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(1946–1999)
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One Person Exhibitions
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|
2004 |
Martin Wong's Utopia, Chinese Historical Society of America Museum of Art, San Francisco, CA. |
|
2001 |
Martin Wong: Storefronts 1984-86, P·P·O·W, New York, NY. |
|
1999 |
Martin Wong: The Eureka Years, Humbolt State University First Street Gallery, Eureka, CA. |
|
1998 |
Sweet Oblivion: The Landscapes of Martin Wong, The New Museum of Contemporary Art, New York, NY.
Martin Wong: New Work,
P·P·O·W, New York, NY
Sweet Oblivion: The Urban Landscapes of Martin Wong, University Galleries, Illinois State University
|
|
1994 |
York College, Queens, NY |
|
1993 |
San Francisco Art Institute, San Francisco, CA
Chinatown USA, P·P·O·W, NYC |
|
1991 |
Soap, Erotic Jail Paintings, The Pyramid Club, NYC |
|
1988 |
EXIT ART, NYC
Frank Bernaducci Gallery, NYC |
|
1987 |
Here and Now, Greenville County Museum of Art, Greenville, SC
Signs of Significance, Sacco's, Ridgefield, CT
Living for the City, The Saint, NYC |
|
1986 |
Semaphore, NYC |
|
1985 |
Semaphore, NYC |
|
1984 |
Semaphore, NYC
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Selected Group Exhibitions
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2008
2007
2006
2005
2004
2003
2002
|
Side X Side, Visual AIDS, curated by Dean Daderko, New York, NY
The Price of Nothing: Luxury after the Real Estate Show, EFA Gallery, New York, NY
Big City Fall, P·P·O·W, New York, NY.
New York’s Own, curated by Chris Daze Ellis, Fuse Gallery, New York, NY.
The Downtown Show, The New York Art Scene 1974-1984, curated by Carlo McCormick, The NYU Grey Art Gallery and The Fales Library, New York, NY.
It’s a rough world, how’s your armor?, thebody.com (online exhibition).
21, P·P·O·W, New York, NY.
East Village USA, curated by Dan Cameron, New Museum of Contemporary Art, NY.
Charlie Ahearn: Artists, P·P·O·W, NY.
Look Up! Contemplating the Skies, curated by Thomas Woodruff, New York Academy of Sciences, New York, NY.
Commodification of Buddhism, Bronx Museum, Bronx, NY.
Social Landscape, P·P·O·W, New York, NY.
Subject Matters: An Exhibition of Subject Driven Art, curated by Norman Dubrow, Kravitz/Wehby Gallery, NY. |
|
2001 |
One Planet Under A Groove: Hip Hop and Contemporary Art, Bronx Museum of Art, NY.
Context: Recent Art from Cuba in the Permanent Collection, Bronx Museum of Art, NY.
Humor and Rage: 5 Contemporary Painters from the United States, Fundacio Caixa Catalunya, Barcelona, SPAIN.
Pollack to Today, Whitney Museum of American Art, Permanent collections, New York, NY. |
|
2000 |
Manhattan Contrasts, NY Historic Society, New York, NY.
The Figure: Another Side of Modernism, Paintings from 1950 to the Present, curated by Lilly Wei, Newhouse Center for Contemporary Art, Staten Island, NY.
Bronx Museum of Art, Permanent collection, New York, NY. |
|
1999 |
Radiant Children: Art of the East Village, curated by Jonathan Weinberg and Joel Handorff, Lamia Ink!, New York, NY. |
|
1998 |
Conviviality & Confetti: Holiday Imagery in Art, The Noyes Museum of Art, Oceanville, NJ.
FotoGraf, The Web Gallery, New York, NY. |
|
1997 |
Reflections of Taste, American Art from Greenwich Collections, Bruce Museum, Greenwich, CT.
The Web Gallery, http://www.webgallerynyc.com, New York, NY. |
|
1996 |
Sites of Chinatown, Museum of Chinese in the Americas, New York, NY.
The Usual Suspects, curated by Daze, Avanti Gallery New York, NY.
Blood Fairies, curated by Frank Moore, Geoff Hendricks and Sur Rodney (Sur). Artists Space, New York, NY.
Arts Communities/AIDS Communities: Realizing the Archive Project, Boston Center for the Arts, Boston, MA.
Give Life to Art: The First Step, presented by Gallery (+) Positive and Visual AIDS, Fire Island Pines, NY.
