Selected Bibliography

2024
Anania, Katie. Out of Paper: Drawing, Environment, and the Body in 1960s America. New Haven: Yale University Press, 2024.
Carter, Ros and Christensen, Sofie Krogh, editors. Pia Arke. Tallinn, Estonia: John Hansard Gallery, KW Institute for Contemporary Art, 2024. Illus pp. 24.
McClenathan, Erin, Kristoffer Noheden, Sven Spieker, et al. Archive of Dreams: Surrealist Impulses, Networks, and Vision. Leipzig: Spector Books, 2024.

Nelson, Maggie. Like Love. Minneapolis, MN: Gray Wolf Press, 2024. 

2023
Centamore, Alice, et al., Call it something else: Something Else Press, Inc. 1963-1974, Madrid: Museo Nacional Centro de Arte Reina Sofía, 2023. Illus. pp. 186.
De Paulo, Hilda, org. Terra Abrecaminhos, Sesc São Paulo, São Paulo, 2023. Illus. pp. 30-39
Joseph, Branden W., and Drew Sawyer, editors. Copy Machine Manifestos: Artists Who Make Zines. Brooklyn Museum. London; New York: Phaidon, 2023. Illus. pp. 152.
Olin, Ferris, editor. The Brodsky Center at Rutgers University: Three Decades, 1986-2017. New Brunswick: Rutgers University Press, 2023. Illus. pp. 61.
Stief, Angela. Valie Export. Angelina. Munich: Prestel, 2023. Illus. pp. 70. 

2022
Johnson, Lotte and Chris Bayley, editors. Carolee Scheemann: Body Politics. Yale University Press; Barbican Art Gallery, 2022. 
Celant, Germano. New York: 1962-1964. Jewish Museum; Skira, 2022. 

2021
Grundberg, Andy. “Performers, Bodies, Cameras.” How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to the Digital Age. New Haven, CT: Yale University Press, 2021. Illus. pp. 69–72.
Kwon, Marci. “Epilogue: Some Varieties of Enchantment.” Enchantments: Joseph Cornell and American Modernism. Princeton, NJ: Princeton University Press, 2021. Illus. pp. 208–219. 

2020
Gormley, Antony, and Martin Gayford. “Actions & Events.” Shaping the World: Sculpture from Prehistory to Now. London: Thames & Hudson, 2020. Illus. pp. 293–296. 

2019    
Bernstein, Judith, Breitwieser, and Branden W. Joseph “Carolee Schneemann, 1939-2019.” Artforum, May 2019. Illus. pp. 47 -50.
Marrance, Bonnie, ed., PAJ 122. Cambridge, MA: MIT Press Journals, 2019. Illus. pp. 1-16. 
Muzeum Susch. “A Woman Looking at Men Looking at Women.” Catalogue. Milan, IT: Muzeum Susch, 2019. Illus. pp. 19. 
Cateforis, David. Duval, Steven, and Shepard Steiner, eds. Hybrid Practices. Oakland, CA: University of California Press. Illus. pp. 6, 11, 16-18, 113- 122. 

2018    
Joseph, Branden. Uncollected Texts. Primary Information, Brooklyn.
Hanson, Ron ed., White Fungs Issue 16. London, UK: Whitecirc, 2018. Illus. pp. 76-129.
Museum of Modern Art, Judson Dance Theater the Work is Never Done. New York, NY: Museum of Modern Art, 2018. Illus. pp. 166-167.
Wood, Catherine. Performance in Contemporary Art. London, UK: Tate Publishing. Illus. pp. 34, 42-45.

2017
Pedrosa, Adriano and Camila Bechelany, editors. Histōrias Da Sexualidade Catālogo. São Paulo: Museu de Arte de São Paulo, 2017. Illus. pp. 146-147.
Ragona, Melissa. “Materiality, Lecture, and Game in the Work of Carolee Schneemann.” Carnegie Museum of Art, October 2017.
Pelling, Rowan. Art of the Erotic. New York, NY: Phaidon Press. Pg. 130, 243-244. Illus. Meat Joy (1964).
Buccheri, Alessandra and Giulia Ingarao and Emilia Valenza, Archetipi del Femminile: Rappresentazioni di genere, identita e ruoli sociali nell’arte dale origini a oggi, Mimesis, December 2017.
O'Neill-Butler, Lauren. “Carolee Schneemann.” Artforum, February 2017
Green, Alison. “Carolee Schneeman More Wrong Things.” Catalogue. London, UK: Hales Gallery, 2017.
Rist, Pipilotti, “Carolee Schneemann’s art is not about your comfort,” Interview Magazine, October 2017
Schneemann, Carolee. “Moral Turpitude,” Harper’s Magazine, October 2017
Miss Rosen. “The artwork that nearly killed Carolee Schneemann,” Dazed, October 2017          

2016    
Westermna, Jonah. Performing for the Camera. Edited by Simon Baker and Fiontan Moran. London, UK: Tate Publishing. Illus. 90-91.
Loudis, Jessica, ed. The Magazine of the Artist Insittue: Carolee Schneemann. New York, NY: The Artist Institute, 2016. 
PPOW, “Carolee Schneemann Further Evidence.” Catalogue. New York, NY: P·P·O·W, 2016.
Schor, Gabriele. The Feminist Avant-Garde of the 1970s: Works from the Summlung Verbund, Vienna. Munich, GE: Prestel Publishing. Pg. 163- 169. Illus. Image As #2 (1973), Images AS #1: Isisi Skating (1973, Image As #4 (1974).
Archais, Elise. The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci. New Haven, CT: Yale Univeristy Press.        
Breitwieser, Sabine, Carolee Schneemann: Kinetic Painting, Prestel, Austria.

2015    
Bodin, Claudia. “Die Nackte Revolution.” art das kunstmagazin. December 2015.         
The Merchant House, The Merchant House Issue 2.2: Carolee Schneemann Infinity Kisses. Edited by Marsha Plotnitsky. Amsterdam, NL: The Merchant House, 2015.
Macel, Christine and Rachel Thomas. “What We Call Love: From Surrealism to Now.”
Siegel, Katy. “The heroine Paint” After Frankenthaler.
Schneemann, Carolee, “Muse: The Breath of Life,” Art in America, February 2015.
Vogel, Wendy, “Q&A with Carolee Schneemann,” Modern Painters, February 2015.
White, Kenneth ed, Unforgivable, Black Dog Publishing, United Kingdom.
Hegert, Natalie, “Why Do We Only Know Carolee Schneemann the Performance Artist?,” Huffington Post, Dec 17, 2015.
Buffenstein, Alyssa, “Artist Carolee Schneemann Finally Gets a Comprehensive Retrospective,” artnet news, Nov 23, 2015.
Snow, Philippa, “Raw Meat, Live Sex and Snakes: The Dangerous Art of Carolee Schneemann,” The Guardian, December 15, 2015.

2014    
Milliard, Coline, “In Review: London’s Must-See Gallery Shows This March, from Markus Lüpertz to Marvin Gaye Chetwynd”, Artnet, Thursday, March 13, 2014.
Ragona, Melissa, “Carolee Schneemann’s Small Motors,” (annotated interview), T-Space Publications, 2014.
‘T’ Space. “Carolee Schneeman Flange 6rpm.” Catalogue. Duchess County, NY: ‘T’ Space, 2014.
Rose, Steve. “Carolee Schneemann: ‘I never thought I was shocking’”, The Guardian, March 11, 2014.
Lau, Carrie. “Move: Schneemann’s Movement”, Cent Magazine, February 2, 2014, March 2014 issue.

2013    
Ragona, Melissa. “A Technological Interiority,” Carolee Schneemann: Precarious, Sammling Friedrichsof, 2013.
Ragona, Melissa. “An Epistemology of the Kinetic: Carolee Schneeman’s RPM,” Carolee Schneemann, Flange 6rpm, 2013.
Museo de Arte Contemporaneo de Castilla y Leon, Oeuvres d’Histoire: Then and Now Carolee Schneeman. Edited by Anaabelle Teneze. Dijon, FR: Les Presses du reel, 2013.
Heartney, Elanor, Posner, Helaine, Princethal, Nancy, and Sue Scott. The Reckoning: Women Artist of the New Millennium. New York, NY: Prestel Publishing. Pg. 16, 70, 79,121, 129, & 200.
Henry, Joseph. “In Conversation and In Review: The Underestimated Carolee Schneemann” Artinfo, April 2013.
Miller, Lain. “Up Close and Personal”, The Art Newspaper, Number 243, February 2013.
Levin, Erica. “Dissent and the Aesthetics of Control: On Carolee Schneemann’s Snows.” World Picture Journal, Summer 2013.
Stoneman, Rod, “Seeing Is Believing: The Politics of The Visual”, Black Dog Publishing, London, UK, 2013, p. 26.    
Frank, Peter. “Flange 6rpm,” Huffington Post September 17, 2013.
White, Kenneth. “Carolee Schneemann Terminal Velocities,” San Francisco Arts Quarterly 2013.
“Taking Matters into our own Hands,” Frieze. No. 154, April 2013.
Cielatkowska, Zofia. “The Presence of Absence: ‘Life Book’ Carolee Schneemann at WRO Art Center,” SZUM. Oct 2013.

2012    
Happenings New York 1958- 1963
White Fungus Publication Issue 12.
Nitoslawska, Marielle. “Breaking the Frame - The Life and Work of Carolee Schneemann. 2012.”
Shown at the Telluride Film Festival, 56th BFI London Film Festival, Festival du Nouveau Cinéma, Montreal.
Landi, Ann. “Double Exposure,” ArtNews, May 2012.
Remix: Selections from the International Collage Center, ICC and Daum Museum of Contemporary Art, 2012.

2011    
Sina, Adrien ed. Feminine Futures – Valentine de Saint-Point – Performance, Dance, War, Politics and Eroticism. Les presses du reel, December 2011.
Various Authors, “Focus on Carolee Schneemann” Millenuim Film Journal, Fall 2011.
Sillman, Amy, “Ab-Ex and Disco Balls: In Defense of Abstract Expressionism II,” Artforum. Summer p. 324.
Levin, Kim, “A portrait of Carolee Schneemann, in her own words,” Artnews. May 2011.
Schwabsky, Barry, “Shelf Life: On Philip Guston, Carolee Scheemann, and Ilya Kabakov”, The Nation, January 10, 2011.
Millennium Film Journal #54, Carolee Schneemann, Summer 2011.

2010    
Stiles, Kristine, Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle, Duke University Press, October 2010.
Samuel Dorsky Museum of Art, Carolee Schneemann Within and Beyond the Premises. New Paltz, NY: Samuel Dorsky Museum of Art, 2010.
Mekas, Jonas, Irving Sandler, and Patricia Cronin. “A Salute to Carolee Schneemann,” The Brooklyn Rail. April 2010.
Finch, Charlie. “Carolee the Painter,” Artnet. April 28, 2010.
Spiegler, Almuth. “Feuchte Traume,” Art das Kunstmagazin. November 2010. p. 89.

2009    
Richard, Francis. “Carolee Schneemann,” Artforum. May 2009. pp. 236-37.
PPOW. “Carolee Schneemann Painting, What It Became” Catalouge. New York, NY: PPOW, 2009.
Shuster, Robert. “Carolee Schneemann: Painting, What It Became,” The Village Voice. March 10, 2009.
Cotter, Holland. “Carolee Schneemann,” The New York Times. March 26, 2009.
“Carolee Schneemann,” Goings on About Town, The New Yorker. March 2009.
Maine, Stephen. “Carolee Schneemann,” Art in America International Review. June/July 2009. pp. 203-4.

2008    
Badelt, Sandra and Beat Wismer. “Diana und Actaeon: Der verbotene Blick auf die Nacktheit,” Museum Kunst Palast. Düsseldorf, Germany, 2008. Repro: Vulva’s Morphia (1981-1995).
Ades, Dawn and Baker. Simon Close up. The Fruitmarket Gallery, Edinburgh, Scotland, 2008. Reproduction Portrait Partials (1970/2004) p. 81.

2007
Hyun, Jane, and Elizabeth Hamilton, editors. “Body as Medium.” Wack! Art and the Feminist Revolution, The MIT Press, Cambridge, MA, 2007, pp. 70–71.
Mey, Kerstin. “art & obscenity,” I.B. Tauris & Co Ltd., New York & London, 2007. Repro: Meat Joy (1964) p. 21.
Lovelace, Carey. “Girls, Girls, Girls,” Art in America. June/July 2007. p. 89. Reproduction.
Dabkowski, Colin. “Mortal Remains” The Buffalo News, April 6, 2007.
Perini, Julie. “Carolee Schneemann at CEPA, Buffalo, NY” thefanzine.com, May 5, 2007.
Schneemann, Carolee. Split Decision. Catalog, Museum of Contemporary Canadian Art, Toronto, Canada.

