Hew Locke
©Hugo Glendinning, Courtesy of Acme, Acme Archive
Through painting, drawing, photography, sculpture and installation, Hew Locke OBE RA (b. 1959) explores the languages of colonial and post-colonial power, and the symbols through which different cultures assume and assert identity. Fusing historical source material with a keen interest in current affairs, often through the juxtaposition or modification of existing artefacts, Locke focuses attention especially on the UK, the monarchy and his childhood home of the then newly independent Guyana. Locke spent his formative years in Guyana before returning to the UK to complete an MA in sculpture at the Royal College of Art in 1994. Locke's work in the permanent collections of including the Tate, London, UK; the Brooklyn Museum, New York, NY; Pérez Art Museum Miami, FL; and the British Museum, London, UK, among others. His work has been the subject of numerous solo exhibitions including Here’s the Thing which opened at Ikon Gallery, Birmingham, UK in 2019 before traveling to the Kemper Museum of Contemporary Art, Kansas City, MO and the Colby College Museum of Art, Waterville, ME. In March 2022, Locke presented The Procession, his response to the unique architecture and context of the neo-classical Duveen Galleries at the heart of the Tate as part of the annual Tate Britain Commission. Locke unveiled Gilt, the Façade Commission at The Metropolitan Museum of Art, New York, in September 2022. In Fall 2025, the Yale Center for British Art will present the largest solo exhibition of Locke's work to date, spanning his career from the late 1990s to the present.
Hew Locke OBE RA
b. 1959, Edinburgh, UK
Lives and works in London, UK
Education
1994
M.F.A. Sculpture, Royal College of Art, London, UK
1988
B.F.A. Honors, Falmouth University, Falmouth, UK
Solo Exhibitions
2025
Yale Center for British Art, New Haven, CT (forthcoming)
2024
The British Museum, London, UK (forthcoming)
Hew Locke: Raw Materials, Almine Rech Brussels, Belgium
2023
The Procession, Baltic Centre for Contemporary Art, Gateshead, UK
Listening to the Land, P·P·O·W, New York, NY
2022
The Facade Commission: Hew Locke, Gilt, The Metropolitan Museum of Art, New York, NY
Hew Locke: Foreign Exchange, Ikon Gallery, Birmingham, UK
The Procession, Tate Britain Commission, Tate Britain, London, UK
Hew Locke: The Ghostly Tourists, Chrysler Museum of Art, Norfolk, VA
2021
The Man Who Would Be King, The Lowry, Salford, UK
2020
Here’s the Thing, Colby College Museum of Art, Maine, ME, USA
Mindful Vandalism, Hales Gallery, London, UK, and P·P·O·W, New York, NY (online)
2019
Where Lies the Land?, Hales Gallery, London, UK
Hew Locke; Here’s the Thing, IKON Gallery, Birmingham, UK; Colby College Museum of Art, Waterville, ME; Kemper Museum of Contemporary Art, Kansas City, OK
2018
Patriots, P·P·O·W, New York, NY
2017
Reversal of Fortune, Fringe Projects Miami, Miami, FL
For Those in Peril on the Sea, Perez Art Museum Miami, Miami, FL
Cui Bono, installation in Bremen Rathouse, originally commissioned in conjunction with Der Blinde Fleck by Kunsthalle Bremen, Bremen, Germany
2016
The Wine Dark Sea, Edward Tyler Nahem Fine Art, New York, NY
2015
The Tourists, HMS Belfast, London, UK
2014
Beyond the Sea Wall, Hales Gallery, London, UK
Give and Take, performance in the Turbine Hall, Tate Modern, London, UK
2011
For Those in Peril on the Sea, St. Mary & St. Eanswythe Church, Folkestone Triennial
2010
The Nameless, Hales Gallery, London & Kunsthal KAdE, Amersfoort, The Netherlands
2008
The Kingdom of the Blind, Rivington Place, London, UK
How Do You Want Me? Hales Gallery, London, UK
2006
Restoration, St. Thomas the Martyrs Church, Bristol, UK
2005