Our Dieties, ISE Art Foundation, New York, NY. |
|
1995 |
Art for Education: Public Art in the School System, The Palace Hotel, New York, NY.
Art at the Edge: Social Turf, High Museum of Art, Atlanta, GA.
Murder, curated by John Yau, New York, NY. Traveled to Thread Waxing Space.
In a Different Light, University Art Museum Berkeley, University of California at Berkeley, Berkeley, CA.
Art as Dramatic Comedy: an exhibition exploring comic traditions as defined by literature in contemporary art, Randolph Street Gallery, Chicago, IL.
Imperfect, Herter Art Gallery, Amherst, MA.
Drawn on the Museum, Aldrich Museum of Contemporary Art, Ridgefield, CT. |
|
1994 |
New York Realism: Past and Present, curated by Doug Dreishpoon, New York, NY.
Traveling to: Odakyu Museum, Tokyo, Japan; Kagoshima City Museum of Art; Japan; Kitakyushu Municipal Museum of Art; The Museum of Art, Kintetsu, Osaka, Japan; Fukushima Prefectural Museum of Art, Japan; Tampa Museum of Art, Tampa, FL. |
|
1993 |
Fallen Idylls: American Figurative Painting, curated by Christopher Sweet and P·P·O·W, New York, NY.
Art Miami 1994, Miami, FL. Traveled to The Martin County Council for the Arts, Stuart, FL. |
|
1992 |
The New American Cityscape, curated by Amy Simon, Fairfield University, Fairfield, CT.
Malcom X Show, curated by Jeremy Nader, City College of New York, New York, NY.
Benefit Auction for White Columns, New York, NY.
Contemporary Male Nudes, Graham Modern, New York, NY. |
|
1991 |
Belly of the Beast, curated by Francisco Hernandez, Charles Lucien Gallery, New York, NY.
Your House is Mine, project by Andrew Castrucci and Nadia Cohen, Center for Book Arts, New York, NY.
The New Depressionists, curated by Lee Quinones, Kenkeleba House, New York, NY.
Benefit for Asian American Women's Center, New York, NY.
In the Looking Glass, Mint Museum, Charlotte, NC.
Queer Art Show, curated by Nayland Blake, New Langton Arts, San Francisco, CA.
Hip-Hop, curated by Anne Pasternack and Francisco Hernandez, New Art Ways, Hartford, CT.
Office Installations, curated by Judy Collishan, CW Post Campus, Long Island University, NY.
National Gay and Lesbian Conference, Rutgers University.
Access, (Art and Representing the Handicapped) Islip Museum, Islip Long Island, NY.
Della Cova, Anne Plumb Gallery, New York, NY.
The Hybrid State, EXIT ART, New York, NY.
Images of Labor: The 90s, Gallery 1199, New York, NY. |
|
1990 |
Benefit for "God's Love We Deliver," Sotheby's, New York, NY.
Brick Dicks and Swastikas, with Benjamin Liepelt, CBGB's, New York, NY.
Tiananmen Memorial Show, curated by Asian American Arts Center, Hong Kong Arts Center, Hong Kong.
Flaneur/Flaneuse: Out on a Stroll, Barbara Fendrick, New York, NY.
Decade Show 1990, MOCHA, New York, NY.
Inside the Beast, curated by Francisco Hernandez, Charles Lucien Gallery, New York, NY.
Lower East Side Print Shop Retrospective, Tompkins Square Park Library, New York, NY.
Your House is Mine, Bullet Space, New York, NY.
Bastille Day Show, Steve Mass, New York, NY.
Queer, Wessel-O'Conner Gallery, New York, NY.
AIDS Time-Line, curated by Ken Chu, The Clocktower, New York, NY.
Jazz and the Blues Aesthetics, Studio Museum of Harlem, New York, NY.
Brut 90, White Columns, New York, NY. |
|
1989 |
Interiors, Bennington College, Bennington, VT.
Future Now, Bass Museum, Miami, FL.
Uptown Downtown, curated by Bob Lee, City Gallery, Columbus Circle, New York, NY.
Urban Images, Madison Arts Center, Madison, WI.
Free Puerto Rico, Black and White in Color, Bronx, NY.
The Blues Aesthetics, WPA, Washington, D.C.
Center Show, Gay and Lesbian Cultural Center, New York, NY.
First Amendment Show, Sally Hawkins, New York, NY.
Flag Show, Red Zone, New York, NY.
Democracy, curated by Group Material, DIA Art Foundation, New York, NY.