2006    
Burton, Johanna. “Carolee Schneemann,” ArtForum, April 2006.
Anderson, Randall. “Carolee Schneemann: Le Corps Implicite,” Immersion Immersive. 2006. pp. 12-29.
Johnson, Ken. “How I Finally Accepted Fate,” The New York Times. July 14, 2006.
Johnson, Ken. “The Shock of the Body in Its Messy Corporality,” The New York Times. July 7, 2006.
New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography, and Video. Eds. Germano Celant and Lisa Dennison. Skira, Milano 2006.
Siegel, Katy, ed. High Times, Hard Times: New York Painting 1967-1975. iCI/D.A.P, New York, 2006.
Perreault, John. “Imagining Carolee Schneemann,” Arts Journal.com: Artopia. January 30, 2006.
Valdez, Sarah. “Carolee Schneemann at PPOW,” Art in America, June/July 2006. p. 197.
Velasco, David. “Carolee Schneemann,” Artforum online. January 18, 2006. http://www.artforum.com/index.php?pn=picks&place=New%20York#picks10224
CEK. “Carolee Schneemann: Corporeal- Photographic Works 1963-2005,” Flavorpill, January 10-16, 2006.

2004    
Alliez, Eric & Elisabeth von Samsonsonow (Hg.). TransArt IV- Biogrphien de orgnlosen Korpers. Turia and Kant, Wien, Austria, 2004. pp. 183-201. Illus: More Wrong Thing (2000), Vulvas Morphia (1995), Mortal Coils (1994-95) Hand/Heart for Mendieta (1986), Infinity Kisses (1981-1987), Unexpectedly Research (1992), Impressings (1987-95), Fuses (1965).
Anderson, Randall. "Carolee Schneemann," Border Crossings: A Magazine of the Arts. February 2004, vol. 23, no. 1. pp. 85-86. Illus: Devour (03-04) multi-channel video installation.
Lovejoy, Margot. Digital Currents: Art in the Electronic Age, Routledge Taylor & Francis Group, New York & London, 2004. Illus: Cycladic Imprints (1993).
McDonald Claire & Allsopp, Rick, ed. Correspondence – Performance Research, March 2004. vol. 9, no. 1. pp. 99-105, Illus: Correspondence Course (1980-83).

2003    
Aquin, Stephane. "Global Village: The 1960’s," Exhibition Catalog 2003. Interview pp. 160-63. Illus: Meat Joy (1964), Eye Body? Thirty-Six Transformative Actions (1963), Fuses (1965), Meat Joy collage (1991).
Hendricks, Geoffrey, ed. Critical Mass- Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958-1972, Exhibition Catalog 2003. Rutgers University Press.
Kubuitza, Annette. “Fluxus, Flirt, Feminismus?- Carolee Schneemann’s Korperkunst un die Avantgarde,”Reimer, Berlin. 2003.
MacDonald, Claire. "Sense and Sensuality - Feminist Lives, Feminist Practice" (review of Imaging Her Erotics - Essays, Interviews, Projects). Performing Arts Journal 74, 2003. pp. 120-24.
New Brunswick, NJ. pp. ix, 13, 67-69, 82, 84, 89-94,124, 151 no. 5, 170, 205. Illus: Up to and Including Her Limits (1973), Noise Bodies (1965), Up to and Including Her Limits (1975).
Pace, Lind & Jan Jarboe Russell. “Dreaming Red- Creating ArtPace,” ArtPace, San Antonio, 2003. pp. 16, 25, 102-3, 184-89. Illus: Vesper’s Pool (1999).
Rexler, Lyle. “Using Art to Start a Global Conversation,” The New York Times, February 23, 2003. p. 51.

2002    
Schneemann, Carolee, Imagining her Erotics. Combridge, MA: The MIT Press, 2003.
Artnet.Com, (listing of Imaging Her Erotics) – April 11, 2002.
Artnews, (review of Imaging Her Erotics), Summer 2002. p. 13.
“Creative Responses and Cautious Retractions,” Art on Paper. January/February 2002, vol. 6, no. 3. p. 25.
El Cultural- Photo España Issue. June 12-18, 2002. p. 39. Illus.
Exit 8- Censurados/Censored. 2002. pp. 102-3. Illus: Interior Scroll (1975), p. 103.
FLUXUS Y FLUXFILMS 1962-2002. Museo National Centro de Arte Reina Sofia Exhibit Book, 2002. Illus: Interior Scroll (1975), pp. 209-10, 296-97; Meat Joy (1964), pp. 198-99; Reina Sofia lecture, pp. 333-34.
PHE 02- Femininos. Photo España 2002 Exhibit Book. Ayuntamiento de Madrid. pp. 162-63, Illus: pp. 74-75.
PHE 02- Femininos. Photo España 2002 Catalogue. La Fabrica. pp. 124-26, 229, Illus: pp. 125, 229.
UNDERVEJS-222 Tegniger fra Picasso til Yoko Ono. “After the Beginning and Before the End,” Exhibit Catalogue. Louisiana Museum of Modern Art, 2002. Illus: p.122.
Baker, Steve. “What does becoming-animal look like?” in Representing Animals, Nigel Rothfels, ed. Bloomington: Indiana University Press, 2002. pp. 67-98.
Balios, Knizni Klub. Dejiny Umeni/12. Euromedia Group, Prague 2002. Illus: Eye Body-36 Transformative Actions (1963), p. 64.
Blanich, Tania, ed. Commitment- The Rockefeller Foundation Media Arts Fellowship, 1988-2002. Rockefeller Foundation, NY, 2002. pp. 69, 139, Illus: pp. 69, 139.
Cahmi, Leslie. “Dinner Is Served,” The Village Voice Online. October 11, 2002.
Campbell-Johnston, Rachel. “Shock of the Deja-Vu: Can Performance Art Still Provoke?” The New York Times, April 12, 2002.
Carr, C. “The Legacy of Kathy Acker- Theoretical Grrl,” The Village Voice. November 6-12, 2002. p. 49.
Cotter, Holland. “Two Nods to Feminist Long Snubbed by Curators,” The New York Times. October 11, 2002. p. E35.
Dannatt, Adrian. Review of “Embodied” at P·P·O·W Gallery, The Art Newspaper, February 2002.
Dezeuze, Anna. “Meat Joy- All good clean fun, asks Anna Dezeuze,” Art Monthly. June 2002, no. 257. pp. 1-6. Illus: pp. cover, 1-3, 5.
Doss, Erika. “Twentieth Century American Art,” Oxford History of American Art, Oxford University Press, NY, 2002.
Jones, Jonathan. “So that was the 1960’s,” The Guardian, London, UK, April 18, 2002.
Koebel, Caroline. "Imaging Her Erotics: Carolee Schneemann” (book review), The Brooklyn Rail, Summer 2002.
Leask, Josephine. “Bodily Functions- Review of Imaging Her Erotics,” Tate Summer 2002 Bulletin. Tate Museum, London.
Newman, Amy. “An Innovator Who Was the Eros of Her Own Art,” The New York Times, February 3, 2002.
Review of “Embodied” at P·P·O·W, Artnet.com, January 16, 2002.
Schneemann, Carolee. “Imaging Her Erotics – Essays, Interviews, Projects,” MIT Press, 2002.
Satz, Aura. “A Short History of Performance” (review of Whitechapel Performance of Meat Joy), Tema Celeste 92, July/August 2002. p. 95.
Valdez, Sarah. Review. Time Out NY. February 14-21, 2002.

2001    
“Carolee Schneemann’s Early Drawings,” The Drama Review. Summer 2001. pp. 9-54, 96. Illus: p. 96.
Dreher, Thomas. “Performance Art nach 1945.” Wilhelm Fin Verlag. Munich, 2001.
Hulguera, Pablo. Tema Celeste Contemporary Art Magazine. E-Gabrius USA Corp., New York, 2001. "More Wrong Things" (review of exhibition at White Box, NYC).
Wagner, Monika. Das Material der Kunst. Verlag C.H. Beck, 2001. Munich.
Wimmer, Elga. Arzulananlar/Les Voluptes exhibition catalogue. Borusan Art Gallery, Istanbul, Turkey, 2001. pp. 32-3, Illus: Fresh Blood– A Dream Morphology.

2000    
Burrows, David. “Making a Scene,” University of Central England. Birmingham, 2000. pp. 34-38, Illus.
Drobnick, Jim. "Inhaling Passions: Art, Sex and Scent,” Sexuality & Culture. Summer 2000. vol. 4, no 3. pp. 37-56.
Hanzlova, Jitka. “Female,” Deichtorhallen, Hamburg, 2000. Illus: b & w photo of CS, p. 63.
Hay, Deborah. “My Body, The Buddhist.” University Press of New England, 2000. Detail of Infinity Kisses, p. 4.
Montano, Linda M. “Performance Artists Talking in the Eighties,” University of CA Press, Berkeley, 2000. pp. xi, xii. Illus: “Fresh Blood: A Dream Morphology" (1983), (photo: Ginerva Portlock)
Morris, Robert. Review of Site, Art Monthly. April 2000. p. 22, Illus: Site.
Oddey, Alison. "Aphrodite Speaks: on the Recent Performance Art of Carole Schneemann," NY Theatre Quarterly, 2000. vol. XVI, no. 62, part 2. pp. 155-62.
Pollack, Barbara. "Babe Power," Art Monthly. April 2000. p. 7-10, Illus: Interior Scroll.

1999    
“Art Matters: How the Culture Wars Changed America,” NYU Press, 1999.
Combalía, Victoria, Jean-Jacques Lebel. “Jardín de Eros,” S.E. Electa. S.A., Barcelona. 1999. pp. 48, 63, 295.
Chicago, Judy & Edward Lucie- Smith. “Women and Art: Contested Territory,” Weidenfeld & Nicoloson, London, 1999. Illus: pp. 18, 171.
Conz, Francesco. “Dupuy chez Conz,” Editions Conz, Verona, 1999. Photo appears on front cover collage.
Conz, Francesco. “Fluxus: Muzej suvremene umjetnosti,” Zagreb studeni – prosinac, 1999. Illus: p. 79.
Cameron, Kandel, “Bonami, Cream: Contemporary Art in Culture,” Phaidon Press, London, 1999. pp. 14, 228. Illus.
Celant, Germano and Clare Bell. “Jim Dine: Walking Memory, 1959-1969,” Solomon R. Guggenheim Foundation, NY, 1999. p. 40.
Duncan, Michael. "Tracing Mendieta," Art in America. April 1999. pp. 110-13, 154.
Eyler, Carolyn. “Carolee Schneemann: Drawing Performance,” University of Southern Maine, 1999. Illus.
Frueh, Joanna. “Treatment of Women’s Bodies in Medical Science and Art,” Catalogue. Dinnerware Gallery, Tucson, 1999.
Howell, Anthony. “The Analysis of Performance Art,” Harwood Academic Publishers, 1999. p. xv, 55, 89,198.
Jones, Amelia. “Body Art: Performing the Subject.” University of Minnesota Press, Minneapolis, London, 1999. pp. 1-5, 9, 10, 13, 31, 51, 151, 159, 161-62, 164, 239, 242, 255, 301-302. Illus.
Klein, Jennie. "Feeding the Body: The Work of Barbara Smith," Performance Art Journal, 1999. vol. 61. p. 34.
Luelski, Abraham. NY Arts Magazine. October 1999. Illus: p. 23.
Marranca, Bonnie. "Bodies of Action, Bodies of Thought: Performance and Its Critics" (review of Out of Actions exhibition), Performance Art Journal, 1999. vol. 61. pp. 10-23.
Marranca, Bonnie & Gautam Dasgupta. "Carolee Schneemann: Performance and the Body," Conversations on Art and Performance. (Interview with Robert Coe, 1979).
Johns Hopkins University Press, Baltimore/ London, 1999. pp. 330-36.
NY Arts, 1999. vol. 4. no. 5. Illus: cover.
O’Dell, Kathy. Contract with the Skin. University of Minnesota, 1999.
Paley, Maggie. The Book of the Penis. Grove Press, New York, 1999. pp. 65, 66.
Phillips, Lisa. The American Century: Art & Culture 1950-2000. Whitney Museum of American Art in association with W.W. Norton & Company, New York/London, 1999. pp. 163-66, 165, Illus: pp. 242, 243.
Reiss, Juli H. “From Margin to Center: The Spaces of Installation Art,” MIT Press, Cambridge, MA, 1999. Illus: Divisions and Rubble (1967), p. 74.
Rush, Michael. New Media in Late 20th Century Art. Thames & Hudson. 1999. pp. 38, 41, 59, 78. Illus: Eye Body, Mortal Coil, Snows.
Schneemann, Carolee. "Dream/Space/Object...Death/Mother/Bird," Art Journal. Spring 1999. pp. 49-62. Illus.
Sarmiento, José Antonio. “El Arte De La Acción,” Vicenconsejería de Cultura y Deportes, 1999. p. 123.
Strauss, David Levi. “Love Rides Aristotle Through the Audience: Body, Image & Idea in the work of Carolee Schneemann," Between Dog & Wolf: Essays on Art and Politics. Autonomedia, Brooklyn, NY. 1999. pp. 72-89.
Texte Zur Kunst. March 1999. pp. 60-61. Illus: Up To And Including Her Limits (on Pollock).
Unterberger, Amy, ed. Women Filmmakers Encyclopedia: Women on the Other Side of the Camera.
Visible Ink/ St. James Press, 1999. pp. 372-74. Illus: Fuses.
Viso, Olga M. “Regarding Beauty,” Hirshorn Museum and Sculpture Garden Smithsonian Institution,
Washington, D.C. Hatje Cantz Publishers, 1999. Illus: fig 39.
Vesna, Victoria and Connie Samaras, ed. Terminals. CD-ROM including work by C.S., www.arts.ucsb.edu/terminals.
Weibel, Peter. Der Anagrammatische Körper. Kunsthaus Muerz. Köln, Germany, 1999. Photo: Portrait Partials (1970).
Woods, Tim. Beginning Postmodernism. Manchester University Press, Manchester and New York, 1999. pp. 83, 154-55. Illus: Cycladic Imprints (1992).