Hew Locke, The New Art Gallery, Walsall, UK
Native and Colonials, Hales Gallery, London, UK
2004
King Creole, installation on the façade of Tate Britain & at BBC New Media Village, London, UK
House of Cards, Luckman Gallery, California State University & Atlanta Contemporary Art Center, USA
2002
The Cardboard Palace, Chisenhall Gallery, London, UK
2000
Hemmed in Two, The Victoria and Albert Museum, London, UK
Select Group Exhibitions
2024
Hurricane Season, Des Moines Art Center, Des Moines, IA (forthcoming)
Entangled Pasts, 1768 to now, Royal Academy of Arts, London, UK
El Dorado (Part II), Americas Society, New York, NY
2023
Life Between Islands: Caribbean-British Art 1950s-Now, Art Gallery of Ontario, Toronto, Canada
Tiny Traces: Black and Asian Children at London’s Foundling Hospital, Foundling Museum, London, UK
Someone is getting rich, Tropenmuseum, Amsterdam, Netherlands
2022
Myths of Observation, Hales Gallery, London, UK
In the Black Fantastic, Southbank Centre, London, UK
A State of Matter: Modern and Contemporary Glass Sculpture, Henry Moore Institute, Leeds, UK
2021
Life Between Islands: Caribbean-British Art, 1950s — Now, Tate Britain, London, UK
2020
Displaced: Contemporary Artists Confront the Global Refugee Crisis, SITE Santa Fe, Santa Fe, NM
20/20 Vision: The Collection Remixed, Kunsthalle Bremen, Germany
LIFE DURING WARTIME: ART IN THE AGE OF CORONAVIRUS, University of South Florida, Tampa, FL (online)
20:20 Twenty Years of Collecting Contemporary Art, The New Art Gallery, Walsall, UK
2019
Striking Gold: Fuller at 50, Fuller Craft Museum, Brockton, MA
How Light Gets In, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
2018
Talisman in the Age of Difference, curated by Yinka Shonibare MBE, Stephen Friedman Gallery, London, UK
The Everyday and the Extraordinary, Birmingham Museum and Art Gallery, Birmingham, UK (touring to Towner Art Gallery, Eastbourne, UK)
2017
The Blind Spot, Kunsthalle, Bremen, Germany
A Global Table, Frans Hals Museum, Haarlem, Netherlands
Diaspora Pavilion, Palazzo Pisania Santa Marina, 57th Venice Biennale, Venice, Italy
2016
XIII Bienal de Cuenca, Ecuador
Hangzhou Triennial of Fiber Art, China
2014
Art in Embassies Program, Embassy of the United States Rangoon, Burma
2013
The Shadows Took Shape, Studio Museum, Harlem NY
Glastress, White Light/White Heat, collateral event of the Venice Biennale, Palazzo Franchetti, Venice, touring to the Wallace Collection, London, UK
2011
Global Caribbean, Little Haiti Center, Miami, USA; MIAM, Sète, France & Museo de Arte Contemporaneo de Puerto Rico
2010
Silkandar, shortlisted maquette for the Fourth Plinth, Trafalgar Square, London, UKew Adaptation, The Power Plant, Toronto, Canada
Holy Toy, Sølvberget Galleri, Stavanger, Norway
2009
2nd Thessaloniki Biennale of Contemporary Art, Greece
2nd San Juan Triennial, Puerto Rico
2008
Second Lives: Remixing the Ordinary, Museum of Arts and Design, New York, NY
Guangzhou Triennial, China
2007
Infinite Island: Contemporary Caribbean Art, Brooklyn Museum, New York, NY
Encuentro Entre dos Mares – Bienal São Paulo, Valencia Biennale, Spain
Drawing on Sculpture: Graphic Interventions on the Photographic Surface, Henry Moore Institute, Leeds, UK
2006
Alien Nation, ICA London; City Art Gallery, Manchester & Sainsbury Centre for Visual Art, Norwich, UK
2005
Et Maintenant? – What Now?, Crac Alsace, Altkirch, France
British Art Show 6, BALTIC Gateshead; Manchester City Art Gallery; Nottingham Castle Museum & Bristol
2004
Hew Locke and Diana Cooper, The Drawing Room, London; Chapter Arts Centre; Cardiff & the City Gallery, Leicester, UK
Commissions
2022
The Procession, Tate Britain, London, UK
Gilt, The Metropolitan Museum, New York, NY
