Estate of Martin Wong
Martin Wong
Stanton Near Forsyth Street, 1983
acrylic on canvas
48 x 64 ins.
121.92 x 162.56 cm
P·P·O·W is pleased to announce an exhibition of work by Martin Wong, curated by Adam Putnam. Martin Wong, who died in 1999 due to an AIDS related illness, was born in 1946 in Portland, Oregon and moved to New York City in 1978. He received a degree in ceramics, but decided to become a painter when he was thirty years old. He first started exhibiting at Semaphore Gallery in New York. Martin Wong's last exhibition at P·P·O·W was in 2000.
For most of his time in NYC, Martin Wong stayed nestled in the Lower East Side, enmeshed in the fabric of his neighborhood and the people around him. His work has traditionally been described as a document of that time in the 1980's and 1990's, capturing a moment in the history of the city marked by vacant lots, graffiti and a burgeoning club culture.
This exhibition presents and intuitive ramble through the estate left by this unique and visionary artist. It offers a glimpse into a private world populated by crumbling tenements, vacant lots, prisoners (with those burning eyes), closed gates (and open legs), downtown poets, hustlers, and if we are lucky, perhaps an off-duty Fireman.
Martin Wong wanders through an urban landscape and refashions it into something new. His paintings take us inward, through a hidden alternative landscape of longing and deeply felt subjectivity. Following this logic of desire, a crumbled brick tenement can become laced with the erotic or a painting of a single cactus can carry all the restrained passion of an unmet gaze from a sexy stranger.
Martin Wong
Cell Door Slot, 1986
acrylic on canvas
18 x 28 ins.
45.7 x 71.1 cm
Also on view are several rarely seen photo collages on loan from The Fales Library archives as well as drawings and sketches. These photos are remarkable for the fact that they not only exist as source material for some of the larger paintings but also as a rare document of the long walks the artist would take in and around the Lower East Side.
The vacant lots have long since been filled in, but don't let the glass facades fool you. There is always the torn seam or frayed edge... you just need to know where to look.
The exhibition is accompanied by a full color illustrated catalog with an essay by Carlo McCormick.
On January 26th there will be a panel discussion tentatively based upon the themes of secret languages in the work of Martin Wong. The event will be hosted by the NYU Steinhardt School of Art and Arts Professions.
Adam Putnam is an artist living and working in NYC. His work has been exhibited at P.S. 1, Art Statements Basel, the 2008 Whitney Biennial and most recently, at Taxter and Spengemann Gallery. In 2006 Adam Putnam, with artist Shannon Ebner, curated the show Blow Both of Us at Participant Inc.
Martin Wong
Cell Door Slot, 1986
acrylic on canvas
18 x 28 ins.
45.7 x 71.1 cm
Martin Wong
Sacred Shroud of Pepe Turcel, 1990
acrylic on canvas
23 1/2 x 23 1/2 ins.
59.7 x 59.7 cm
Martin Wong
Angelito, 1992
signed verso
acrylic on canvas
24 x 30 ins.
61 x 76.2 cm
Martin Wong
Reckless (Sharp), 1991
PPOW label
acrylic on canvas
34 x 48 ins.
86.4 x 121.9 cm
Martin Wong
Iglesia Pentecostal Mansion de Luz, 1985
PPOW label
acrylic on canvas
28 x 36 ins.
71.1 x 91.4 cm
Martin Wong
Everything Must Go, 1983
acrylic on canvas
48 x 60 ins.
121.9 x 152.4 cm
Martin Wong
Chin Cactus Gymnocalycium, 1997-98
PPOW label
acrylic on canvas
20 x 30 ins.
50.8 x 76.2 cm
Martin Wong
Gymnocalycium (Star Cactus), 1997-98
PPOW label
acrylic on canvas
20 x 30 ins.
50.8 x 76.2 cm
Martin Wong
Ferocactus Peninsulae V. Viscainensis, 1997-98
acrylic on canvas
30 x 48 ins.
76.2 x 121.92 cm