Visions of Revolution, El Castillo Cultural Center, New York, NY.
China, June 4, curated by Asian American Arts Center, Blum Helman Warehouse, New York, NY.
Benefit for San Salvador, Leo Castelli Gallery, New York, NY. |
|
1988 |
The Social Club, EXIT ART, New York, NY.
The 1980s: A New Generation, American Painters and Sculptors, The Metropolitan Museum of Art, New York, NY.
Acts of Faith, curated by Lucy Lippard, Cleveland State University, OH.
Politics and Election installations by Group Material, Dia Art Foundation, New York, NY.
AIDS and Democracy, installations by Group Material, Dia Art Foundation, New York, NY.
100 Years of the Lower East Side, curated by Anton van Dalen, P·P·O·W, New York, NY.
The Immoral Show, curated by Ron English, Tunnel, New York, NY. |
|
1987 |
Art of the Eighties, Karl Bornstein Gallery, Santa Monica, CA.
Three Jack-o-Lanterns, Halloween party, Bleecker Gallery, New York, NY.
Curators' Choice, Gerstadt Gallery, New York, NY.
Urban Visions, Adelphi University, Adelphi, NY.
Bigger and Deffer, curated by D.D. Chapin, Seventh Avenue Space, New York, NY.
Two Man Show, with Benjamin Lipalet, Milk Bar, New York, NY.
Constitution, curated by Group Material, University of Pennsylvania, Philadelphia, PA.
GNARLY-MO, curated by Steven Schwartz, Limelight, New York, NY.
The Castle, an installation by Group Material, at Documenta 8, Kassel, West Germany.
The Mind's I, Part 1, Asian Arts Institute, New York, NY.
Resistance, (Anti-Baudrillard) Group Material, White Columns, New York, NY.
Art for Money, a benefit for Fashion Moda, Art and Industrie, New York, NY. |
|
1986 |
Freedom of Painting, Galerie Paradis, Paris, France.
Text/Texture, curated by Peggy Cyphers, Ground Zero, New York, NY.
The East Village, curated by Richard Martin, Fashion Institute of Technology, New York, NY
Short Stories, curated by Judd Tully, One Penn Plaza, New York, NY.
Eight Urban Painters, Fine Arts Center, State University of New York at Stony Brook, NY.
Strange Brew, Chronocide, New York, NY.
Ten Chinatown, Asian Arts Institute, New York, NY. |
|
1985 |
Hard Cold Facts, curated by Rick Prol, B-Side Gallery, New York, NY.
Benefit for Fashion Moda, curated by James Poppitz, Ronald Feldman Fine Arts, New York, NY.
Innocence and Experience, Greenville County Museum of Art, Greenville, SC and First Street Gallery, New York, NY.
Photosynthesis, curated by Ellen Lubell, One Penn Plaza, New York, NY.
Cross Currents, curated by Joe Stabilito, Sande Webster Gallery, Philadelphia, PA.
Audacious: Some Extremist Tendencies in East Village Art, curated by Dan Cameron, Randolph Street Gallery, Chicago, IL.
Urban Spirit, City Without Walls Gallery, Newark, NJ.
East Village Art Collection, The Palladium, New York, NY.
Works on Paper, Semaphore East, New York, NY.
Precious, Grey Art Gallery, New York University, New York, NY and the Chrysler Museum Norfolk, VA.
American Occult, Kamikaze, New York, NY.
Tight as Spring, curated by Barry Blinderman, Kamikaze, New York, NY.
Illuminations, curated by Joey Handorff, Dramatic Personae Gallery, New York, NY.
Auto da Fe, curated by Steve Whitesell, P·P·O·W, New York, NY.
The Monster Show, Nico Smith Gallery, New York, NY.
Semaphore and Semaphore East Galleries, University of Wisconsin, Eau Claire, WI.
East Village at Centre, Centre Sakdye Bronfman, Montreal, Quebec. |
|
1984 |
Urban Landscapes, Semaphore East, New York, NY.
East Infection, curated by Carlo McCormick, Zero One, Los Angeles, CA.
Small Works, NOW Gallery, New York, NY.
New Narrative Painting, Museo Rufino Tamayo, Mexico City, Mexico.
Bacchanalia, New York Public Library, Tompkins Square Branch, New York, NY.
New York Now, curated by Manuela Filiaci & Carlo McCormick, Nello Studio di Corrado Levi, Milan, Italy.
The Acid Test, Sensory Evolution Gallery, New York, NY.
