Beyond Frieze and Kiaf, there's a lot to see in Seoul in September.

Terrazas presents a new series of paintings and ceramic sculptures that together create a sacred space which honors duality and ideals of empathy and reciprocity.

The Hollywood powerhouse agency has been showcasing art in its Beverly Hills gallery space, as well as in Atlanta and New York. 

From Débora Delmar’s sculptures critiquing gentrification to Deli Gallery’s inaugural show at their new location, these are the must-see shows in CDMX

From a show of Ukrainian women artists at Fridman Gallery, New York to Kaari Upson's first posthumous exhibition at Sprüth Magers, Los Angeles, here are the best shows of the year

The artist has work at Art Basel Miami Beach with P·P·O·W gallery and the nonprofit Art in Common.

The art fair, now celebrating its 20th anniversary, features thoughtful work but shies away from taking chances.

The eleven paintings and single sculpture in Astrid Terrazas’s first solo show at P·P·O·W encompass far-reaching spatial and temporal terrain through powerful, graphic figuration. This is painting as storytelling, rebuilt from the grand traditions of muralism, retablos, and, it seems to me, Francisco de Goya via Paula Rego.

Returning to New York on Air Fair Weekend, I missed Independent, the Armory and Spring Break while nursing an airplane cold (luckily, not covid). However, as I recuperated, I visited several local downtown galleries, abounding with great autumnal energy.

Organized by Lucy Lippard, “Twenty Six Contemporary Women Artists” presented the work of women who had not previously had solo shows. This revival presentation, organized by the museum’s chief curator, Amy Smith-Stewart, and independent curator Alexandra Schwartz, expands Lippard’s roster—of mostly white, all cis-female artists—with a more diverse list of 26 additional female-identifying and nonbinary artists born in or after 1980.

The closing nights of the New York art world’s busy back-to-school week took revelers from Lower Manhattan to the outer edge of Queens

P·P·O·W is pleased to announce the opening of an additional gallery in Tribeca, on the second floor of 390 Broadway, adjacent to its primary gallery.

At the beginning of the 1970s, American artists were demanding more equitable representation in institutional shows. Organizations such as the Black Emergency Cultural Coalition and the Ad Hoc Committee of Women Artists staged protests over the Whitney Museum’s omission of Black and women artists in their exhibitions.