In "Understory" both artists delve into memories, events, and life experiences from unique approaches and materiality often times incorporating photos as source material that then become intimately woven images or luscious colorful abstractions and objects. Riley's intimate tapestries depicting specific childhood memories are intertwined with Breininger's abstracted stained glass works, complimented by her floral works on paper and carpet throughout this exhibition.
Erin M. Riley's (b. 1985) meticulously crafted, large-scale tapestries depict intimate, erotic, and psychologically raw imagery that reflects upon relationships, memories, fantasies, sexual violence, and trauma. Collaging personal photographs, images sourced from the internet, newspaper clippings, and other ephemera to create her compositions, the Brooklyn-based weaver exposes the range of women’s lived experiences and how trauma weighs on the search for self-identity.
In her review of Riley's most recent solo exhibition, The Consensual Reality of Healing Fantasies at P·P·O·W, Roberta Smith of the New York Times wrote, "Her richly variegated colors and complex, arresting scenes take full advantage of tapestry’s stitch-by-stitch autonomy."
Riley received her BFA from the Massachusetts College of Art and Design and an MFA from the Tyler School of Art. Her work has been included in solo and group exhibitions at P·P·O·W, New York; Galerie Julien Cadet, Paris, France; Kohn Gallery, Los Angeles, CA; Henie Onstad Kunstsenter, Høvikodden, Norway; The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY; Gana Art Gallery, Seoul, South Korea; MassArt Art Museum, Boston, MA; and UTA Artist Space, Los Angeles, CA; among others. Riley is the recipient of a United States Artists Fellowship Grant, 2021 and an American Academy of Arts & Letters Art Purchase Prize, 2021 and has completed residencies at MacDowell Colony, New Hampshire and the Museum of Art and Design, New York. Her work was recently featured in 52 Artists: A Feminist Milestone at The Aldrich Contemporary Art Museum, CT, manifesto of fragility, the 16th Lyon Biennale of Contemporary Art, and Kingdom of the Ill at Museion, Bolzano, Italy. In late 2024, Riley will present her first solo exhibition with cadet capela, Paris, France.
On behalf of Erin, Outer Space will donate 5% of its profits from any sales of her work to a non-profit of the artist's choosing.
Present in Lou's acrylic airbrushed carpet works there is a dreamy insignia of trees, flowers, oranges, symbols of the outside to decorate the interior moment. It is with pattern and symmetry that this decoration is affirmed and it’s association with memory, comfort and the feminine is ignited. These pieces invite the domestic into fine art spaces in order to define its relevance in informing broad concepts and ways of making. They also raise discourse concerning the origins of decoration, popularized by women artisans and the craft of decoration as a marginalized art form from the canon of art history.
Lou Breininger (b. Hagerstown, MD) received a BFA in Painting from Arcadia University (Glenside, PA) and an MFA in Painting from Cranbrook Academy of Art (Bloomfield Hills, MI). They currently live and work in Los Angeles, California
On behalf of Lou, Outer Space will donate 5% of its profits from any sales of work to a non-profit of the artist's choosing.