1998    
Ayers, Robert. “Out of Actions," Art Monthly. March 1998. no. 214. pp. 1-4. Illus: Eye Body installation.
Birringer, Johannes. “Media and Performance Along the Border.” Johns Hopkins University Press, Baltimore, 1998. pp. 8-9, 155, 256-57, 274-75.
Bonomi, Giorgio/ Mascelloni, Enrico. “Promuovere L’alluvione: Fluxus nella sua Epoca 1958-1978.” Exhibition catalogue. pp. 19, 65, 162, 200, 249. AP Publishers, Italy, 1998. Illus: Eye Body, Up To And Including Her Limits, Breads, Noise Bodies early drawing.
Clay, Stephen and Phillips, Rodney. "Parts Of A Body House Book: A Secret Location on the Lower East Side,” Adventures in Writing, 1960–1980. New York Public Library, 1998. pp. 144-145.
Dewey, Fred. "Letter from Freedom X: Carolee Schneemann and Artaud," Most Art Sucks: Five Years of Coagula. Smart Art Press, Santa Monica, CA, 1998. p. 114-119. Illus.
Einzig, Barbara. "Girls Rule, Boys Drool," ArtByte: The Magazine of Digital Arts. Dec/Jan. 1999. vol. I, no. 5. pp. 19-25.
Enright, Robert. "The Articulate Body: Carolee Schneemann in Conversation," Border Crossings: A Magazine of the Arts. Winter 1998. pp. 14-27. Illus.
Falvo, Patricia. "History, Women’s Work," New York Magazine. November 2, 1998. p.145. Illus.
Frank, Peter. “Fluxus Fluxus Redux: Neo-Dada Sexuality in the 1960s and After,” Manuscript, 1998.
Goldberg, Roselee. Performance: Live Art Since 1960. Harry Abrams, NY, 1998. pp. 10, 15, 17-18, 44, 92, 132. Illus: Interior Scroll, Meat Joy, Up to And Including Her Limits.
Handelman, Michelle. "Tripod Women: Visionary Women - Carolee Schneemann." Interview, 1998. www.tripod.com/women/feature/columns/artists/carright.frame.
Harvey, Dennis. "Is It Still Really Dirty?" San Francisco Bay Guardian. December 9, 1998. pp. 59, 61.
Interview w/ Ruby Rich discussing C.S.’s Fuses. Illus.
Haug, Kate. "Femme Experimentale: Interviews with Carolee Schneemann, Barbara Hammer, and Chick Strand," Wide Angle: A Quarterly Journal of Film History, Theory, Criticism, and Practice. vol. 20, no. 1. January 1998. pp. 1-49. Illus: Fuses performance, lecture.
Jones, Amelia. Body Art: Performing the Subject. University of Minnesota Press, Minneapolis/ London, 1998. pp. 1-5, 9, 10, 13, 31, 51, 151, 159, 239, 160-62, 164, 239, 242, 255, 301-302. Illus: CS, Eye Body.
Joselit, David. "Between Objects and Actions," Art in America. November 1998. pp. 86-91.
Kauffman, Linda S. “Bad Girls and Sick Boys: Fantasies in Contemporary Art and Culture. University of California Press, 1998. pp. 4, 20, 52-56, 73, 80, 262, 276, 277.
Koebel, Caroline. "From Danger to Ascendancy: Notes Toward Carolee Schneemann," Wide Angle: A Quarterly Journal of Film History, Theory, Criticism, and Practice. January 1998. vol. 20, no. 1. pp. 50-63. Illus: Fuses, Eye Body.
Koestenbaum, Wayne. "Bikini Brief" (Interior Scroll). Artforum. Summer 1998. pp. 23-24.
Ed. Kunsthistorie ved Arhus Universitet."Carolee Schneemann," Sulto, March 1998. Odense, Denmark.
Lord, Jeffrey P. "Kitch’s Last Meal" Big as Life: An American History of 8mm Films. ed. Albert Kilchesty. Museum of Modern Art, NY/ San Francisco Cinematheque, 1998. Illus: Kitch’s Last Meal stills. Essay: pp. 77-78; 11, 100, 112, 117.
Matlin, David. "Echoes of Dionysus" (review of More Than Meat Joy). Rain Taxi. April 1998. pp. 44-45.
McConquodale, Siderfil, Stallabrass, ed. Occupational Hazard: Critical Writing on New British Art. Black Dog Publishing, 1998. pp. 122, 127.
Moore, Barbara. "Peter Moore at Judson," Movement Research, Performance Journal #17. Published by Movement Research, Inc. Fall/Winter 1998.
Morgan, Robert C. “The End of the Art World,” The School of Visual Arts and Allworth Press, 1998. pp. 127-132, 134.
Preston, Janet. "New York Letter Bomb," Coagula. January 1998. no. 31. pp. 28-29.
Rich, Ruby B. “Chick FLICKS, Theories and Memories of the Feminist Film Movement,” Duke University Press, 1998. pp. 21-28, 112, Illus: Fuses, Interior Scroll.
Robins, Corinne. "Rediscovering Sex in Feminist Art," Art Journal. Spring 1998. vol. 57, no. 1. pp. 88–89.
Roth, Martha. “Arousal: Bodies & Pleasure,” Milkweed Editions, Minneapolis, 1998. pp. 146, 159.
Rothenburg, Jerome and Pierre - Joris. “Poems for the Millennium - Vol. II: From Postwar to Millennium,” The University of California Press, Berkeley/ Los Angeles, 1998. pp. 436-39. Illus: Interior Scroll.
Schimmel, Paul. “Out of Actions: Between Performance and the Object 1949-1979,” Exhibition catalogue. MOCA, Los Angeles/ Thames & Hudson, NY. 1998. pp. frontispiece, 253, 293-97, 387, 404. Illus: Eye Body, Four Fur Cutting Boards, Interior Scroll.
Schneemann, Carolee. "In Their Own Words—Vulva’s School," The Bardian. Sulfur 42, Spring 1998. pp. 14-21. Illus: Vulva’s School.
Seppala, Vanhala, Weintraub, ed. "Interspecies Eros: Animal, Anima, Animus,” Pori Art Museum Publications, 1998. pp. 128-37. Illus: Infinity Kisses, Vulva’s Morphia Eternal Pussy.
Smith, Roberta. "When Art Became a Stage and Artists Actors," New York Times,1998. pp. 40-41.
Unterburger, Amy, ed. Women Filmmakers and Their Films. St. James Press, Detroit/ NY/ London, 1998. pp. 147-149, 373-375. Illus: Fuses.
Weintraub, Linda. New York Foundation for The Arts, Advocacy. Fall 1998. vol.1, no. 3.