2017
The Blind Spot: Bremen and Art in the Colonial Era, (Commission for Bremen Town Hall by Hew Locke: Cui Bono), Kunsthalle Bremen, Germany
2015
The Jurors, Commissioned by Surrey County Council and The National Trust to mark the 800th Anniversary of the signing of the Magna Carta. Free to visit at Runnymede, UK
2013
Selene, permanent sculpture, façade Nadler Hotel, Carlisle Street, Soho, London, UK
2012
Gold Standard, Old Tide Mill School, Frankham Street, Commissioned by Deptford X, London, UK
2010
Gold Standard, Old Tide Mill School, Frankham Street, Commissioned by Deptford X, London, UK
2008
New Art Exchange, Commission for design of permanent artwork for café ceiling, Nottingham, UK
Public Works
2015
The Jurors, Runnymede, UK
2013
Selene, Hales Gallery, London, UK
2010
Ruined, Brunswick Cemetery Gardens, Bristol, UK
Awards
2000
Paul Hamlyn Award
East International Award
1996
Wingate Scholarship combined with Delfina Studio Award
1995
Discerning Eye New Discovery Prize
1994
Wingate Scholarship combined with Delfina Studio Award
Madame Tussaud Prize for Art
Collections
The Arnold Lehman Collection, NY
The Arts Council of England, Manchester, UK
The British Museum, London, UK
The Brooklyn Museum, Brooklyn, NY
Collection of Eileen and Peter Norton, Santa Monica, CA
The Government Art Collection, London, UK
The Henry Moore Institute, Leeds, UK
Kansas City Collection, Kansas City, MO
The Kemper Museum of Contemporary Art, Kansas City, MO
Kunsthalle Bremen, Bremen, Germany
The New Art Gallery Walsall, Walsall, UK
Pérez Art Museum Miami, Miami, FL
RISD Museum, Providence, RI
Tate Galleries, London, UK
The Victoria & Albert Museum, London, UK
Publications
2019
Hew Locke: Here’s the Thing, Ikon Gallery, Kemper Museum of Contemporary Art, and Colby College Museum of Art
2011
Art, Power, Diplomacy-Government Art Collection, The Untold Story, Scala Publishing
Critical Dictionary, edited by David Evans, Black Dog Publishing
Sanctuary: Britain’s Artists and Their Studios, TransGlobe Publishing
2010
Auto Focus: The Self-Portrait in Contemporary Photography, by Susan Bright, Thames and Hudson
Sculpture Now, edited by Jon Wood, Tate Publishing
2009
South0South: Interruptions & Encounters, Justina M. Barnicke Gallery
Spacecraft II, Gestalten, Germany
Hew Locke: How do you want me?, Editions Jannink
2008
Collage: Assembling Contemporary Art, Black Dog Publishing
Second Loves: Remixing the Ordinary, Museum of Arts & Design, New York
2007
Infinite Islands – Contemporary Caribbean Art, Brooklyn Museum of Art
Drawing on Sculpture – Graphic Interventions on the Photographic Surface, Henry Moore Institute
2006
The Portrait Now, National Portrait Gallery, UK
Et Maintenant – What Now?, CRAC Alsace
2005
Hew Locke, New Art Gallery Walsall
2004
Hew Locke, The Drawing Room London and Diana Cooper
Modern British Sculpture, Schiffer Publishing
2003
Installation Art in the New Millenium, Thames and Hudson
1999
East 2000 Catalogue, Edward Lucie-Smith, Norwich Art
School Art Today, Phaidon
1995
Movements in Art since 1945, Edward Lucie-Smith, Thames and Hudson
Press
2020
Marine, Brooke, “Get Up-Close to Princess Diana’s Wedding Gown in the Brooklyn Museum’s First Virtual Show,” W Magazine, October 30, 2020
Breakell, Jane, “Staff Picks: Monsters, Monuments, and Miranda July,” The Paris Review, September 25, 2020
Keats, Jonathan, “Trump’s New National Garden of American Heroes? Make it a Graveyard for Toppled Monuments,” Forbes, July 7, 2020
Rinaldi, Ray Mark, “Bringing Human Migration Closer to Home,” New York Times, March 8, 2020
2019
Yussuf, Aurella, “Ruptured Histories: How Hew Locke is Peeling Back the Layers of Britain’s Colonial Past,” Frieze Magazine, May 20, 2019
