Quarry Transposed (Central Park in the Dark), 1960
masonite panels, wood strips, photograph of N.L., red glass pitcher, nails, wire, paper, oil paint
57 x 34 x 4 ins.
144.78 x 86.36 x 10.16 cm
Carolee Schneemann Personae: JT and Three Kitch's, 1957
oil on canvas
31 x 48 ins.
78.7 x 121.9 cm
Carolee Schneemann
Sir Henry Francis Taylor, 1961
masonite panels, plaster structure, underpants, swing, glass, photo repro of Sir Henry Francis Taylor by Julia Margaret Cameron, photos of nudes, oil paint
54 1/2 x 39 x 6 1/2 ins.
138.43 x 99.6 x 16.51 cm
Carolee Schneemann
Eye Body Portfolio, 1963/2005
18 silver prints housed in an archival box
24 x 20 ins. (61 x 50.8 cm)
framed: 24 3/4 x 20 3/4 x 1 ins. (61 x 50.8 x 2.5 cm)
portfolio box: 26 x 21 3/4 x 2 ins. (66 x 55.2 x 5.1 cm)
edition 6 of 8
Carolee Schneemann
War Mop, 1983
plexiglass construction, mop, motor, video monitor
dimensions variable
Carolee Schneemann
One Window Is Clear - Notes to Lou Andreas Salomé, 1965
Quarry Transposed (Central Park in the Dark), 1960
masonite panels, wood strips, photograph of N.L., red glass pitcher, nails, wire, paper, oil paint
57 x 34 x 4 ins.
144.78 x 86.36 x 10.16 cm
Carolee Schneemann Personae: JT and Three Kitch's, 1957
oil on canvas
31 x 48 ins.
78.7 x 121.9 cm
Carolee Schneemann
Sir Henry Francis Taylor, 1961
masonite panels, plaster structure, underpants, swing, glass, photo repro of Sir Henry Francis Taylor by Julia Margaret Cameron, photos of nudes, oil paint
54 1/2 x 39 x 6 1/2 ins.
138.43 x 99.6 x 16.51 cm
Carolee Schneemann
Eye Body Portfolio, 1963/2005
18 silver prints housed in an archival box
24 x 20 ins. (61 x 50.8 cm)
framed: 24 3/4 x 20 3/4 x 1 ins. (61 x 50.8 x 2.5 cm)
portfolio box: 26 x 21 3/4 x 2 ins. (66 x 55.2 x 5.1 cm)