Portia Munson
Portia Munson
The Garden, 1996
found/recycled manufactured, synthetic & plastic floral & garden related stuff along with salvaged floral bedroom furnishings
dimensions variable
P·P·O·W is pleased to present Portia Munson’s abundant installation, The Garden, for the inaugural edition of Art Basel Miami Beach Meridians. For over two decades, Munson has created maximal installations and sculptures made from a vast array of synthetic products. Much like Munson's iconic, The Pink Project: Bedroom, 1994, The Garden takes the form of a woman’s bedroom densely layered with floral dresses, stuffed animals, found furniture, and a myriad of fake flowers. Seductive and repulsive, this installation provides a critical context for showcasing the range of products marketed as “female” and analyzing the limitations of gender-normative social structures. Aggregating patterns and prints that are suggestive of fertility, sexuality, and rebirth, The Garden simulates life and abundance, but it is also oppressive and funerary.
In the twenty years since it debuted, The Garden increasingly elucidates connections between hostility to feminism and the continued destruction of our environment, arguably the most pressing issues of our time. A claustrophobic den of beautiful refuse, the installation amplifies capitalism’s vision of bourgeois femininity, where the act of acquiring to meet societal standards fuels the momentum of hyper-consumption and climate crisis. The Garden proposes that disrespect for the environment runs parallel to pervasive disdain for women, inviting viewers to meditate on the irony of manufacturing a regressive notion of beauty while simultaneously annihilating our natural world.
Portia Munson (b. 1961, Beverly, MA) lives and works in Catskill, NY. She holds holds a BFA from Cooper Union (1983) and an MFA from Rutgers University (1990) and studied at the Skowhegan School and Painting and Sculpture (1987). Munson has taught at New York University, Yale School of Art, Vassar College, SUNY Purchase and currently teaches at the School of Visual Arts, New York.
Munson’s work has been shown internationally in major public and private exhibitions since the early 1990s. Munson’s most recent solo exhibitions include: Portia Munson: Her Room/Her World at Bedford Gallery, Walnut Creek, CA, 2018; Flood at Disjecta, Portland, OR, 2018; The Garden, at P·P·O·W, New York, NY, 2017; and Earth Rites, NYU Langone Medical Center Art Gallery, New York, NY, 2017. Munson's work has also been in numerous group exhibitions in the U.S. and abroad, including: Dime-Store Alchemy at The Flag Art Foundation, New York, NY, 2018; Garden Dwellers at Regina Rex, New York, NY, 2017; Out of Site at Chesterwood, Stockbridge, MA, 2017; Pink Noise: Flexing the Frequency at Girls' Club Collection, Ft. Lauderdale, FL, 2016-17; Radical Kingdoms at Union College Schenectady, NY, 2017; Pink Project: Table with P·P·O·W at Frieze London, UK, 2016; Nature Pops at Wave Hill, Bronx, NY, 2016; Tie His Hands Gently at Romeo New York, NY, 2016; In Plain Air at Art Omi, Omi, NY, 2016; The Female Gaze at Pennsylvania Academy of Fine Art, Philadelphia, PA, 2012.
Recent public installations include Pink Projects, a multidisciplinary collection of installations, sculptures, videos, and prints presented by Art Production Fund at Rockefeller Center; a large-scale light-box at the Bryant Park subway station for NYC MTA; a permanent MTA installation at Fort Hamilton Parkway station in Brooklyn (“D” line); and a large piece at the Albany International Airport, Albany, NY. Her work has been reviewed and written about in many publications including: The New York Times, Art in America, Harper’s, Newsweek, USA Today, The New Yorker, and Artforum.
Portia Munson
The Garden, 1996
found/recycled manufactured, synthetic & plastic floral & garden related stuff along with salvaged floral bedroom furnishings
dimensions variable