Buck, Louisa, “Hew Locke discusses monarchy and model boats in new survey show at Ikon Gallery,” The Art Newspaper, March 11, 2019
Clugston, Hannah, “Hew Locke review – exquisite objects raise the ghosts of colonialism,” The Guardian, March 8, 2019
2018
Vetrocq, Marcia E. “Hew Locke: Patriots,” The Brooklyn Rail, November 9, 2018
2014
Fullerton, Elizabeth, “In Hew Locke’s Blinged-Out Installations, Every Toy Jaguar Has Its Place” ARTnews, April 16, 2014
2012
Beautiful/Decay Strange Daze, 2014
2011
“Momento Mori,” ARC Magazine Issue 5, 2011
Hoffman, Jens, Indra Khanna, and Kobena Mercer, Stranger in Paradise, 2011
2010
Schwabsky, Barry, “Review of The Nameless,” Art Forum, December 2010
Hoare, Natasha, “Hew Locke,” Don’t Panic, November 8, 2010
Kunstforum, February 2010
2009
Locke, Hew, “The World’s Next Top Sexy Black Artist,” NY Arts Magazine, 2009
Locke, Hew, Hew Locke – How Do You Want Me?, 2009
2008
“How Do You Want Me? Feature,” Art World, April/May 2008
West, Richard, “How Do You Want Me? Interview,” Source Photographic Review, Summer 2008
“Kingdom of the Blind Review,” The Evening Standard, 2008
2007
Holmes, Pernilla, “Swords, Lizards, and the Queen,” ARTnews, October 2007
2006
“Natives and Colonials Review,” Sculpture Journal, Volume 15.2, 2006
2005
“House of Cards Review,” Art Papers, March/April 2005
Contemporary, Issue 73, 2005
Locke, Hew, Kris Kuramitsu, and Prof. Sarat Maharaj, Hew Locke, 2005
2004
“House of Cards Review,” Los Angeles Times, November 6, 2004
“House of Cards Review,” Art Forum On-line, 2004
2002
“The Cardboard Palace Review,” Art Forum On-line, 2002
“The Cardboard Palace Review,” Art Monthly, June 2002
“The Cardboard Palace Review,” Contemporary, June 2002
“The Cardboard Palace Review,” Frieze, Issue 70, 2002
Select Bibliography
2023
Olin, Ferris, editor. The Brodsky Center at Rutgers University: Three Decades, 1986-2017. New Brunswick: Rutgers University Press, 2023. Illus. pp. 72.
2022
Diamond, Anjuli Nanda, editor. “When Artists Speak Truth...” An Incomplete Archive of Activist Art, vol. 2, The Shelley & Donald Rubin Foundation/Verlag GmbH, New York/Munich, 2022. Illus. pp. 45.
Franke, Anselm, Elisa Giuliano, et al., editors. Ceremony (Burial of an Undead World), 1st ed., Spector Books, Leipzig, 2022. Illus. pp. 60–61.
2011
Locke, Hew. Stranger In Paradise. Black Dog Publishing, 2011.
Hew Locke
Raw Materials 1, 2022
acrylic on cotton warp satin, with appliquéd fabrics and chord, cotton, and anodized aluminum
76 x 57 7/8 ins.
193 x 147 cm
Hew Locke
The Survivor, 2022
wood and mixed media
88 5/8 x 124 3/4 x 29 1/2 ins.
225 x 317 x 75 cm
Hew Locke
Souvenir 9 (Queen Victoria), 2019
mixed media on antique Parian ware
17 3/8 x 10 5/8 x 10 1/4 ins.
44.1 x 27 x 26 cm
Hew Locke
Hamilton, Central Park, 2018
c-type photograph with mixed media
72 x 48 ins.
182.9 x 121.9 cm
Hew Locke
Confederate States of America Loan 3, 2018
acrylic ink and acrylic pen on antique share certificates
17 1/8 x 13 7/8 ins.
43.4 x 35.2 cm
Hew Locke
Serpent of the Nile (Salient), 2007
unique C-type photograph
40 x 30 ins.
101.6 x 76.2 cm
After decades of visiting the British Museum, Locke presents overlooked objects and under-explored histories.
‘Entangled Pasts, 1768–now’ and the exhibition history the RA hopes to be part of
Art fair fatigue is real, but seeing these pieces made trekking through the convention center's maze of booths worthwhile.
Winter is usually a sleepy season for museums across the world. Fall exhibitions remain on view with the hope of luring visitors during the cold months while curators typically prep big retrospectives for the spring. But that will not entirely be the case this time around.