1997    
Artaud, Antonin," Parkett,1997, no. 50/51. pp. 224-31 (German 232-239). Illus. Meat.
Avgikos, Jan. "Carolee Schneemann/ New Museum," Artforum International. March 1997. p. 94. Illus: Up to and Including Her Limits.
Bace, Bill. "AICA 1996-1997 Best Show Awards," REVIEW. November 15, 1997. pp. 1, 5.
Barnes, Coomer, Freedman, ed. The 20th Century Artbook. Phaidon Press Limited, London, 1997. p. 415, Illus. Eye Body.
Biesel, Elke. "Lust und Wut einer Kunstlerin: Carolee Schneemann aus New York in Bonn," Kolner Stadt-Anzeiger. March 1997. no. 55.
Bogarts, Pierre, and Veerla Swenters. “Shoes Or No Shoes?“ Schoenmakerij Swenters, Antwerp, Belgium, 1997.
Brakhage, Stan. "Letter to Amos Vogel from Stan Brakhage, 5/13/57," Wide Angle: A Quarterly Journal of Film History, Theory, Criticism and Practice. April 1997. vol. 19, no. 2. p. 78.
Cameron, Dan. "Global Warming," Artforum. December 1997.
Carlton, Nathan. "Being Our Constructions: A Response to C. Schneemann’s Performative Reading: Your Dog My Cat or Delirious Arousal of Destruction," The Bard Observer. May 20, 1997. pp. 8-9. Illus.
"Carolee Schneemann," RUDE, Granary Books, Limited Edition Artist Book. Edition of 35. New York, 1997, no. 8. p. 17. Illus: Vulva’s Morphia.
Daigle, Claire. "Carolee Schneemann—New Museum" (review of C.S. retrospective), ART PAPERS. March/ April 1997. vol. 2, issue 2. p. 65. Illus: Interior Scroll.
Daly, Ann. "Body of Evidence: Schneemann Retrospective Exposes Subversive Gestures," Village Voice. January 21, 1997. Illus: Up to And Including Her Limits.
Dewey, Fred. "Letter From Freedom X: Carolee Schneemann Reclaims Art History," Coagula Art Journal. March 1997. pp. 24-28 and cover.
Elder, Bruce R. “A Body of Vision, Representations of the Body in Recent Film and Poetry,” Wilfred Laurier University Press, 1997. pp.154, 156, 162, 233--76, etc.
“For Eyes and Ears,” Odense, Denmark!, 1997. Cover and p. 29. Illus: Enter Vulva.
Frank, Peter. "Glow, Whir and Babble: Film at 100" (review of MOCALA exhibition, Hall of Mirrors: Art and Film Since 1945), Artnet: World Wide Web Magazine,1997.
Frauen Museum Catalogue. Ruhm - Werke von Kunstlerinnen in nordrhein - westfalischen Museen. pp. 172, 173. Illus: Collage, 1970. Frauen Museum, Bonn, 1997.
Gaze, Delia, ed. Dictionary of Women Artists: Vol II. Fitzroy Dearborn Publishers, London/ Chicago, 1997. Illus: Eye Body.
Haden-Guest, Anthony. “True Colors: The Real Life of the Art World,” Atlantic Monthly, 1997.
Graham, Lanier. Goddesses. Abbeville Press, New York, 1997. p. 266. Illus: Eye Body.
Handler, Beth. "Refusal and Reaffirmation: Carolee Schneemann’s Performances Against the Vietnam War and The Politics of Gender," Issues of Performance in Politics and the Arts, 1997. pp. 177-94.
Illus: Eye Body, Interior Scroll, Snows, Illinois Central. Doctoral dissertation.
Harris, Jane. "Carolee Schneemann: Intimately Public," REVIEW. Jan. 5, 1997. pp. 20-21.
“Known/ Unknown - Plague Column," Images Festival of Independent Film and Video, The Factory, 1997. p. 55. Catalogue.
Jones, Ronald. "Carolee Schneemann - The New Museum, New York," Frieze. May 1997. no. 34. p. 88. Illus: Infinity Kisses, Up to And Including Her Limits.
Kimball, Roger. "The Repeal of Reticence,” The New Criterion. January 1997. pp. 20-25.
Kirker/ Zurbrugg, ed. Francesco Conz: Intermedia and The Avant-Garde. Exhibition catalogue. Queensland Art Gallery, Australia, 1997. pp. 4, 8, 55, 78. Illus: Ice Naked Skating.
Konkrete, Poesie. Konzept, Kunst. Kunstverein, Rosenheim, 1997. p. 77.
Kramer, Mark. "The Medium is a Mess," Spy. November 1997. pp. 38, 40. Illus: Interior Scroll.
Kulterman, Udo, ed. Modern Masterpieces: The Best of Art, Architecture, Photography and Design since 1945. St. James Press. pp. 128-31. Illus: Meat Joy.
Kubitza, Anette. "Carolee Schneemann," Ruhm-Werke von Kunstlerinnen in nordrhein-westfalischen Museen. Frauen Museum, Bonn, 1997. pp. 172-73. Illus: Collage.
Lamontagne, Valerie. "Heroine Addiction," MIX. Spring 1997. vol. 22.4. p. 53. Illus: Interior Scroll.
Light Cone catalogue 1997. Collectif Jeune Cinema, Paris, 1997. pp. 148, 151. Illus. Meat Joy.
Lovejoy, Margot. Postmodern Currents: Art and Artists in the Age of Electronic Media. 2nd Edition. Prentice Hall, 1997. pp. 81-83. Illus: Cycladic Imprints.
MacDonald, Scott. "Cinema 16: Documents Toward a History of the Film Society," Wide Angle: A Quarterly Journal of Film History, Theory, Criticism and Practice, April 1997. vol. 19, no. 2. p. 79.
MacDonald, Scott. "Cinema 16: Documents Toward a History of the Film Society," Wide Angle: A Quarterly Journal of Film History, Theory, Criticism and Practice. January 1997. vol. 19, no. 1. p. 12.
Morgan, Robert C. “Carolee Schneemann: The Politics of Eroticism," Art Journal. Winter 1997.
Murphy, Jay. "Assimilating The Unassimible: Carolee Schneemann in Relation to Joy, Vulva’s Morphia, Water Light/ Water Needle, Cycladic Imprints, Mortal Coils, Up to And Including Her Limits, Eye Body, Jim’s Lungs.
"New York Letter Bomb,” Coagula Art Journal. January 1997. p.p 26, 28.
Odita, O. Donald. Interview extract and photograph in "The Body Issue". Rude, 1997. p. 17. (Interview published in its entirety at http://plexus.org/connect).
O'Dell, Kathy. "Fluxus Feminus," The Drama Review, Spring 1997. pp. 43-59. Illus: Guerilla Gut Room, Genitals Play Room drawings.
O’Dell, Kathy. "Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s," Letters from Europe: Performance Research, Spring 1997. vol. 2, no. 1.
Allsopp, Gough, MacDonald, ed. Performance Festival Odense, 1997. p. 76. Illus: Interior Scroll.
Preston, Janet. "New York Letter Bomb," Coagula, 1997. p. 30.
Princenthal, Nancy. "The Arrogance of Pleasure," Art in America. October 1997. pp. 106-9. Illus: Up to And Including Her Limits, Mortal Coils, Native Beauties, Hand/Heart for Ana Mendieta.
Rugoff, Ralph. Scene of the Crime. UCLA/ Armand Hammer Museum, Los Angeles, 1997. p. 64. Illus: Up to And Including Her Limits.
Schneider, Rebecca. The Explicit Body in Performance. Routledge, New York/ London, 1997. pp. 2, 7, 29, 30-38, 40, 46-47, 48-50, 60, 66, 72--9, 81, 83, 86, 99, 109, 117, 119, 128, 131-32, 149, 178-79, 181-83, 191, 195, 205, 227, 231-32. Illus: Eye/Body, Fuses, Infinity Kisses, Interior Scroll, Site.
Schneemann, Carolee. More Than Meat Joy, McPherson & Co., Kingston, NY, 1997.
Schwabsky, Barry. "Carolee Schneemann - New Museum of Contemporary Art" (review of C.S. retrospective), Art/Text. 1997. pp. 80-81. Illus: Up to And Including Her Limits.
Solomon, Deborah. Utopia Parkway: The Life and Work of Joseph Cornell. Farrar, Strauss, Giroux, New York, 1997. pp. 243-44, 273, 290-92, 300.
Stavru, Bill. "Pandora Speaks: An Interview with Carolee Schneemann ’59," The Bardian. Summer 1997. pp. cover, 1-4, 17. Illus: Vulva Speaks, Mortal Coils.
Stiles; Selz, ed. Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. University of California Press, Berkeley, 1997. pp. 682-83, 688, 714-18, 809.
Thiele, Carmela. "Der Korper wird Material,” Stadt Revue, Bonn. March 1997. p. 136. Illus: Interior Scroll.
Weinberg, Abbie. "Carolee Schneemann - The New Museum of Contemporary Art, New York, NY/Galerie Samuel Lallouz, Montreal" (review of exhibition). Parachute, 1997. pp. 86, 48. Illus: Up to And Including Her Limits.
Wirth, Heidrun. "Holztafeln verbreiten Duftwolken". Bonner Kultur, Bonn/ Koln. March 12, 1997.

1996    
Art & Antiques. "The 100 Top Collectors in America," The Poetry Project Newsletter. March 1996. p. 89, Interior Scroll.
Anderson, Patricia. "All of Us," Bantam Doubleday Dell, Spring 1996.
Bloch/ Celender. “Mortal Remains (400 artists comment on their mortal remains),” Exhibition text: OK Harris Gallery, NYC/ Intermedia Arts Minnesota, Minneapolis. January 1996.
"Body As Membrane," Exhibition catalogue from Kunsthallen Brandts Klaedefabrik. Denmark, 1996. Introduction by Valie Export and Kirsten Justesen. pp. 78-83. Illus.
Brougher, Kerry. “Hall of Mirrors: Art and Film Since 1945,” Exhibition catalogue. Museum of Contemporary Art, Los Angeles, 1996.
Cameron, Stiles, Levi-Strauss. “Carolee Schneemann: Up to And Including Her Limits,” Exhibition catalogue for New Museum retrospective. New Museum of Contemporary Art, 1996.
Camphausen, Rufus C. “The Yoni: Sacred Symbol of Female Creative Power,” Inner Traditions, Rochester, VT, 1996. pp. 83, 84. Illus: Eye Body.
"Carolee Schneemann: Up to And Including Her Limits," (New Museum of Contemporary Art). Goagula Art Journal, Autumn 1996. no. 24.
Castle, Frederick Ted. "Carolee Schneemann: Elga Wimmer and Associates," Review. Jun 1996. vol. 1, no. 3. pp. 13, 14.
Centre Georges Pompidou. "Vertigo: Esthetique et Histoire du Cinema," Film program in conjunction with feminin/masculin exhibition at Centre Georges Pompidou. Editions. Jean Michel Place, Paris, 1996.
Cerrito, Joann, ed. Contemporary Artists. 4th Edition. St. James Press, Detroit 1996. pp. 1043-45.
Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent. Harry Abrams, Inc., 1996. pp. 124-27, 138, 139. Illus: Meat Joy, Site.
Crowder, Joan. "The End," (review of exhibition Terminals: Considering the End at UCSB), Santa Barbara News Press. April 12, 1996. p. 23.
Drain, Richard. ed. "Carolee Schneemann—Art in The Dark: A Letter to Artforum (1983)," Twentieth Century Theatre: A Sourcebook. pp. 136-38, 233, 363.
Elkjaer, Bo. "Kunstige Kvinder," (review Body as Membrane exhibition, Denmark), Ekstra Bladet. January 20, 1996. section 2, side 7. Illus: Interior Scroll.
Ferguson, Russell. “Hall of Mirrors: Art and Film Since 1945,” The Museum of Contemporary Art, Los Angeles/The Monacelli Press, NY, 1996.
Frueh, Joanna. Erotic Faculties. University of California Press, Berkeley, Los Angeles, London, 1996. pp. 48-49, 90, 102-7, 143, 148-49, 163.
“Galleries—Downtown," Schneemann solo exhibition listing: Elga Wimmer Gallery. The New Yorker. August 5, 1996.
“Genius Envy," Art Forum. Nov 1996. p. 10.
Glueck, Grace. "Of a Woman's Body as Both Subject and Object," The New York Times. December 6, 1996. p. C29.
Grant, Annette. "Praising Famous Men, and an Empire or Two," The New York Times. December 29, 1996.
Grue, Birgitte. "Nar kvinder gar i kodet pa sig selv" (review of Body as Membrane exhibition), BT, Denmark, February 4, 1996. p. 30.
Hackman, William. "Yes, But What Is It?" The J. Paul Getty Trust Bulletin. Winter 1996. vol. 9, #3. pp. 2-3. Illus: EyeBody.
Heartney, Eleanor. "Carolee Schneemann at Elga Wimmer," Art in America. October 1996. p. 113. Illus: Known/Unknown: Plague Column.
James, David. "Hall of Mirrors: Art and Film Since 1945" (Review), Art + Text. May 1996. no. 54.
Jones, Amelia. "Interpreting Feminist Bodies: The Unframeability of Desire,” The Rhetoric of the Frame: Essays Towards a Critical Theory of the Frame in Art. Cambridge University Press, 1996.
Kaye, Nick. Art Into Theatre: Performance Interviews and Documents. Harwood Academic Publishers, The Netherlands, 1996. pp. 8, 25-39. Illus: Scan, Lateral Splay.
Klocker, Hubert. “Herausgeber Kunstraum Wien: Projekte 1994 bis 1996,“ Triton, 1996. pp. 20-21, 48-51, 87. Illus: Up to and Including Her Limits, Mortal Coils.
Larson, Kay. "Women's Work (or Is It Art?) Is Never Done," The New York Times. Sunday, January 7, 1996. p. 35.
McClure, Lissa. "Carolee Schneemann: Elga Wimmer and Associates" (review). June 1996. vol. 1, number 3. p. 27.
"Miroslaw Rogala & Carolee Schneemann - Instructions Per Second: Chapter One," Exhibition catalogue. Stichting World Wide Video Centre: 14 de World Wide Video Misfeldt, Mai.
"Kroppens sprog" (review of exhibition Body as Membrane), Berlingske Tidende. February 3, 1996. Denmark. Illus: pre-performance action for Up to And Including Her Limits.
Morgan, Robert C. Art into Ideas: Essays on Conceptual Art. Cambridge University Press, 1996. pp. 199-200. Illus: Ask the Goddess.
Preston, Janet. "New York Letter Bomb," Coagula Art Journal, 1996, no. 20. p. 14.
Rugoff, Ralph, K. Stiles, G. Pietrantonio. Paul McCarthy. Phaidon Publishers, London, 1996. p. 45. Illus: Eye Body.
Sandler, Irving. Art of The Postmodern Era: From the Late 1960s to the Early 1990s. Harper Collins, 1996. pp. 130-32. Illus: Eye Body.
Schneemann, Carolee. Interviewed by Rebecca Schneider for The Explicit Body. Routlege and Kegan Paul. (On CS, Sprinkle, Finley, Bernhardt, McCauley, and SpiderWomen).
Schwabsky, Barry. "The Past Faces Off Against the Present," The New York Times. Sunday, June 30, 1996.
Festival. Stichting World Wide Video Centre, Den Haag, The Netherlands. 1996. pp. 136-37.
Stiles, Kristine, Peter Selz, eds. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. University of California Press, Berkeley, Los Angeles, London, 1996. pp. 682-83, 688, 714-18, 809.
Straayer, Chris. Deviant Eyes, Deviant Bodies: Sexual Re-orientation in Film and Video. Columbia University Press, New York, 1996. pp. 85, 98, 235. Illus: Interior Scroll.
Troelsen, Anders. "Nar kunsten gar til korporligheder," January 23, 1996. Illus: Interior Scroll.
Ultimate Akademie. "Carolee Schneemann," Exhibition catalogue. Ulimate Akademie, Koln, 1996. p. 257.
Vtape Video Reference Guide, 1996. Toronto, Ontario, 1996. p. 173.
“Vulva's School,” M/E/A/N/I/N/G 19/20. May 1996. p. 98. Illus: Vulva's School.
Weintraub, Linda; Arthur Danto and Thomas McEvilley. “Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society 1970s-1990s,” Art Insights, Litchfield, CT. pp. 165-70.
"What You Are Reading...." Issue #161, April/May 1996. p. 7.
Zuckerman, Heidi. “A Comparison of the Body of the Artist in Video from the 1970s and 1990s,” Essay for the exhibition at Trans Hudson Gallery, 1996.

