sculptures, Stoller mines the rich and complicated history of the medium to reveal its capacity for subversion, defiance, and play. Featuring a new series of freestanding sculptures, wall works, and a large-scale ceramic still-life, this exhibition synthesizes historical, cultural, and personal narratives that grapple with the belief that “in a patriarchy your body is technically not your own until you pass the reproductive age.”[i]
Sparked by America’s ongoing repression of bodily autonomy, Stoller created Seeing Red, 2024, an evocative tableau composed of over 150 individual ceramic components positioned low to the ground. Deliberately debased, yet impossible to ignore, this installation draws inspiration from 18th and 19th century “anatomical Venuses,” pseudoscientific wax sculptures of slumbering women, often adorned with strands of pearls. In Stoller’s version, these pearls are stripped of their traditional ties to beauty and seduction. Instead, they adopt an ominous quality, looming large atop the marbled, blood red tiles. Referencing the elaborate ceramic platters of 16th century French potter Bernard Palissy, Stoller also intersperses this tableau with amphibians, shells, abortifacient plants, fractured body parts, broken shards, birth control tests, and crumpled underwear to underscore the connection between the natural world and the female body as subjugated entities. Dizzying and complex, Seeing Red confronts a world that repeatedly denies gendered female bodies dignity and self-determination.
Jessica Stoller
Multiply, 2024
porcelain, glaze, china paint
14 x 8 x 9 ins.
35.6 x 20.3 x 22.9 cm
Alongside Seeing Red, Stoller’s more intimately scaled freestanding and wall-based works seduce with their soft pastel colors and tactile sensuosity before revealing a more menacing edge. Masterfully sculpting crones, skeletons, medusas, and other supernatural forms, Stoller explores the repeated pathologization of the female body. One such work, Multiply, 2024, depicts a skeletal figure evoking an Auricular Style. Channeling the eerie effect of this 17th century Dutch ornamentation based on human anatomy, Stoller’s Multiply strikes a fervent stance atop a bulbous, fleshy protuberance oozing out from its core. Taken together, the works in Split suggest that, as philosopher and gender theorist Christine Battersby writes, “the experience of the female human in our culture has direct links with the anomalous, the monstrous, the inconsistent, and the paradoxical - in such a way that allows for a recontextualization or an opening up of embodied identity.”[ii]
[i] July, Miranda. All Fours. Penguin, May 2024.
[ii] Battersby, Christine. The Phenomenal Woman: Feminist Metaphysics and the Patterns of Identity. Cambridge, UK: Polity Press, 1998. Print.
Jessica Stoller (b. 1981) lives and works in West New York, NJ. She received her BFA from the College for Creative Studies, Detroit, MI, and an MFA from Cranbrook Academy of Art, Bloomfield Hills, MI. Her work has been included in exhibitions at the Fondation Carmignac, Hyères, France; Brigitte Mulholland, Paris, France; Van Doren Waxter, New York, NY; Perrotin, Paris, France; Vielmetter, Los Angeles, CA; Cranbrook Art Museum, Bloomfield Hills, MI; UTA Artist Space, Los Angeles, CA; Jeffrey Deitch, New York, NY; Kavi Gupta, Chicago, IL; Anton Kern Gallery, New York, NY; Foundation Bernardaud, Limoges, France; and Bronx Museum of the Arts, Bronx, NY; among others. She has had solo exhibitions at P·P·O·W, New York, NY; Hionas Gallery, New York, NY; and The Clay Studio, PA. A 2023 New Jersey State Arts Council Fellow, 2016 Pollock-Krasner grantee, 2013 Peter S. Reed grantee, and 2013 Louis C. Tiffany nominee, Stoller has also participated in residencies such as the Museum of Arts and Design’s Artist Studios Program, the Kohler Arts & Industry Program, and the Bronx Museum of the Arts’ Artist in the Marketplace Program, among others.