British artist Hew Locke, whose past work has engaged with controversial public statues, weighed in on the new guidelines.
A selection of leading British and British-based artists have begun work on artworks reflecting on the Coronation.
Your list of must-see, fun, insightful, and very New York art events this month, including Hew Locke, Saif Azzuz, Miyoko Ito, Shona McAndrew, and more.
I got another visceral feeling looking at light streaming into British sculptor Hew Locke’s “Jumbie House 2,” a model of an abandoned plantation house featuring staggering detail and precarious engineering.
This year, we’re going big with a list of memorable shows from around the world, seen and loved by our editors and contributors.
To look back on the past 12 months in art-making, below is a survey of some of the most important artworks made or presented in a new light in 2022.
From experiential, multi-site projects to performance-based interventions, these works not only challenge expectations of what public art can look like, but also reflect and confront the legacy of historical injustices.
Locke’s stunning, sensuous spectacle of pattern and color, just like the grand tradition of Caribbean carnivals, hints at sinister elements that undergird the whole endeavor.
As a result of decades of conversation and scholarship, a wave of new public sculptures reflect and honor Black Britons.
His piece is deliberately ambiguous, leaving it open to many different interpretations, all of them intriguing. The overall effect is spectacular.
From Deana Lawson's depictions of urban life to intricate sculptures by Henry Taylor, there's a plethora of work from Black artists to see this season
Out front, “Gilt,” four sculptures by Hew Locke commissioned for The Met’s historic facade, is on display.
For a hit of culture, head to these fabulous exhibitions across the capital
The Guyanese-British artist’s commission for the museum was created in a tense dialogue with collection objects that are connected to conquest.
The commission's title, Gilt, puns on the motivation for art world scrambling to account for centuries of pillaging.
The suite of sculptures is inspired by works in the museum’s collection with convoluted histories
Over the entrance to the Met are medallion portraits of white, male art heroes. Enter Hew Locke with a timely and pointed message about “Gilt” (or “Guilt”).
The British-Guyanese artist is the third sculptor to take on the Met's Facade Commission.
Highlights include grand retrospectives of Alex Katz and Wolfgang Tillmans, a titanic assembly of van Gogh and a celebration of the pioneering Just Above Midtown gallery.
We surveyed museums from New York to Detroit to Los Angeles to get a sense of where equity initiatives stand.
Themed exhibitions exploring the Great Migration and showcasing works by young fashion photographers and metal workers in Memphis are amond the noteworthy shows featuring Black artists that opened in museums this spring and summer.
The factual and fantastical collide, as a Black woman wearing an ebony helmet mask turns her head to gaze at the viewer even as she strides to our left.
In the Hayward Gallery exhibition “In the Black Fantastic,” Nick Cave’s powerful, newly commissioned installation takes center stage. The piece, entitled Chain Reaction, features hundreds of black cast-plaster arms—shaped from the artist’s own—joined together like chains. The hands grip each other as though trying to lift one another up. The installation touches on one of the show’s major themes: the legacy of slavery and colonialism.
The curator of “In the Black Fantastic” at London’s Hayward Gallery describes it as a “feel-good show about death,” which also looks beyond Afrofuturism.
The Commonwealth Games has kickstarted an explosion of culture in England’s second city, with loads to look at and listen to, as well as eat and drink
From the moment of its inception, the genre has been concerned with the promise and peril of breaking from modernity
In the Black Fantastic is a magical, fantastical exhibition featuring 11 contemporary artists from the African diaspora; Nick Cave, Sedrick Chisom, Ellen Gallagher, Hew Locke, Wangechi Mutu, Rashaad Newsome, Chris Ofili, Tabita Rezaire, Cauleen Smith, Lina Iris Viktor and Kara Walker.
The artist, who has wrapped a statue of Victoria in a wooden ship in Birmingham, prefers a retain and explain approach
Guyanese British artist Hew Locke is at a pivotal moment in his thirty-plus year career as a fine artist.
The sculptures of Hew Locke turn the symbols of state power – from coats of arms to naval vessels, public statues and royal portraits – into tools for examining the ways in which societies the world over have fashioned their identities, often under the shadow of colonialism.