Aspects of the City, The Metropolitan Museum of Art, New York, NY.
Neo York, University of California at Santa Barbara, Santa Barbara, CA.
Street Politics, Real Art Waves, Hartford, CT.
Chill Out New York, curated by Steve L. Kaplan, Kenkeleba House, New York, NY.
Conspiracies, Limbo Lounge, New York, NY.
Carnival, Kamikaze, New York, NY.
10th St. & Avenue B/East Village Art Today, Newport Harbor Art Museum, Newport Beach, CA.
Extravaganza, Dramatic Personae Gallery, New York, NY.
Psychology, New York Public Library, Tompkins Square Branch, New York, NY.
In My End is My Beginning, Semaphore, New York, NY.
The New Portrait, curated by Jeffrey Deitch, P.S.1, Long Island City, NY.
Limbo, curated by Walter Robinson and Carlo McCormick, P.S.1, Long Island City, NY.
Climbing: The East Village, Hal Bromm Gallery, New York, NY.
Situation, curated by Steven L. Kaplan, Bess Cutler Gallery, New York, NY.
Dr. Mueller's Theotherapy, curated by Cookie Mueller, Kamikaze, New York, NY.
East Side Story, curated by Rick Prol, Cat Club, New York, NY.
Martin Wong & Sharp, Limbo Lounge, New York, NY.
Urban Artists, Kamikaze, New York, NY. |
|
1983 |
Gracie Mansion Presents, Kamikaze, New York, NY .
A. More Store, Jack Tilton Gallery, New York, NY.
Science Fair, Danceteria, New York, NY.
Science and Prophecy, curated by Steve Whitesell and Joel Handorff, White Columns, New York, NY.
Underdog, curated by Rick Prol, East 7th Street Gallery, New York, NY.
Lower East Side Polygon-Part II, Danceteria, New York, NY.
Contemporary Prints, Tibor de Nagy, New York, NY.
Terminal New York, Brooklyn Army Terminal, Brooklyn, NY.
Wish You'd Been Here, curated by Carlo McCormick, ABC No Rio, New York, NY.
Resurrection, St. Mark's Intercollegiate Church, New York, NY. |
|
1982 |
Group Show, 301 Houston Street Gallery, New York, NY.
Crime Show, curated by John Spencer, ABC No Rio, New York, NY.
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Selected Bibliography
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2006
2005
2004
2002
|
Frank 151. Book 22. cover reproduction.
Catalog. The Down Town Book” The New York Art Scene 1974-1984, p. 88, 183 (reproduction). Edited by Marvin J. Taylor. http://www.nyu.edu/greyart/exhibits/downtown/dthome.htm.
McCormick, Carlo. “East Village USA”, Juxtapoz, May/June 2005. p. 58, 59 (reproduction).
Catalog. “East Village USA,” New Museum of Contemporary Art, NY
(reproduction p. 31, 144).
Smith, Roberta. “Looking Back At the Flurry On the Far Side," The New York Times, December 2, 2004. E35 & E37.
Williams, J. “Whitewash of Mural Stains School Morale,” Daily News, Aug.11, 2004.
Petry, Michael. Hidden Histories: 20th Century Male Same Sex Lovers In The Visual Arts, Art Media Press, 2004. Published in Great Britain.
Banai, Nuit. “In the Groove,” Review of One Planet Under a Groove exhibition. www.artnet.com
Smith, Roberta. “Out of the Vociferous Planet and in the Orbit of Funk and Hip-Hop,” Review, Reproduction. New York Times, January 16, 2002. |
|
2001 |
Hill, Joe. Review. Art in America, September 2001. (reproduction)
Spiegel, Olga. “Cinco pintores cuestionan en la Pedrera con rabia y humor la sociedad de EE.UU,” La Vanguardia, January 30, 2001.
Molina, Angela. “La Pedrera muestra el humor y la rabia de 5 pintores norteamericanos,” ABC Cataluna, January 30, 2001.
Holland Carter, “Retrieving Magic From the Vault”, The New York Times, Weekend, Fine Arts, Review January 5, 2001. |
|
2000 |
Paolini, Elaine. “Shifting Geography Captured in Cityscapes,” New York Resident, July 26, 2000 (reproduction).
Catalog, The Figure: Another Side of Modernism. Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, Staten Island, NY. June 4, 2000 – January 14, 2001.
Bruce, Jeffrey. “Red Brick and Chain Link,” The International Review of African American Art, vol. 16, no. 4, p. 37- 41 (reproduction).