1995    
Barnadac, Marie-Laure; Storr, Robert (and others). “Feminin/ Masculin Le Sexe de L'Art,” Exhibition catalogue. Editions du Centre Pompidou, Paris, 1995.
Bociurkiw, Marusya. "Carolee Schneemann: The Western Front, Pacific Cinemateque, Vancouver," Parachute. July/Aug/Sept 1995. no. 79. pp. 53-54. Illus.
Brignone, Patricia. "Hors Limite - L'art et a Vie 1952-1994," Out of Bounds - Art and Life 1952-1994. Art Press, Paris, January 1995. pp. 18-19.
Ferrara, Mills, Scales. "Carolee Schneemann: Nobody Doesn't Like Carolee" (review of SUNY New Paltz Visiting Artists Lecture), Art X. Winter 1995. pp. 11-12. Illus: Cycladic Imprints.
".... Enter Vulva," October: Feminist Art and Critical Practice. 1995.
Garber, Frederick. “Repositionings,” Pennsylvania State University Press, 1995. pp. 5, 6, 9, 15, 72, 85, 88-128, 135, 140, 146, 148, 174, 188, 193, 206, 220. Illus. More Than Meat Joy (cover).
Grootenboer, Doris. "Vrolijke boel van seks en kunst," Algemeen Dagblad. November 18, 1995. (Article on Pompidou's Feminin/masculin: Le Sexe de l'art exhibition.)
Klotz, Heinrich/ Schmid, Christof. (Foreword). Internationaler Videokunstpreis 1995 catalog. pp. 106-7, Illus: Instructions Per -Second (with Mirek Rogala).
Lippard, Lucy. “The Pink Glass Swan: Selected Feminist Essays on Art,” The New Press, NY, 1995. pp. 15, 100, 103-104, 241. Illus: Interior Scroll.
Man, Jos de. "Tobben over seks," HP/ DE TIJD. November 17, 1995. p. 73. (Article on Pompidou's Feminin/ masculin: Le Sexe de l'art exhibition.)
Martin, H., G. Lucato. ed. “Fluxus: Una Storia Veneto,” Museo Biblioteca Archivio, Bassano del Grappa, Italia, 1995.
"Mortal Coils," Long News in The Short Century. no. 5. Illus: pp. 12-13 and front and back covers.
Phillips, Lisa. “Beat Culture and The New America: 1950-1965,” Whitney Museum of American Art, 1995. pp. 86, 257, 275. Illus: Quarry Transposed- Portrait of N.
Pultz, John. “Photography and The Body,” Calmann and King, Ltd, London, 1995. pp. 128, 129, 131, 140. Illus: Interior Scroll.
Rathus, Nevid, Fichner-Rathus. “Human Sexuality in A World of Diversity,” Allyn & Bacon, Boston,1993,1995. Illus: from Unexpectedly Research.
Rinder, Larry, ed. In a Different Light. Book for the exhibition. City Lights Books, 1995. Illus: Saw Over Want.
Sanford, Mariellen R. Happenings and Other Acts. Routledge, 1995. Front and back cover and pp. 246-62. Illus.
Schneemann, Carolee. "Anti-Demeter," Progress Report 3. London. pp. 16-17.
Smith, Roberta. "Venice: Men Look, Women Display," The New York Times. Sunday, July 9, 1995.
Taylor, Brandon. “Avant-Garde and After: Rethinking Art Now,” Harry Abrams, NY, 1995. pp. 26-27. Illus: Interior Scroll.
“13th Moon,” Text and illustration from Fresh Blood: A Dream Morphology. Front cover and pp. 144-47. Illus. Vetrocq, Marcia. "Report From Paris: Mixed Messages"/ "'Beyond Limits' at the Pompidou Center," Art In America, May 1995. pp. 41-44.
Vigier, Rachel. “Gestures of Genius: Women Dance and the Body,” Mercury.
“Women and Art: Empowering Narratives,” World Bank. Transcript from World Bank Program on Gender. November 14, 1995. with Jenny Marketou, M.M. Serra, Berta Sichel. pp. 3, 16-19.

1994    
Allara, Pamela. “Mater Of Fact: Alice Neel’s Pregnant Nudes,” American Art. Spring 1994. p. 17. Illus. Meat Joy.
Ariadne, Patricia. Women Dreaming-Into Art. Sigo Press, 1994. Illus.
Bode, Peter M. "Grenzganger des Korpers," (review of Kunstverein exhibition "Oh Boy It's A Girl", Munich), AZ. July 20, 1994. Illus: Eye Body.
Bongard, Nicola. "Fuses, 1965, Carolee Schneemann," Oh Boy It's A Girl: Feminism in der Kunst. Kunsterverein, Munich, 1994. pp. 25-33. Illus: Fuses, Interior Scroll, Eye Body.
Breeretta, Genevieva. "L'art un Corps," Le Monde. Paris, November 21, 1994.
Brentano, Robin. "Outside the Frame: Performance, Art, and Life," Exhibition book for “Outside the Frame: Performance and the Object - A Survey History of Performance Art in the USA Since 1950.
Cleveland Center for Contemporary Art, 1994. pp. 44-45, 59, 74, 157, 161, 185, 229. Illus: Venus Vectors, Meat Joy.
Broude, Mary D. & Garrard, Norma, ed. The Power of Feminist Art: The American Movement of the 1970's, History and Impact. Harry Abrams, Inc. 1994. pp. 22, 142, 161-163, 165, 190, 192, 194, 197, 207. Illus: Interior Scroll.
"Christmas Tree In Uteri," Whitewalls: A Journal of Language and Art. Fall/ Winter 1994. pp. 90-91. Illus.
Coe, Robert. Pos ft Shock: The Emergence of the American Avant-Garde. W.W. Norton. 1994.
Cottingham, Laura. "How Many 'Bad' Feminists Does It Take To Change a Light bulb?" Light bulb. Summer 1994. Illus.
Delanoe, Nelcya. “Le Raspail Vert: L'American Center a Paris 1934-1994 - Une Histoire des Avant-Gardes Franco-Americaines,” Editions Seghers, Paris, 1994. pp. 124-25. Illus: Meat Joy.
Ewing, Bill. The Body: Photographs of The Human Form. Thames and Hudson/ Chronicle. Fall 1994. Illus. with statement by C.S.
"Fresh Blood: A Dream Morphology - The Blood Link," Leonardo Magazine. M.I.T. Press, Winter 1994. vol. 27, no. 1. pp. 23-28. Illus: Venus Vectors, Vector Vocabulary, Fresh Blood, Snows.
Frueh, Joanna, Cassandra Langer, and Arlene Raven, eds. New Feminist Criticism. Harper Collins, 1994. Illus.Garrard, Mary, ed. "On Body," Art Journal, 1994.
"On Body," Frontiers: A Journal of Women Studies, 1994. Illus: Cycladic Imprints.
Gates, Katherine, ed. Heck: Editions 1994. Catalog 1994. Illus: Nine Is a Four Letter Word (silkscreen edition), Rocks.
Hapgood, Susan. “Neo-Dada: Redefining Art 1958-1962,” American Federation of Arts, 1994. Illus.
Hayden-Guest, Anthony. “True Colors - The Real Life of The Art World,” Grove & Atlantic. Fall 1994. Illus. Hors Limites. Exhibition Catalogue. Editions du Centre Pompidou, Paris. 1994. Illus. with statement by C.S.
Jaeckel, Claudia. "Die Grezen losen sich auf," (review of Kunstverein exhibition Oh Boy It's A Girl, Munich), Suddeutsche Zeitung. July 27,1994. Illus: Eye Body.
Jones, Leslie C. "Transgressive Femininity: Art and Gender in the Sexties and Seventies," Exhibition catalogue for Abject Art: Repulsion and Desire in American Art. Whitney Museum of American Art, 1993. pp. 33-57. Illus: Meat Joy.
Kadmon. Aorta. issue XVI, Angizia. Illus: Eye Body.
Katz, Vincent. "Carolee Schneemann at Penine H Öart," Art in America, November, 1994. no. 11. pp. 127-28. Illus: Mortal Coils.
Kaye, Nick. Art Into Theatre. Gordon and Breach Publishers, 1994. Illus. and scores by C.S.
Krumpl, Doris. "Massnahmen gegen die Tugend des Schweigens," Der Standard. September 17/18, 1994.
Kuspit, Donald. "Act Out, Turn Off," Art Forum. April 1984. vol. 32, no. 8. Illus: Interior Scroll.
Larson, Kay. "Mind Field." New York Magazine. February 21, 1994. pp. 55-56.
Lavin, Maud. "What's So Bad About 'Bad Girl' Art?" Ms. March/April 1994. vol 9, no. 5. pp. 80-83. Illus: Body Collage.
Lebel, Jean-Jacques and Arnaud Labelle-Rojoux. Poesie Directe: Happenings Interventions. Opus International Edition, Paris, 1994.
Levi Strauss, David. "The Final Stages of the End! Enter the Great Tribulation!" Camera Work, 1994. pp. 22-23.
Lucie-Smith, Edward. Race, Sex & Gender in Contemporary Art. Abrams, London. 1994. p. 147. Illus.
Moore, Barbara. "New York Intermedia: Happenings and Fluxus in the 1960s," American Art: Painting and Sculpture 1913-1993 in the 20th Century, 1994.
Morgan, Robert. Conceptual Art: An American Perspective. McFarland & Co, 1994. Illus.
Munsterberg, Hugo. "The Critic at Seventy-Five," Art Journal. Spring 1994. vol. 53, no. 1. p. 65.
"New York News," Art Monthly. June 1994. Mortal Coils review. Illus
Preston, Janet. "What's Wrong with Janine Antoni?" Coagula. November 1994. Issue #15.
Rickels, Laurence A. "Act Out Turn On," Artforum, 1994. pp. 70-73,127. Illus: Meat Joy, Interior Scroll.
Riley, Robert. The Making of a Modern Museum: San Francisco Museum of Modern Art. SFMOMA, 1994. pp. 120-21. Text and illus: Infinity Kisses.
Schaffner, Ingrid. "Carolee Schneemann: Penine-Hart Gallery," (review of Mortal Coils). Artforum, September 1994, vol. XXXIII, no. 1. pp. 108-9. Illus.
Schmidt, Barbara U. "Jenseits polarer Differenzen: Die Ausstellung 'Oh Boy It's a Girl' im Kunstverein Munchen," Frauen Kunst Wissenschaft. Herbst, 1994.
Schmidt, Barbara U. "Oh Boy It's a Girl: When Gender Attitudes Attack the Norm," Kritik; Zeitgenossiche, Kunst in Munchen. pp. 24-2.
Saxenhuber, Hedwig, and Astrid Wege. "Oh Boy It's a Girl: Feminism in der Kunst,” Exhibition book for Oh Boy, It's A Girl. Kunsterverein, Munich, 1994. pp. 8-12. Illus: Up to and Including Her Limits.
Schneemann, Carolee. "Ages of the Avant-Garde," Performance Arts Journal: 46. Jan 1994. vol. 16, no. 1. pp. 18-21.
Schneemann, Carolee. "The More I Give the More You Steal/ The More You Give the More I Need," Mother Journeys: Feminists Write About Mothering: Anti-Demeter. eds. Reddy, Roth & Sheldon. Spinsters Ink, Minnesota. 1994.
Sigurdsson, Hannes. "Drulladu per i burtu! Og taktu helvitis typpid med per!" Eintak. Rekyjavick. August 4, 1994. Invortescrolla article. pp. 24-29. Illus.
Solomen, Deborah. Utopia Parkway: The Life of Joseph Cornell. Farrer Strauss. 1994.
Steffen, Barbara. "Gender Culture," Kultur. 4:2. March/April 1994. p. 15.
Sudre, Alain-Alacide. "Hors Limites: L'art et la Vie," Le Magazine: Centre National d'art et de culture, Georges Pompidou. pp. 4-8. Illus: Eye Body, Body Collage (back cover).
Suvakovic, Misko. “Book review of Robert C. Morgan's Conceptual Art: An American Perspective,” M/E/A/N/I/N/G Journal, #16, November 1994. pp. 65-68.
"Therapeutic Art and Images in Context," Art Issues. September/October 1994. pp. 29-33.
"Vulvamorphia," Lusitania. Lusitania Press. ("In Vulvic Space - Vulva Speaks" 1973 to 1993). Illus.
“Why I Got into Art,” (review of Vaseline Muses), Umbrella. June 1994. vol. 17, no. 2. p. 53.