Our ‘At home with’ interview series explores what creatives are making, what’s making them tick, and the moments that made them. This time, we step over the threshold with Guyanese-British artist Hew Locke
The artist realized what he previously called an “impossible proposal,” building a ship around a public statue of Queen Victoria, where she’s joined by five smaller replicas of herself.
He has been exploring ships, slavery and statues for decades – and now the world has finally caught up. As Locke unveils the boat he has built in Birmingham, he talks us through his ‘bloody exhausting’ workload
Sprüth Magers to open in New York; Art Basel galleries put spotlight on refugees; offer for MCH spin-off; Miami museum buys Nam June Paik work
Depictions of the British sovereign, one of the most painted women in history, reflect the changing status of the monarchy over more than half a century
Hew Locke discusses his grand commission for Tate Britain, a poetic work of sculpture examining colonial legacy, global finance and the human bodies at the end of the paper trail
Guyanese-British artist will create four sculptures that draw on the New York museum's collection
The artist's new Tate Britain Commission is a blazingly ambitious cavalcade of humanity, melding past and present, joy and pain
The Guyanese-British artist will create four sculptures shaped into whole and fragmented trophies that reference historical works in the museum’s collection.
In the new issue of Elephant, writer Precious Adesina meets the British artist Hew Locke, whose work has long challenged viewers to look and think again about the world that surrounds them.
Hew Locke’s new installation at Tate Britain shows 150 full-sized figures on a journey through history
A new large-scale installation by Hew Locke, "The Procession" features nearly 150 life-sized figures outfitted in hand-made garments and masks.
In a major new commission for the Tate museum group in London, the British-Guyanese artist returns to the themes of empire and postcolonial reckoning that have fascinated him throughout his career.
The Procession, installed in the Duveen Galleries, references the museum's historic links to the sugar industry and slavery
There’s a post-colonial, anti-capitalist carnival happening at Tate Britain. And if that doesn’t sound like much fun, that’s because it isn’t. It’s serious.
Ambitious, accomplished and fascinating, this incredible piece features 150 figures in masks and hand-sewn costumes journeying through Tate Britain
New work evokes ideas of pilgrimage, migration, trade, carnival, protest and social celebrations
Tate Britain today unveiled The Procession, a major new installation by artist Hew Locke, the latest in the gallery’s ongoing series of annual commissions. Locke has taken over Tate Britain’s monumental Duveen Galleries with almost 150 life-sized figures – staging a powerful, unsettling and fantastical procession. Intricately hand-made, and bold in its use of colour, this extraordinary installation assembles a myriad of images and materials. It is Locke’s most ambitious project to date, bringing together themes he has explored throughout his career.
Locke’s new work The Procession is a coming together of ideas he’s been exploring for nearly 30 years - and now people are talking about them
As debate over controversial monuments rages on, new project will be part of the Birmingham 2022 Festival culture programme linked to the Commonwealth Games
In the summer of 2019, Hew Locke and Indra Khanna, his wife, were my personal guides through the streets of Brixton. As we meandered the labyrinth of market stalls, we discussed a range of topics: migration, diaspora and community, gentrification, navigating the global art market, and the Caribbean. This outing came on the heels of Hew’s exhibition in Birmingham, England, in which such works as The Tourists (2015) and The Nameless (2010) were exhibited. The Tourists—presented as a haunting video installation—was an intervention that took place aboard the battlecruiser HMS Belfast, and that was commissioned by the Imperial War Museum, London.
Four artists featured in a major London exhibition about Britain and the Caribbean reflect on identity, the art world and living through changing times.
Our pick of the latest gifts and purchases to enter institutional collections worldwide
Guyanese-British sculptor Hew Locke is the latest artist to take on Tate Britain's Duveen Galleries, the huge central aisle of the museum. It's a daunting space, but he's sure to fill it with his signature gold-drenched, super colourful, critical plays on colonial aesthetics.
From live music to glass sculpture, game-changing performances to fitness podcasts… our writers on cultural treats to light up the months ahead
At Christie’s London, ‘Bold Black British’ (1 – 21 October) is a meeting point of artists working across disciplines and generations. We speak to curator Aindrea Emelife about spotlighting the Black Britons shaping the creative landscape
Latest News in Black Art features news updates and developments in the world of art and related culture
The London-based dealer of four decades is downsizing and having a 200-lot sale of contemporary art, Modern furniture, ethnographic art and antiquities