McCormick, Carlo. “Village Voice,” Artforum, March 2000, p. 22, 25. |
|
1999 |
“Martin Wong,” Milestones, POZ, November 1999, p. 44 (reproduction).
Cottini, Carrie. Review, “Martin Wong at First Street,” Artweek, November 1999.
“Portrait of the Artist: Martin Wong’s Days on North Coast Revealed in Exhibit,” Times-Standard, September 17, 1999, p. C1.
Doran, Bob. “Wong: The Eureka Years,” North Coast Journal, September 2, 1999.
Zamora, Jim Herron. Obituary, San Francisco Examiner, August 22, 1999.
Anderson, David. Obituary, “Artist Wong, ‘Human Instamatic,’ Dead at 53,” Times-Standard, August 19, 1999, front page.
Smith, Roberta. Obituary, “A Painter of Poetic Realism,” The New York Times, August 18, 1999.
Wong, Martin. “Martin Wong Meets Martin Wong,” Giant Robot, Summer 1999, p. 48-50.
The American Art Book, Phaidon, 1999, p. 496. |
|
1998-99 |
Kuspit, Donald. “Martin Wong at the New Museum of Contemporary Art,” Art New England, December/January, p. 13. |
|
1998 |
Maniaci, Cara. NY Arts, July/August 1998, p. 16.
Frankel, David. “Martin Wong,” Artforum, October 1998, p. 117.
Schwabsky, Barry. “A City of Bricks and Ciphers,” Art in America, September 1998, p. 100-105.
Cotter, Holland. “The Streets of a Crumbling El Dorado, Paved With Poetry and Desire,” The New York Times, Friday, June 5, 1998, p. E35.
Featured in Simon Says, Summer 1998, vol. 2, issue 10.
Porges, Tim. Dialogue, May/June 1998, p. 14-15.
Trebay, Guy. “The Bricklayer’s Art,” The Village Voice, May 26, 1998, p. 30.
Artforum, “Preview,” May 1998, p. 46. |
|
1997 |
Cotter, Holland. “Art and AIDS the Stuff Life is Made of,” Art in America, April 1997, p. 50 -56 (reproductions). |
|
1996 |
Zipangu, February 1996 (cover reproduction). |
|
1991 |
Harrison, Helen A. "Hidden Reserves of the Handicapped," The New York Times, December 22, 1991.
Hirsh, David. "Urban Realist Paints `Where I Live,'" Bay Area Reporter, February14, 1991.
Hess, Elizabeth. "The Persian Gulf School," Village Voice, February 12, 1991. |
|
1990 |
Hirsh, David, "From the Lower East Side," New York Native, October 15, 1990.
Hagen, Charles. "All That Jazz," ARTnews, February 1990. |
|
1989 |
Raven, Arlene. "Fo(u)r Freedoms," Village Voice, October 10, 1989.
Hedegaard, Erik. "Tenements to the Stars," Mother Jones, July/August 1989.
Hirsh, David. "The Center Show," New York Native, June 26, 1989.
McCormick, Carlo. Artforum, March 1989.
Sturman, John. "Martin Wong," ARTnews, March 1989.
Zinsser, John. "Martin Wong at EXIT ART and Frank Bernaducci," Art in America, March 1989.
Mahoney, Robert. Arts, February 1989.
Atkins, Robert. International Art Arena, February 1989. |
|
1988 |
Atkins, Robert. 7 Days, December 7, 1988.
Hess, Elizabeth. "Working the Street," Village Voice, November 29, 1988.
Urquhart, Ross. "Art Reviews," The New Common Good, February 1988. |
|
1986 |
Levin, Kim. Semaphore, The Village Voice, October 21, 1986.
Brenson, Michael. Semaphore, The New York Times, Friday, October 3, 1986.
Martin, Richard. "What is Absent in Objects: The New Painting of Martin Wong," Arts, October 1986.
Lewis, Joe. "The Vanishing Neighborhood," East Village Eye, April 1986.
Cameron, Dan. "Image and Authority: The Recent Painting of Martin Wong," Arts, January 1986.
O'Brien Glenn. Semaphore East, Artforum, January 1986. |
|
1985 |
Haggerty, Gerald. Semaphore East, The New York Times, Friday, October 25, 1985.
Raynor, Vivien. Semaphore East, The New York Times, Friday, October 25, 1985.
Deitch, Jeffrey and Kuspit, Donald. "Critics Picks," Avenue, May 1985.
