Friday, May 9, 6:30pm
390 Broadway, 2nd Floor
No RSVP necessary
We are pleased to present an artist walkthrough of Side Lined. Participants will include artists Keltie Ferris, Brenda Goodman, Sojourner Truth Parsons, Erika Ranee, and Julia Rommel, with opening remarks by exhibition curator and gallery co-founder, Wendy Olsoff.
The event will take place in conjunction with Tribeca Gallery Night, in which over 70 local galleries will host extended hours and special programming.
Keltie Ferris
Hello Blue, 2025
oil and vinyl paint on canvas with artist frame
67 1/2 x 62 1/2 ins.
171.4 x 158.8 cm
Keltie Ferris (b. 1977) forges a unique approach to abstraction, mapping the catalytic qualities of medium and technique onto expressions of physicality, energy, and change. By deconstructing his own process of painting into its most fundamental actions and materials, Ferris creates a site of formal experimentation and conceptual ingenuity. Keltie Ferris received his BFA from the Nova Scotia College of Art and Design in 2004 and his MFA from the Yale School of Art in 2006. His work has recently been shown in solo exhibitions at Mitchell-Innes & Nash, New York, NY; Morán Morán, Mexico City, Mexico; Kadel Willborn, Düsseldorf, Germany; and Speed Art Museum, Louisville, KY; among others. He has received awards and honors including the Carol Schlosberg Memorial Prize for excellence in painting at the Yale School of Art, the Rema Hart Mann Foundation Grant Artist Pension Trust, and the Rosenthal Family Foundation Award in Painting from the Academy of Arts and Letters. His work is included in the public collections of the Asheville Art Museum, Asheville, NC; Bronx Museum of the Arts, Bronx, NY; Kemper Museum of Contemporary Art, Kansas City, MO; Knoxville Museum of Art, Knoxville, TN; San Antonio Museum of Art, San Antonio, TX; and Speed Museum of Art, Louisville, KY; among others.
Brenda Goodman
Find It - It's Yours, 2021
oil and mixed media on wood
60 x 72 ins.
152.4 x 182.9 cm
Earning a reputation as a painter’s painter, Brenda Goodman (b. 1947) is recognized for her unorthodox tools and methods, encompassing a range from thick impastos to thin veils of colors. A member of the Cass Corridor Movement, Goodman and her contemporaries integrated intensely personal issues with the freedom of abstract expressionism. Reflecting on her practice, Goodman states, “my work is not preconceived but is more akin to the improvisations of jazz. The painting develops through a series of intuitive choices guided by an understanding of formal issues and my years of experience.” Brenda Goodman received her BFA from the College of Creative Studies, from which she also received an honorary Doctorate of Fine Arts in 2017. She has mounted solo exhibitions at Pamela Salisbury Gallery, Hudson, NY; Feigenson Gallery, Detroit, MI; Jeff Bailey Gallery, Hudson, NY; among others. Goodman’s work is included in the public collections of the Museum of Contemporary Art, Chicago; Santa Barbara Museum of Art; the Detroit Institute of Arts; Cranbrook Art Museum; and Wayne State University Art Collection. She has received fellowships from the National Endowment for the Arts and the New York Foundation for the Arts.
Sojourner Truth Parsons
New York, 2025
acrylic on canvas
102 x 84 ins.
259.1 x 213.4 cm
Sojourner Truth Parsons (b. 1984) uses paint to indicate moments of intensity and intimacy, amplifying sensation, texture, and tone. In the artist’s compositions, flashes of saturated color, flattened space and familiar motifs come into relation, fraying the border between interior and exterior worlds. Through her use of rich, vibratory tone, Parsons locates and elaborates the subtlety of brief details and moments that might otherwise go unnoticed in fleeting interactions of light, sound and provoked memory. Parsons lives and works between the southern Catskill Mountains and Brooklyn, NY. Her work has been a part of group exhibitions at Hauser & Wirth, Los Angeles, CA; Kunstraum Potsdam, Germany; Bortolami, New York, NY; and Galerie Sultana, Paris, France; among others. Her recent solo exhibitions include Blue goes away, Pilar Corrias, London, UK; If nobody wants you you’re free, Esther Schipper, Berlin, Germany; My name is not Susan., Foxy Production, New York, NY; and Holding Your Dog At Night, Oakville Galleries, Ontario, Canada; among others. Parsons work is included in the public collections of Long Museum, Shanghai, China; Montréal Museum of Fine Arts, Montréal, Canada; Portland Museum of Art, Portland, OR; Vanharents Arts Collection, Brussels, Belgium; and more.
Erika Ranee
How Do You Turn Me Off?, 2025
acrylic, shellac, spray paint, oil stick and collage on canvas
60 1/4 x 48 ins.
153 x 121.9 cm
Interested in the preservation of stories amid a transient digital age, Erika Ranee (b. 1965) harnesses cues from her surroundings that inform an intuitive visual freestyle form of work. Employing a wide array of materials from acrylic, spray paint, graphite, shellac, and collage, the resulting layers of glassy lacquers, crackled earth-toned pigments, sprays of dayglo, and inscribed linear elements conjure a complex and beguiling language. Erika Ranee received her MFA in painting from the University of California, Berkeley. Her recent solo exhibitions include Feelings, Art Center at Duck Creek, East Hampton, NY; How Are Things on My End, Moss Arts Center, Blacksburg, VA; and All Natural, Klaus von Nichtssagend Gallery, New York, NY. She has been the recipient of the NYFA Fellowship in Painting, an AIM Fellowship from the Bronx Museum, and was granted artist residence at the Skowhegan School of Painting and Sculpture. Her work has been featured in group exhibitions at Brigitte Mulholland, Paris, France; Steven Harvey Fine Art Projects, New York, NY; Landing Gallery, Los Angeles, CA; Hollis Taggart Gallery, Southport, CT; and more. Ranee’s work was recently on view in The Brooklyn Artists Exhibition at the Brooklyn Museum, Brooklyn, NY.
Julia Rommel
Body Shop, 2025
oil on linen
82 x 78 ins.
208.3 x 198.1 cm
Julia Rommel’s (b. 1980) surfaces are intensely wrought through processes of layering and erasure. Defined by subtle variations in colors and differences in facture and texture, her finished compositions contain a sense of the history of their own making. Rommel has presented solo exhibitions at MASSIMODECARLO Pièce Unique, Paris, France; Bureau, New York, NY; Standard (Oslo), Oslo, Norway; and The Aldrich Contemporary Art Museum, Ridgefield, CT; among others. Her work has been highlighted in group exhibitions at Peter Blum Gallery, New York, NY; Hammer Museum, Los Angeles, CA; FLAG Art Foundation, New York, NY; and Whitechapel Gallery, London, UK; and more. She was a Robert Rauschenberg Foundation Artist-in-Residence in 2018. Her work is in the public collections of Buffalo AKG Art Museum, Buffalo, NY; Kadist Foundation, Paris, France; Museum of Modern Art, New York, NY; Metropolitan Museum of Art, New York, NY; Hammer Museum, Los Angeles, CA; Whitney Museum of American Art, New York, NY; and more.