1993    
"Absent from Royal Academy – USA," Time Out. London. September 1993.
Anderson-Spivy, Alexandra. "The Return of Aphrodite," The Argonaut Journal, 1993. vol. 138, no. 4213. pp. 21-22, Illus: Unexpectedly Research Action/ Performance and the Photograph. Book for the traveling exhibition. Illus: Up to and Including Her Limits.
Armstrong/ Rothfuss. In The Spirit of Fluxus. Walker Art Center. 1993. (C.S. text).
Biancolli, Amy. "Portrait of the Artist as an Angry Woman," Albany Times Union, March 1993. Illus.
Birringer, Johannes. "Imprints and Revisions: Carolee Schneemann's Visual Archeology," Performance Art Journal. June 1993. pp. 31-46. Illus: Cycladic Imprints, Double Mops, War Mop, Infinity Kisses.
Caws, Mary Ann. Joseph Cornell: Theater of the Mind - Selected Diaries, Letters and Files. Thames and Hudson, 1993. pp. 202-3, 206, 367.
Chin, Daryl. "Those Little White Lies," M\E\A\N\I\N\G Journal, 1993. no.13, pp. 26-27.
“Cologne/ NY: The Malevich Legacy," Heirs vs. Museum. AN 92:9. November 1993. pp. 65, 72.
Cotter, Holland. "1920/ Exit Art," (review), The New York Times. April 16, 1993.
Dossier Antwerpen. Dossier of artists who exhibited in Antwerp, Belgium 1968-1993. Eiblmayer, Silvia.
Die Frau Als Bild: Der Weibliche Korper in der Kunst des Bonn: Reimer, 1993. Illus: Eye Body, Untitled (Four Fur Cutting Boards).
Garber, Frederick. "Presence and its Discontents: Carolee Schneemann and Steve McCaffery, Siting Jouissance," Open Letter. 8:1.
Garber, Frederick. Repositions. Penn State University Press, 1993. (94 Illus.)
Gubar, Susan. "'The Blank Page' and the Issues of Female Creativity," The New Feminist Criticism. Elaine Showalter, ed. Virgo Press, London, 1993; 1st ed. 1985).
Gray, John. Action Art: A Bibliography of Artists' Performance from Futurism to Fluxus & Beyond.
Greenwood Publishing Group, 1993.
Hess, Elizabeth. "Basic Instincts," Village Voice. June 1, 1993.
Heyward, Carl. "Interview - Carolee Schneemann," Art Papers. January/February 1993. vol. 17, no.1. Illus: pp. 9-16.
Hunter, Dianne. "Theatres of the Female Body," Theatre Topics. March 1993. vol. 3, no.1. Illus.
“Integrating Sculpture, Space and Sound,” Musicworks: The Journal of Sound Exploration, 56. Fall 1993. pp. 6-13. Illus: Cycladic Imprints (cover), Snows.
Jones, Amelia. "Presence and Calculated Absence," Tema Celeste Contemporary Art Journal. (On the Question of Gender in Art). Winter 1993.
Kandel Susan. "The Binge Purge Syndrome," Art Issues. May/ June 1993. no. 28. pp. 19-22, Illus: Meat Joy.
Kaprow, Allan. Allan Kaprow: Essays on the Blurrings of Art and Life. ed. Jeff Kelley. London, 1993.
Kubitza, Anette. "Die Macht des Ekels: Zneiner neuen Topographie des Frauenkorpers," Kritische Berichte. 1993.
Levy, Mark. Technicians of Ecstasy: Shamanism and the Modern Artist. Bramble Books. 1993. pp. 177-91. Illus.
"Letters and Answers to Questions on Her Work in Antwerp," Dossier Antwerpen. Buitenlands Kunstenaars in Antwerp 1968-1990. (Antwerp: Parblue, Club Moral, Ruinte Morgnen.)
MacDonald, Scott. Avant-Garde Film: Motion Studies. Cambridge University Press, 1993. pp. 5, 105.
Miller, Lisa. "Naked Aggression," Self. Nov. 1993. pp. 144-47, 174. Illus: Interior Scroll.
Morgan, Robert. C. "Carolee Schneemann's Viet-Flakes (1965)," After the Deluge: Essays on Art in the
Nineties. Red Bass Publications, 1993. no. 16. pp. 36-40. Illus: Viet-Flakes.
“Mother Lexicon," Flux Scan: A Collection of Music and Sound Events. ed Jan van Toorn. Den Bosch, Holland. 1993.
Neiman, Catrina. "Women Pioneers of American Experimental Film: Bute, Arledge, Menken, Deren, Schneemann," 1993. published as: Hutschenreuter, Heidi/ Schurian, Claudia. "Pionierinnen des amerikanishen Experimentalfilms: Bute, Arledge, Menken, Deren, Schneemann". Feministische Streifzuge durch's Punkte-Universum. Medienkunst von Frauen. edition Film Werkstatt. 1993.
O'Dell, Kathy. "Fluxus Feminus," from the Symposium "In the Spirit of Fluxus," Walker Art Center. 1993.
Rathus, Nevid, Fichner-Rathus. Human Sexuality in a World of Diversity. Allyn & Bacon, Boston. 1993. Illus: Unexpectedly Research.
Schneemann, Carolee. The Argonaut Journal, 1994, vol.1, no. 2. pp. 22-25. Illus: Unexpectedly Research.
“Sex-Quake: Art After the Apocalypse,” Art Genes Portable Museum/Printed Matter/ Water Konig Koln. Summer 1993. Illus: Dead Lover Reincarnated As Tomcat/Infinity Kisses.
Stevens, Mark. "Fluxus Redux," Vanity Fair. (Double-page color photograph). July 1993. pp. 98-99, Illus.
Stiles, Kristine/Selz, Peter. Documents of Contemporary Art. University of California Press. Fall 1994. Illus: From the Notebooks, Woman in the Year 2000).
Stiles, Kristine. "Between Water and Stone," Fluxus. Book for the exhibition In The Spirit of Fluxus. Walker Art Center, 1993. pp. 85, 90, 98.
Straayer, Chris. "The Seduction of Boundaries," Dirty Looks: Women, Pornography, Power. Eds. Pamela Church Gibson and Roma Gibson. British Film Institute, London, 1993. pp. 156-75. Illus: Interior Scroll
"The Return of The Feminist Body," M/E/A/N/I/N/G Journal, November 1993. no. 14.
“Unexpectedly Research," Lusitania, 1993. vol. I: Abject America, no. 4. Lusitania Press. Illus: Unexpectedly Research.
Wilmeth, Don B., and Tice L. Miller, eds. Cambridge Guide to American Theatre. Cambridge University Press. 1993.

1992    
Art Das Kunstmagazin. "Fluxus nict totsukriegen," November 1992. no.11. pp. 4, 43. Illus.
Berger, Maurice. How Art Becomes History. Harper Collins, Icon Editions. 1992. pp. 71, 74. Illus: Viet-Flakes.
Blast Art Benefit Catalog. April 1992. p. 58. Illus.
"CORE ADORED LOATHED DENIED," In “By and About Women," Tema Celeste. Contemporary Art Review. Fall 1992. Illus: Cycladic Imprints (1991-1992).
Drucker, Johanna. "Visual Pleasure: A
Feminist Perspective," M\E\A\N\I\N\G Journal, May 1992. no. 11.
Dubin, Steve. Arresting Images. Routledge Press, 1992. Illus.
Feuerstein, Georg. Sacred Sexuality: Loving the Vision of The Erotic Spirit. Pedigree Books, 1992.
“Four Photos from Cycladic Imprints," Long News in the Short Century. 1 (3), 1992.
Frueh, Joanna. "Fuck Theory," (paper given at meeting of Society for Photographic Education). Washington, D.C., 1992.
Gomez, Jule. "Funding the Arts," MS. May--June 1992.
Haden-Guest, Anthony. "Live Art," Vanity Fair. April 1992. no. 55, p. 212.
Interviewed by Anthony Haden-Guest for book of interviews about the 1960s.
James, David, ed. To Free the Cinema: Jonas Mekas and the New York Underground. Princeton University Press, 1992. pp. 151, 243, 275.
Kostar, Joon. "Angry Women," Woodstock Times. March 1992. Blast Art Benefit Catalog. April 1992. no. 58. Illus.
Martin, Maureen. "Carolee Schneemann: Challenging Distortions by the Dominant Male Imagination," VOX: Magazine of Contemporary Art and Culture. Spring 1992. pp. 12-14. Illus: front and back covers.
McGruder, Karen. "Retrospective Catalog of the Mary H. Dana Women Artists Series," Journal of the Rutgers University Libraries. LIV (June 1992). pp. 66, 67. Illus.
Mutiny and the Mainstream: Talk That Changed Art, 1975-1990. Midmarch Art as Press, 1992.
Nead, Lynda. The Female Body. Routledge Press, London. 1992. Illus.
Neiman, Catrina. Women in Film. Dortmund, Germany, 1992. Catalog, Illus.
"Notes from the Underground: A Feminist Pornographer in Moscow," The Independent. Winter 1992. pp. 23-35. Illus.
"Unexpectedly Research," Lusitania: A Journal of Reflection and Oceanography 4. Fall 1992. pp. 143-145.
Venus Vectors. Blast Editions, ed. Jordan Crandall. X Art Foundation. Plexiglass pages: boxed edition.
“Venus Vectors," Leonardo, Journal of the Arts, Sciences, and Technology. Fall 1992.
Video Burn. Artist's book. San Francisco: San Francisco Art Institute, 1992. (Component of the exhibition Scroll Paintings with Exploded T.V.).

1991    
Schneemann, Carolee. Video Burn. San Fransico, CA: Walter/McBean Gallery, 1992. 
Anonymous [Diedrich Diederichsen]. “Why I Got into Art,” Cologne: Jablonk Galerie, Verlag Walther Konig, 1991. Illus.
Baker, Kenneth. "Sliding Art Out of Shadows," San Francisco Chronicle. March 7, 1991. Illus. of Cycladic Imprints.
Bonetti, David. "Sliding Toward New Narrative Forms," San Francisco Examiner. March 15, 1991, C-2. Illus.
Burns, Gerald. “The Myth of Accidence,” Book IX. Austin, Texas, 1991. Unpublished manuscript.
Cohn, Terri. "Counterattacks, A Grave Silence: From Hitler to Helms," Artweek. November 7, 1991, no. 22. Illus.
Constantinides, Kathy. "Carolee Schneemann: Invoking Body Politics," Michigan Quarterly Review. Winter 1991. vol. 30, no. 1. pp. 127-45.
Gottner-Abendroth, Heide. (Die Tanzende Gottin translation by Maureen Krause). The Dancing Goddess. Beacon Press, 1991.
Hoffman, Katherine. Explorations: The Visual Arts Since 1945. Harper Collins, New York, 1991. pp. 270-71.
Howell, John, ed. Breakthroughs: Avant-Garde Artists in Europe and America 1950-1990. Wexner Center for the Arts, Ohio State University/Rizzoli, 1991. pp. 81, 158,165-166. Illus.
"IN SEE WORK IN FIND PUT," M\E\A\N\I\N\G Journal, Fall 1991.
Jones, Alan. "Books in Artists' Lives", "Carte Blanche," column in Arts. February/March 1991. p. 26.
Joselit, David. "Projected Identities," Art in America. November 1991. Illus.
Juno, Andrea, RE/SEARCH #13: Angry Women. Eds. Andrea Juno and V. Vale. Re/Search Publications, San Francisco, 1991. pp. 66-77. Illus. and back cover.
Kissick, John. (Review of Fluxus Deluxe at Pittsburgh Center for the Arts). New Art Examiner. January1992. 41-2.
Klinger, Linda S. “Where's the Artist?: Feminist Practice and Poststructural Theories of Authorship." Art Journal, 50, Summer 1991. pp. 39-41. Illus.
Lowry, Patricia. "Fluxus exhibition showcases art for the eyes and ears" (review), The Pittsburgh Press. October 17,1991. B3. Illus.
Mackey, Heather. "Body Language," San Francisco Bay Guardian. February 20, 1991. pp. 19-20. Illus: cover photo of CS.
"Mopping Up: Carolee Schneemann at SFAI," Artweek. November 7, 1991. vol. 22, no. 37. Illus.
Prigmore, Joe and Daniel Plunkett. "Carolee Schneemann," ND, Austin, TX, February 1, 1991. no. 14, pp. 5-10. Illus: pp. 5, 6, 7, 9,10.
Reveaux, Tony. "Fleeting Phantoms: The Projected Image at SFMOMA," Artweek. Mar 28, 1991. vol. 22, no. 12. p. 20.
Robertson, Richard and Clive Alain-Martin. Performance Au - In Canada 1970-1990. Editions Interwenken, Toronto. 1991.
Robinson, Lou. "Subvert Story," (review of Out from Under: Texts by Women Performance Artists).
American Book Review. Ed. Leonora Champagne. February/March 1991. p. 9.
Ryan, Dinag. (Review of exhibition Nine is a Four-Letter Word), New Art Examiner. December 1991.
Schneemann, Carolee. "Emergency Sauce Scenarios for Unexpected Friends and Lovers," Food Sex Art: The Starving Artists' Cookbook. Eds. Paul and Melissa Eidia.: Eidia Books, New York, 1991. p. 34.
"Schneemann-On Erro," Erro Margflt Lif: Mal og menning by Adalsteinn Ingolfssson. Reykjavik, 1991.
Biography of Erro, 187, 192,193, 196-7, 203--7, 240.
“The Obscene Body/Politic,” Censorship II: College Art Journal, 50. Winter 1991. pp. 28-35. Illus.