Mittelmark, Howard. "Loony at the Top," Art & Antiques, January 1985.
Urquhart, Ross. "Resisting the Insular Art World," The New Common Good, January 1985. |
|
1984 |
Tajima, Marsha. "Poet of Decay," Bridge, 1984, vol. 9, no. 3/4.
O'Brien, Glenn. Semaphore East, Artforum, December 1984.
Hoffman, Randi. "Big Painting Disappears Without a Trace," The Uptown Dispatch, November 22, 1984.
Wolff, Theodore F. "Views of the City That Inspire and Graffiti That Do Not," Christian-Science Monitor, November 27, 1984.
Henry, Gerrit. "Semaphore," Art in America, November 1984.
Ramirez-Harwood, Yasmin. "Writing in the Sky: An Interview With Martin Wong," East Village Eye, October 1984.
Indiana, Gary. "The `Private' Collector: An Interview with Norman Dubrow," Village Voice, October 23, 1984.
Mucahy, Susan. "Deep in the Art of the East Village," New York Post, October 22, 1984.
Olstrom, Mary Ann. "'Priceless' Art Irks Dealer," New York Magazine, October 15, 1984.
Somaini, Luisa. "Le pezzie de `post' arrivano sui Navigli-Ecco l'arte del `East Village,'" La Repubblica, October 6, 1984.
Cotter, Holland. "Martin Wong," Arts, September 1984.
Robinson, Walter and McCormick, Carlo. "Slouching Toward Avenue D," Art in America, Summer 1984.
Kuspit, Donald. "Climbing," Artforum, April 1984.
Mueller, Cookie. "Small Works," Details, March 1984. |
|
1983 |
Raynor, Vivien. "Climbing: The East Village," The New York Times, January 27, 1984.
|
|
Selected Books and Catalogues
The Metropolitan Museum of Art, Nueva Pintura Narrative: Coleccion del Metropolitan Museum of Art, Nueva York, Mexico, D.F., November - December 1984, Introduction by William S. Lieberman.
EXIT ART, New York, 1988, Essay by John Yau, bio.
The Regents of the University of California, New York, Santa Barbara, California, 1984, Forward by J. David Farmer, text by Phyllis Plous, Dan Cameron, Walter Robinson, Michael Kohn, and Carlo McCormick Bucknell University.
Contemporary Perspectives, Lewisberg, Pennsylvania, 1984, text by Barry Blinderman, Thomas Lawson, and Susan Morgan.
The Metropolitan Museum of Art, Notable Acquisitions 1984-1985, New York, 1985, forward by Philippe de Montebello.
Contemporary Art Auction to benefit El Bohio, New York, 1985, forward by Gary Indiana.
The Greenville County Museum of Art, Innocence and Experience, Greenville, South Carolina, 1985, text by Thomas S. Styron, Sotheby's.
Illustrated "A Christmas Story," by Roger Rosenblatt, Time, December 30, 1985.
Art Aid, New York, 1986, forward by William J. MacGuire.
Fine Arts Center Gallery, State University of New York at Stony Brook, Eight Urban Artists, 1986, introduction by Rhonda Cooper, Special Projects.
Lippard, Lucy. Mixed Blessings: New Art in Multicultural America. The New Press, 1990.
The Decade Show : Frameworks of Identity in the 1980’s, 1990, Introduction by Nilda Peraza. Marcia Tucker and Kinshasha Conwill.
"I am U, U are 2," a computerized animation project, part of the "Messages to the Public" series sponsored by Public Art Fund, Inc., Spectacolor Board at Times Square, NYC.
An All-Salute to Chinese American Cultural Pioneers Presented by the N.Y. City Council President Andrew Stein and the Chinese American Art Council, 1993.
Murder, John Yau, Smart Art Press, 1995.
The Art of the State of California, Harry N. Abrams, 1998.
Sweet Oblivion: The Urban Landscape of Martin Wong, Amy Scholder (ed.), Rizzoli, 1998.
The Figure: Another Side Of Modernism, Snug Harbor Cultural Center, 2000.
Humor and Rage, Fundacio Caixa, Catalunxa, Barcelona, Spain, 2001.
One Planet Under A Groove: Hip Hop and Contemporary Art, Bronx Museum of the Arts, 2001.
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Public Collections
Metropolitan Museum of Art
Bronx Museum of Art
California State Building in San Fransisco
Syracuse University Art Collection
New York Historical Society
Whitney Museum of American Art
Humboldt State University, Arcata, California
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