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P·P·O·W is pleased to present Pilot Light, a group exhibition curated by Gerald Lovell. Featuring new and recent works by Bre Andy, Praise Fuller, Gerald Lovell, Devin N. Morris, Nickola Pottinger, Curtis Talwst Santiago, and Taylor Simmons, the exhibition will span painting, sculpture, and multi-media installation. The resulting presentation is shaped, not by spectacle, but by endurance: the slow, persistent force of faith, practice, and resiliency. In an art world where diversity can become a passing trend and visibility is often confused with care, Pilot Light insists on another measure of value outside the demands of immediacy, legibility, and consumption. Named after a small but essential flame that continuously burns regardless of the conditions outside, the exhibition presents artists who embrace forms of creation that are deeply personal and life-sustaining. In Pilot Light, artistic practice is understood as a mode of caregiving, a commitment to one’s divination, one’s community, and the subtle but unwavering spark that makes creation possible in the first place.

Exhibited Works

Exhibited Works Thumbnails
Nickola Pottinger
Aunty and grandad, 2025
paper, pulp, pigments, tape, gold leaf, fabric
22 x 17 x 16 ins.
55.9 x 43.2 x 40.6 cm
 

Nickola Pottinger
Aunty and grandad, 2025
paper, pulp, pigments, tape, gold leaf, fabric
22 x 17 x 16 ins.
55.9 x 43.2 x 40.6 cm
 

Praise Fuller
the unearthliness and spectrality of blue, 2026
cyanotype, acrylic, and sand on canvas
48 x 36 ins.
121.9 x 91.4 cm

Praise Fuller
the unearthliness and spectrality of blue, 2026
cyanotype, acrylic, and sand on canvas
48 x 36 ins.
121.9 x 91.4 cm

Devin N. Morris
why the bell last tolled, 2023
collage, oil, acrylic, tree bark, pastel, seat cushion, oil pastel,
assorted candle wax, pan pastel, felt, wood veneer, alarm, sobriety, broken window and mirror, window draping, light, brass fixture, flocking, arm from armchair, door, chair legs, on wood panel
86 ins.
218.4 cm

Devin N. Morris
why the bell last tolled, 2023
collage, oil, acrylic, tree bark, pastel, seat cushion, oil pastel,
assorted candle wax, pan pastel, felt, wood veneer, alarm, sobriety, broken window and mirror, window draping, light, brass fixture, flocking, arm from armchair, door, chair legs, on wood panel
86 ins.
218.4 cm

Nickola Pottinger
Aunty and grandad, 2025
paper, pulp, pigments, tape, gold leaf, fabric
22 x 17 x 16 ins.
55.9 x 43.2 x 40.6 cm
 

Nickola Pottinger
Aunty and grandad, 2025
paper, pulp, pigments, tape, gold leaf, fabric
22 x 17 x 16 ins.
55.9 x 43.2 x 40.6 cm
 

Praise Fuller
the unearthliness and spectrality of blue, 2026
cyanotype, acrylic, and sand on canvas
48 x 36 ins.
121.9 x 91.4 cm

Praise Fuller
the unearthliness and spectrality of blue, 2026
cyanotype, acrylic, and sand on canvas
48 x 36 ins.
121.9 x 91.4 cm

Devin N. Morris
why the bell last tolled, 2023
collage, oil, acrylic, tree bark, pastel, seat cushion, oil pastel,
assorted candle wax, pan pastel, felt, wood veneer, alarm, sobriety, broken window and mirror, window draping, light, brass fixture, flocking, arm from armchair, door, chair legs, on wood panel
86 ins.
218.4 cm

Devin N. Morris
why the bell last tolled, 2023
collage, oil, acrylic, tree bark, pastel, seat cushion, oil pastel,
assorted candle wax, pan pastel, felt, wood veneer, alarm, sobriety, broken window and mirror, window draping, light, brass fixture, flocking, arm from armchair, door, chair legs, on wood panel
86 ins.
218.4 cm