1990    
Atkins, Robert. Art Speak: A Guide to Contemporary Idea, Movement and Buzzwords. Abbeville Press, New York, 1990. pp. 76, 87, 121.
Baumgarten, Marjorie. "Blowing Fuses," The Austin Chronicle. March 9, 1990. Illus.
Costantinides, Kathy. "Carolee Schneemann: Invoking Politics," Michigan Quarterly Review. Winter 1991. pp. 127-45. Illus.
Conz, Francesco. Essay in Fluxus! Brisbane: Institute of Modern Art, 1990. pp. 4-7, 25.
Conz, Francesco. Fluxus S.P.Q.R.: book 44. Exhibition catalogue, Rome. 1990. pp. 14-15.
"Films by Carolee Schneemann." Anthology Film Archives. New York, 1990. Illus.
Frank, Peter. "Sculpture at the 1990 Venice Biennale," Sculpture, September/October 1990. pp. 37-39.
Friedman, Ken. Essay in Fluxus! Brisbane: Institute of Modern Art, 1990.
Gelburd, G. and G. Paoli. The Transparent Thread: Asian Philosophy in Recent American Art. University of Pennsylvania Press, 1990. pp. 25, 26, 104. Illus.
Gordon, Jaimy. She Drove Without Stopping. McPherson & Co., Kingston, NY, 1990.
James, David. Films Against the War in Vietnam. Exhibition catalogue. Whitney Museum of Modern Art, November 1990. Illus.
Katz, Robert. "A Death in the Art World" (review of Naked by the Window), New York Times. June 10, 1990.
Katz, Robert. Naked by the Window. New York: Atlantic Monthly Press, 1990. pp. 73- 74, 97, 126—28, 140, 164, 167, 197, 207-8, 215, 226, 227, 267.
Kent, Sarah and J. Morreau. Women's Images of Men. London: Pandora Press, 1990 (1st edition, 1984). pp. 179-92. Illus.
Klonaris, Maria and Katerina Thomaduki, eds. Technologies et Imaginaire-Art Cinema/Art Video. Centre National de la Cinematographie, F.I.A.C.R.E., Paris, 1990. pp. 17, 142, index.
Kultermann, Udo. Contemporary Masterworks: Art, Architecture, Photography, Design. St. James Press, 1990. Illus.
Lippard, Lucy. A Different War-Vietnam in Art.: Whatcom Museum of History and Art, Bellingham, Washington, 1990. Illus.
Medalla, David. "Medalla in Manhattan," The Filipino Express. New York, July 23-29, 1990.
Meisel, Perry. "How Postmodern Is It?" Art in America. December 1990. p. 83.
Moore, Sylvia, and C. Navaretta. Artists and Their Cats. Mid--March Arts Press, New York. 1990. p. 44-- 46. Illus.
“1968 Konkrete Utopien in Kunst und Gese íllschaft.” Stadtishce Kunsthalle Dusseldorf, Cologne, 1990. pp.156, 170. Illus.
Peterson, William. "Interview with Carolee "Pharmacy: The Chronicle of a Colossal Shift," Los Angeles Times. April 28, 1990.
Schneemann, Carolee. The Act, vol. 2, no. 1, pp. 54-57.
Schneemann, Carolee. "The Body in Politics," Interviewed by Barbara Smith. Art Week, Los Angeles, October 1990. Illus. (cover photo of CS).
"Shadow Capture," Seeing in the Dark, Ian Breakwell and Paul Hammond, eds. Serpentstail, London. 1990. pp. 9-10.
"Shifting Power" (review), Women Artist Slide Library Journal. May/June 1990.
Stiles, Kristine. "Performance and Its Objects," Arts Magazine. November 1990. pp. 41-42. Illus.
Straayer, Chris. "The She-man: Postmodern Bisexed Performance," Screen. Oxford University Press. Fall 1990. Illus: Interior Scroll.
"The Films of Carolee Schneemann,” Exhibition catalogue. American Museum of the Moving Image. Illus.
“Ubi Fluxus Ubi Motus 1990-1962.” Exhibition catalogue, Milan. Fondazione Mudima, 1990. Illus.

1989    
"A Conversation on Censorship with Carolee Schneemann," (Interviewed by Aviva Rahmani). M/E/A/N/I/N/G, November 1989. pp. 3-7.
Berger, Maurice. Labyrinths: Robert Morris, Minimalism, and the 1960s. Harper & Row, New York, 1989 Illus: cover photo of CS in Site.
". . . Cat Torture in The Liquid Gate," International Experimental Film Congress.
"Censorship and the Moscow Film Festival," Interviewed by Aviva Rahmani and Barbara Zucker. Enclitic (USC), Summer 1989. pp. 79-78, 95. Illus.
Chin, Daryl. "Walking on Thin Ice: The Films of Yoko Ono," The Independent. April 1989. pp. 21, 23.
David, James E. Allegories of Cinema: American Film in the Sixties. Princeton University Press, Princeton. 1989. pp. 317-20. Illus.
Dreyfus, Charles. "Carolee Schneemann" in Happenings and Fluxus. Paris: Galerie 1900-2000. 1989. pp. 12, 166-67. Illus.
Edelson, Mary Beth. "An open letter to Thomas McEvilley," New Art Examiner. April 1989. p. 34.
Elder, R. Bruce. “The Body in Film,” Exhibition catalogue. Art Gallery of Ontario, 1989. pp. 12, 13, 34-42. Illus.
Export, Valie. "Aspects of Feminist Actionism," New German Critique. Spring/Summer 1989. p. 69-92.
Fuchs, Elinor. "Staging the Obscene Body," The Tulane Drama Review. Spring 1989. p. 34. Illus.
Gadon, Elinor. The Once and Future Goddess. Harper & Row, New York,1989. pp. 292-98. Illus.
Hill, Frances, ed. Toronto: Art Gallery of Ontario, Catalogue for Congress, 1989. pp. 38, 46-47.
Interviewed by Christy Sheffield Sanford. Red Bass: Journal of Politics and Art, Baton Rouge, 1989. pp. 16-23. Illus.
Interviewed by William Peterson. Act: Journal of Performance Art (NYC), 1989.
Interviewed by William Peterson. Performance (London), 1989. Illus: cover. Kulterman, Udo. "Carolee Schneemann," Contemporary Artists. Ed. Colin Naylor. 3rd Edition. St. James, Chicago/ London, 1989.
Leonard, George J. “Sayre: The Object of Performance” (review), Los Angeles Times Book Review, July 16, 1989.
Lucie-Smith, Edward. Art Now. Wellfleet, New York. 1989. (Originally published by Arnoldo Mondadori Editore. Milan. 1977). p. 402. Illus.
Moore, Peter. Photographs. Tokyo: Gallery 360, 1989. Illus.
Peterson, William. "Of Cats, Dreams and Interior Knowledge: An Interview with Carolee Schneemann," Performance (London). Winter 1989. no. 59. pp. 11-23.
Rosen, Randy. Making Their Mark: Women Artists Move into the Mainstream. Abbeville Press, 1989.
Sanford, Christy Sheffield. "Interview: Carolee Schneemann," Red Bass. no. 14. pp. 16-23.
Sayre, Henry M. The Object of Performance: The American Avant-Garde Since 1970, University of Chicago Press, Chicago. 1989. pp. 145, 169-73. Illus.
Schneemann, Carolee. "Cat Scan," Inter Editeur, Quebec. 1989. p. 79.
"Selected Text and Drawings from the Performance Work Dirty Pictures," Heresies. 1989. pp. 23, 54-55. Illus.
Spector, Buzz. "A Profusion of Substance," Artforum. October 1989. 120--128. Illus.
Spector, Nancy. "Double Fear," Parkett. Dec. 1989. no. 2. p. 130.
"Strogokontroli sane predstave," Movement 14, Casopis za vizuelne medije (Beograd). April/June 1989. p. 30. Illus.

1988    
Berger, Maurice. "Carolee Schneemann: Snows," Representing Vietnam 1965-1973, The Anti-war Movement in America. Exhibition catalogue. New York: Hunter College, 1988.
"Carolee Schneemann" in High Performance #44 11(4, 1988): 37. On "Cat Scan."
"Carolee Schneemann - Up to and Including Her Limits." High Performance #41/42 11 (1&2, 1988). pp. 66-67.
Goldberg, Roselee. Performance Art: From Futurism to the Present. Thames & Hudson, London. 1988. pp. 138, 141, 142. Illus.
James, David. "Carolee Schneemann," Cinematograph: A Journal of Film and Media Criticism. Foundation for Art Cinema, 1988. pp. 36-38. Illus.
Jowitt, Deborah. Time and the Dancing Image. University of California Press, Berkeley. 1988. pp. 310, 327, 331. Illus.
Labelle-Rojoux, Arnaud. L'Acte Pour L'Art. Editeurs Evident, Paris.1988. pp. 103, 108, 112-16, 172, 174, 194, 249. Illus.
Lebel, Jean-Jacques. Des Oeuvres Exposees. Paris: Galerie 1900-2000, 1988. pp. 91-92. Exhibition catalogue.
MacDonald, Scott. A Criti Õcal Cinema. University of California Press, Berkeley. 1988. Illus, interview.
McEvilley, Thomas. "Redirecting the Gaze," Making Their Mark: Women Artists Move into the Mainstream: 1970-85. Abbeville Press, New York. 1988. Illus.
Morgan, Robert. "Performance and Spectacle in the Post-industrial Age," Rampike (Toronto) Special Issue.
Sanborn, Keith. "Modern, All Too Modern," Cinematograph: A Journal of Film and Media Criticism (1988), p. 108. On the exclusion of women filmmakers from P. Adams Sitney's Visionary Film. Illus.
Schneemann, Carolee. "Cat Scan (New Nightmares/Ancient History)," Caprice Magazine, Ancient Mariner's Press, August 1988. Illus.

1987    
Kultermann, Udo. “Die Performance-Art Carolee Schneemann." Jahrbuch der Hamburger Kunsthalle. vol. 6. pp. 141-51.
Kultermann, Udo. "L'Univers de Carolee Schneemann," Vie des Arts (Montreal). June 1987. p. 56, 79.
Mifflin, Margot. "The Sleep of Reason: Artists and Their Dreams." High Performance," #38 10 (2, 1987): pp. 50, 51. Illus: Fresh Blood-A Dream Morphology.
Morgan, Robert C. "Tales from the Dark Side: Dark Rooms at Artists Space," AfterImage 15 (1, Summer 1987). Illus.
Nahas, Dominique. "Venus Vectors: The Everson Version," In Sacred Spaces. Syracuse: Everson Museum of Art, 1987. p. 45. Exhibition Catalogue.
“On Prepared Box for John Cage,” Solway Gallery, Cincinnati, 1987. 14. Exhibition catalogue. Illus.
Schneemann, Carolee. "Ice Music," White Walls #16. Fluxus, Ken Friedman, ed. Chicago, Spring 1987. pp. 99-101. Illus.
Robinson, Hilary, ed. “Letter to the Editor of Artforum (Oct. 1983),” Women on Art Series, Visibly Female: Feminism and Art Today, Frances Borzello, ed. Camden Press Ltd., London, 1987. pp. 272-73.
Selz, Peter. "Alternative Aesthetics and the Quest for Spiritual Quintessence," Arts, October 1987. Illus.
Sukenick, Ron. Down and In: Life in the Underground. New York: Beech Tree Books, William Morrow Co., Inc., 1986. pp. 32, 56, 57, 58, 193, 200, 202, 205, 211, 222, 233.
Warr, Watson, Widwin. Live Art Now. Arts Council of Great Britain, 1987. Illus: Meat Joy, p. 8. Catalogue.
Zwehl-Burke, Pamela, and Leslie Fedorchyk. Women's Autobiographical Artists Book. University of Wisconsin Fine Arts Galleries, Milwaukee, 1987. Illus.

