Skip to content
George Boorujy
Appalachian, 2014
ink on paper
84 1/4 x 53 3/4 in.
214 x 136.53 cm

George Boorujy
Appalachian, 2014
ink on paper
84 1/4 x 53 3/4 in.
214 x 136.53 cm

P·P·O·W is pleased to present Passenger, an exhibition of new work by George Boorujy. The exhibition will expand upon Boorujy’s ongoing exploration of North America through a series of strikingly life-like, ink on paper depictions of animals native to this continent. Drawing on the longstanding tradition of artists and naturalists composing highly realistic renderings of life on earth, Boorujy creates works that advance this practice, imbuing his subjects with human-like expression and encouraging a relationship between the work and the viewer. 

Intrigued by the division that has emerged between humans and their natural surroundings, Boorujy has created a series of large-scale drawings that re-evaluate the way in which we see animals and encourage us to grapple with the impact that we have on our environment. Taken together his works represent an exploration of what North America has come to represent and how we fit into our contemporary landscape. 

With Passenger Boorujy turns his eye to the notion of movement, transference, and the changes that followed in the wake the Columbian Exchange. After 1492, the landscape, animals, and people of North America were forever altered, with some species prospering while others were wiped off the face of the earth. Through his work Boorujy overturns traditional perceptions of animals, imbuing his subjects with totemic status and, through unlikely pairings and unexpected positioning, compels the viewer to pause and reconsider them anew. 

George Boorujy
Echo Cee Bo Nay, 2014
ink on paper
30 3/8 x 47 1/2 in.
77.15 x 120.65 cm

George Boorujy
Echo Cee Bo Nay, 2014
ink on paper
30 3/8 x 47 1/2 in.
77.15 x 120.65 cm

The subjects featured in the exhibition include a number of animals whose fate has been largely determined by the human population. Among the works on view will be three drawings of Passenger Pigeons. 2014 marks the 100 year anniversary of the extinction of this bird. Once the most numerous bird on the planet, its demise not only marked man’s impact on the planet, but also has the notorious distinction of being the first recording of an extinction in real time. Also on view will be a large-scale image of a horse, caught in a state of ecstasy on the ground. Horses evolved in North America but went extinct on their home continent before being reintroduced by the Spanish. Another species whose fate was dramatically altered by the human hand.  

Two images of humans will also be included in the show, a portrait of a woman whose ethnicity is intentionally obscured, and a portrait of Ota Benga, a Mbuti Pygmy man brought to the US for the St. Louis fair in 1904. Benga, born in the Congo and dying by suicide in Virginia, had a tragic yet unprecedented life infamously marked by being displayed for a time at the Bronx Zoo alongside a chimpanzee and orangutan, the implication being that he was less than human. The fact is that we all are, ultimately, animals. 

A catalogue will be published with color reproductions and an essay by Debora Kuan in conjunction with the exhibition. 

George Boorujy was born in 1973 and raised in New Providence, New Jersey, and lives and works in Brooklyn. He attended the University of Miami intending to study marine biology. However, his art courses soon over-took his science concentration earning him a B.F.A in painting in 1996.  After graduation he traveled North America eventually landing back in New York City where he studied at the School of Visual Arts, receiving his M.F.A in 2002. Boorujy has exhibited in the U.S. and abroad. 

Exhibited Works

Exhibited Works Thumbnails
George Boorujy Florida IV (wrack line), 2014

George Boorujy
Florida IV (wrack line), 2014
ink on paper
43 x 57 1/2 in.
109.22 x 146.5 cm

George Boorujy Ota Benga, 2014

George Boorujy
Ota Benga, 2014
ink on paper
42 3/8 x 54 3/8 in.
107.63 x 138.11 cm

George Boorujy Pulsar, 2014

George Boorujy
Pulsar, 2014
ink on paper
49 1/2 x 78 in.
125.73 x 198.12 cm

George Boorujy Passenger I, 2013

George Boorujy
Passenger I, 2013
ink on paper
50 x 38 in.
127 x 96.52 cm

George Boorujy Passenger II, 2013

George Boorujy
Passenger II, 2013
ink on paper
38 x 50 in.
96.52 x 127 cm

George Boorujy Passenger III, 2013

George Boorujy
Passenger III, 2013
ink on paper
41 3/4 x 53 1/4 in.
106.5 x 135.26 cm

George Boorujy Florida IV (wrack line), 2014

George Boorujy
Florida IV (wrack line), 2014
ink on paper
43 x 57 1/2 in.
109.22 x 146.5 cm

George Boorujy Ota Benga, 2014

George Boorujy
Ota Benga, 2014
ink on paper
42 3/8 x 54 3/8 in.
107.63 x 138.11 cm

George Boorujy Pulsar, 2014

George Boorujy
Pulsar, 2014
ink on paper
49 1/2 x 78 in.
125.73 x 198.12 cm

George Boorujy Passenger I, 2013

George Boorujy
Passenger I, 2013
ink on paper
50 x 38 in.
127 x 96.52 cm

George Boorujy Passenger II, 2013

George Boorujy
Passenger II, 2013
ink on paper
38 x 50 in.
96.52 x 127 cm

George Boorujy Passenger III, 2013

George Boorujy
Passenger III, 2013
ink on paper
41 3/4 x 53 1/4 in.
106.5 x 135.26 cm

Installation Views

Installation Views Thumbnails
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy
George Boorujy