1986    
Almhofer, Edith. "Der Korper als Medium kreativer Manifestation Carolee Schneemann," Performance Art: Die Kunst Zu Leben. Vienna-Cologne-Graz: Kulturstudien Bei Bohlau, 1986. pp. 50-70. Illus.
“Death Has No Fat" and "Infinity Kisses" in Hommage a Joseph Beuys. Klaus Staeck, ed. Kassel, 1986. Illus.
Decker, Elisa. “The Male Nude: Women Regard Men,” New York: Hudson Center Galleries, 1986. Exhibition cat. Illus.
Lovelace, Carey. "The Gender & Case of Carolee Schneemann," Millenium Film Journal. Summer/Fall 1986. Illus.
McCoy, Ann. "Het Bloed van de Dichter," Museum Journal 1, Amsterdam, 1986. pp. 21-32.
Myers, George Jr. "Sacred and Contentious," Alphabets Sublime: Contemporary Artists on Collage and Visual Literature. Washington: Paycock Press, 1986. 140-146. Illus.
Schneemann, Carolee. "Das A und O-Hidden and Found in an Attic," excerpt from Fresh Blood. In Top Ten Review. Bremen: H & H Schierbrok Edition, 1986. p. 42. Illus.

1985    
"Carolee Schneemann," Art Forum. April 1985. p. 92.
Disinformation-The Manufacture of Consent. Alternative Museum, New York,1985. pp. 47, 61-2. Catalogue, Illus.
Export, V., Eiblmayr, ed. Kunst Mit Eigen-Sinn. Vienna: Museum Moderner Kunst, 1985. Catalogue for exhibition: Internationale Ausstellung Aktueller Kunst von Frauen. 29 March-12 May 1985.
Export, V., Eiblmayr, Prischl-Maier. Kunst Mit Eigen-Sinn 9-Texte und Dokumentation. Vienna-Munich: Locker Verlag, 1985. pp. 207, 232, 293. Illus.
Haller, Robert. "Carolee Schneemann: Early Work/Recent Work" (review), Field of Vision, Spring 1985. p. 27.
Kohler, Michael and Gisela Barche. Das Aktfoto. Munich: Munchner Stadtmuseum, 1985. pp. 138, 157, 368. Illus.
MacDonald, Scott. "Carolee Schneemann's ABC: The Men Cooperate," AfterImage, April 1985. pp. 12, 15.Illus.
McEvilley, Thomas. "Carolee Schneemann," Artforum, April 1985. p. 91. Illus.
Schneemann, Carolee. "On Walter Gutman," Letters, Field of Vision, 1985. p. 31.
“Seven recipes,” CookPot, Barbara Moore, ed. Relux T Editions, New York, 1985.
Showalter, ed. "Writing the Body: Toward an Understanding of L'Ecriture Feminine," New Feminist Criticism. Pantheon, 1985.
“Toward A Visual Culture- Related Issues in Film,” Naropa Institute and University of Colorado at Boulder, November 1985. Conference catalogue.

1984    
Baigell, Matthew. A Concise History of American Painting and Sculpture. Harper & Row, 1984.
“Comportement Environment Performance,” Cinq Ans D'Art-Performance A Lyon. Lyons (1979/83), pp. 127-28. Illus.
“Contemporary Drawing as Idea,” Sarah Lawrence Gallery, 1984. Exhibition Catalogue, Illus.
Glueck, Grace. "Art: Exploring 6 Years of Pop & Minimalism" (review of Blam! The Explosion of Pop, Minimalism and Performance 1958-1964), New York Times, September 28, 1984.
Haller, Robert. "Rolling in the Maelstrom: A Conversation Between Carolee Schneemann & R. Haller," Idiolects 14, Spring 1984.
Haskell, Barbara. Blam! The Explosion of Pop, Minimalism and Performance 1958-1964. Whitney Museum of Art, New York, 1984. Exhibition catalogue.
Katz, Leandro. "Film As Installation," The Clock Tower. April-May 1984. p. 23.
Kent, Sarah and J. Morreau. "Women's Images of Men," London: Writers & Readers, 1984. pp. 179-192. Illus.
Lippard, Lucy. Overlay: Contemporary Art and the Art of Prehistory. Pantheon Books, New York. 1984. pp. 66-67. Illus.
Orloff, Kossia. "Women In Performance Art: The Alternate Persona," Heresies 17. pp. 36-37. Illus.
Salvaged: Altered Everyday Objects. Institute for Art & Urban Resources, New York, 1984. Exhibition catalogue.
“Salvaged: Altered Everyday Objects” (review), New York Times, February 24, 1984.
Schneemann, Carolee. “Text, drawings, photos, letters from Carl Ruggles,” The Music of James Tenney.
Ed. Peter Garland. Soundings Press, Sante Fe, 1984. p. 2, 15-29, 36, 39, 40, 114. Illus.
The Sculpture Center. Sound/Art. New York, 1984. Illus.

1983    
Ballerini, Julia. "Carolee Schneemann at Max Hutchinson," Art in America. April 1983. Illus.
Ballerini, Julia. “Early & Recent Work,” McPherson/Documentext, Kingston, NY 1983. Illus.
Battcock, Gregory and Robert Nickas, eds. The Art of Performance: A Critical Anthology. E.P. Dutton, New York 1983.
Cameron, Daniel. "Object vs. Persona: The Early Work of Carolee Schneemann," Arts Magazine. May 1983. pp. 122-25. Illus.
"Carolee Schneemann- Cluny Washing," The Print Collectors Newsletter 14/ 5, November/December 1983.
"Carolee Schneemann to Robert Haller," Idiolects 13 (1983).
Castle, Ted. “Early & Recent Work,” McPherson/Documentext, Kingston, NY 1983. Illus.
"Dirty Pictures," Benzine 1 (1983). Score, drawings, photos.
Greenfield, Amy, ed. Film Dance. Public Theatre. New York, 1983. Catalogue for exhibition, Nov/Dec 1983.
"Letter to the Editor," Artforum International. October 1983. p. 2.
Lippard, Lucy. Overlay: Contemporary Art and the Art of Prehistory. Pantheon 1983.
Lovelace, Carey. "Schneemann Inside Out," ArtCom,1983. pp. 16-19. Illus.
McEvilley, Thomas. "Art in the Dark," Artforum. Summer 1983. pp. 62-64. Illus.
Morgan, Robert. "Reconstructing with Shards," American Ceramics, 1983. Illus.
"Re: Art in the Dark," Artforum: Letters. August 1983. p. 2.
Review of Early & Recent Work. Umbrella. November 1983. pp. 112-14.
Roth, Moira and Mary Jane Jacobs, ed. The Amazing Decade: Women & Performance Art 1970-1980. Astro Artz, LA, 1982. Illus.
Sayre, Henry. (Review). The Minnesota Review 20, Spring 1983.
Schneemann, Carolee. "Abstract Painting 1960-69," (Interviewed by William Hellermann). Exhibition Catalog. P.S. 1, New York, 1983.
Silver/Thorne, Jeanne. "Carolee Schneemann," Artforum. December 1983. p. 73. Illus.
Sitney, P. Adams. "Interview With Stan Brakhage," Film Culture Reader. Praeger Publishers, New York. pp. 201-29.

1982    
Anderson, Jack. "How The Judson Theater Changed American Dance," New York Times. Jan 31, 1982.
Frederick, Charles. "Fresh Blood-A Dream Morphology," LIVE: Magazine of Performance: #6, 1982 p. 58-59. Illus.
Max Hutchinson Gallery, “Carolee Schneemann – Recent Work.” Catalogue. New Paltz, NY: Documentext, 1982. 
Max Hutchinson Gallery, “Schneemann Early Work 1960-1970.” Catalouge. New Paltz, NY: Documentext, 1982. 
Glueck, Grace. "Carolee Schneemann-Early Work 1960-70," New York Times. Sept 10, 1982.
Gottner-Abendroth, Heide. Die Tanzende Gottin: Prinzipieneiner Matriarc halen Asthetik. (English translation released 1991). Frauenoffensive, Germany.
Hamilton, Richard. Polaroid Portraits. London: Hansjorg Mayer, 1982. Illus.
Howell, John. "Judson, The Attitude," Alive. July/August 1982. pp. 32-33.
"Kitch's Last Meal," Cinema News (Super 8 Edition) #81, 1982. pp. 55-58. Illus.
Lebel, Jean-Jacques. Happenings, Interventions et Actions Diverses 1962-1982. Cahiers Loques, Paris,1982. Illus.
MacDonald, Scott. "Plumb Line," Millennium Film Journal: #10/11. pp. 11-14. Illus.
Montano, Linda. "Interview with Carolee Schneemann-Sex, Performance and the 80's," The Flue, 1982.Illus.
Orloff, Kossia. "Black Mythology in White Performance,” (Interview). LIVE: Magazine of Performance. Sept. 1982.
Schneemann, Carolee. "Americana I Ching Apple Pie," High Performance. Winter 1982. p. 74. Illus.
Spetnak, Charlene. The Politics of Women's Spirituality: Essays on the Rise of Spiritual Power Within the Feminist Movement. Anchor, Doubleday, 1982.
Tillman, Lynn. "Words Without Pictures," Bomb 4. p. 52. Illus.
Weintraub, Linda. The Rebounding Surface-A Study of Reflections. Exhibition catalogue. Bard College, Avery Center for the Arts, Annandale-on-Hudson, 1982.

1981    
Bojko, Szymon. "Amerykanski Performance," Projeckt (Warsaw) 141, February 1981. pp. 56-61. Illus.
Buckberrough, Sherry. "Carolee Schneemann,"Arts Magazine. October 1981. p. 5.
"Carolee Schneemann's Autobiographical Trilogy," Sheldon Film Theater program. Winter/ Spring 1981. University of Nebraska, Lincoln, NE.
"Dirty Pictures," High Performance, vol. 4, no. 2, Summer 1981. p. 72. Illus.
"Fresh Blood-A Dream Morphology," Dreamworks Journal, vol. 2, no.1, Fall 1981. pp. 67-75. Illus.
"Fresh Blood-A Dream Morphology," New Wilderness Letter 10. September 1981. pp. 42-56. Illus.
"From A Letter," Idiolects 11. Summer 1981. p. 18.
"From Fresh Blood-A Dream Morphology," Idiolects 9-10. Winter 1980-81. pp. 27-30. Luscher, Ingeborg.
"Zaubereien," Der Alltag (Zurich) 3, Summer 1981. Illus.
MacDonald, Scott. "Film & Performance: An Interview with Carolee Schneemann," Millenium Film Journal.1980-1981. pp. 95-114. Illus.
Martin, Henry. "Carolee Schneemann- More Than Meat Joy," Flash Art (Milan), no. 101. January/February 1981. p. 58. Illus.
Perron, Wendy and Daniel Cameron, eds. Judson Dance Theater: 1962-1966. Bennington, Vermont: Bennington College, 1981. pp. 64-67. Illus.
Schneemann, Carolee. "Autobiographical Trilogy". Reprinted in Sheldon Film Theater, 1981. pp. 80-85. Illus.
Selz, Peter. Art In Our Time. Abrams/Harcourt Brace Jovanovich, New York, 1981. p. 550. Illus.

1980    
Alloway, Lawrence. "Carolee Schneemann: The Body as Object and Instrument," Art in America, March 1980. pp. 19-21. Illus.
Belford, Marilyn & Jerry Herman. "Event Art," (transcript of a symposium with C.S., Vito Acconci, Poppy Johnson and others), Time and Space Concepts in Art. Pleiades Gallery, NY. pp. 27-55. Burnside, Madeline. "Carolee Schneemann." Arts Magazine. February. p. 24. Illus.
"Carolee Schneemann's Autobiographical Trilogy," Film Quarterly, Fall 1980. vol. 34, no.1. pp. 27-32.
Castle, Ted. "Carolee Schneemann: The Woman Who Uses Her Body for Her Art," Artforum. November 1980. pp. 64-70. Illus.
Live Performances - Behavior Workshop. Grafisch Centrum, Arhem, 1980.
MacDonald, Scott."An Interview with Carolee Schneemann," Afterimage. March 1980. Illus.
Robertson, Clive. "More Than Meat Joy," Fuse (Toronto), January 1980. p. 115.
Schneemann, Carolee. "Women Artists on Women in Art," Portfolio: The Magazine of the Visual Arts. February/ March 1980. p. 72. Illus.
Schneemann, Marranca, Lamont, et al. "Women in the Theatre Conference - May 14, 1979," Centerpoint: A Journal of Interdisciplinary Studies. Winter/Spring 1980.
Springer, Jane. "Developing Feminist Resources: The Work of Carolee Schneemann and Martha Rosler," Fuse (Toronto), Jan. 1980. pp.113-16. Illus.

1977    
McPherson, Bruce R., ed., More than Meat Joy Carolee Schneemann. Kingston, NY: McPherson & Company/Documentext, 1977.

1974    
Schneemann, Carolee, Cezanne She Was a Great Painter. New Paltz, NY: Tresspass Press, 1974.